Written by Stephen Johnson
Curated by Jimena Ortuzar
“Romulus… a melancholy ruin—far more desolate than the majestic forest that Henry Lamb found. Now there is nothing but tumbling walls and broken roofs and weed hidden paths and cold and barren fireplaces.” 1
In the mid-1890s, the poet and local historian Robert Kirkland Kernighan traveled the rural township of Beverly, halfway between Hamilton and Guelph in Southern Ontario, delving among the ruins for local stories. He found the tale of Henry Lamb, a pioneer settler of Upper Canada who, during the early part of the nineteenth century, mapped out a great city called Romulus, which he intended to build in Beverly Township. Like any great city, Romulus was to include a "first-class theatre." 2
Kernighan reports that this venture was a significant failure, and then takes readers on a tour of the ruins of Lamb's house, tavern, and gristmill. He describes the hubris of someone who would plan such a place in Beverly—most famous for its swampland—and expresses nostalgia for a time when "there were giants" in the land.2 So fully conceived was the plan for Romulus that local residents still referred to "the site of the proposed Catholic cathedral" some seventy years later.3 Clearly Henry Lamb had left a mark on the community, though there were no architectural traces.
According to local legend, Lamb advertised in Britain for immigrant settlers, promising to build a city with a market square, cricket grounds, race course, concert hall, ballroom, and "a first-class theatre." The promise of a theatrical venue in a town plan was unusual for the time and region, not least because it was in the middle of an old growth forest. There is a strong possibility that the plans for Romulus were informed by Lamb's devotion to the secretive, and theatre-friendly, Freemasonic movement. The Freemasons were bastions of both enlightenment radicalism, and then of British imperialism; as such, they encouraged Lamb to build a prosperous life as a self-made man in a hostile environment, to dream of building a city in the wilderness—and to misjudge his intended community. Settlers at this time were more at ease with and in need of a popular performance culture, of outdoor rituals and kitchen parties, tavern songs and mechanics institute meetings, and not (or not yet) a theatre. Lamb’s plans for an enlightened city expressed the desire for the orderly, architectural administration of society in a world of improvised spaces.
“Henry Lamb built his city on a rock, and he and his were determined to be buried in the middle of the town. The bodies were placed in their rude coffins side by side on top of the ground and were covered with tons of great stones. A stonewall was build around them and this filled in and over with soil, so that when it was finished it formed a cairn 18x27 at the base and ten feet high. There they slept peacefully like the ancient Egyptian kings and queens in the pyramidal tombs, and every night the wolves foregathered above them and fought for the highest seats of the mighty. Today these graves are unkempt and the wall in ruins. Groundhogs make their homes there down among the dead men’s bones and the wind and weather of three quarters of a century have left the cairn only four feet high.”4
1 R. K. Kernighan (The Khan), “A City that Was Not Built” in Pen and Pencil Sketches of Wentworth Landmarks, Mrs. Dick-Lauder et al. Hamilton, Ont: Spectator Printing Company, 1897, 118.
2 The text for this exhibit was adapted from an article by Stephen Johnson: "Romulus and Ritual in the Beverly Swamp: A Freemason Dreams of Theatre in Pre-confederation Ontario." Theatre Research in Canada 35:1 (Spring 2014) pp 9-30.
3 R. K. Kernighan (The Khan), “A City that Was Not Built” in Pen and Pencil Sketches of Wentworth Landmarks, Mrs. Dick-Lauder et al. Hamilton, Ont: Spectator Printing Company, 1897, 118.
4 R. K. Kernighan (The Khan), “A City that Was Not Built” in Pen and Pencil Sketches of Wentworth Landmarks, Mrs. Dick-Lauder et al. Hamilton, Ont: Spectator Printing Company, 1897, 123.
5 R. K. Kernighan (The Khan), “A City that Was Not Built” in Pen and Pencil Sketches of Wentworth Landmarks, Mrs. Dick-Lauder et al. Hamilton, Ont: Spectator Printing Company, 1897, 120.