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      <image:title>Oral Histories Blog - Kevin Rees (emergency exit) Interviewed by Dr. Mike Reinhart - Make it stand out</image:title>
      <image:caption>Not for All This ( a little anthem before the lights go out). Harbourfront Centre, 2003.</image:caption>
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      <image:title>Oral Histories Blog - Kevin Rees (emergency exit) Interviewed by Dr. Mike Reinhart - Make it stand out</image:title>
      <image:caption>DISPATCH. Buddies in Bad Times Antichamber, 2006.</image:caption>
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      <image:title>Oral Histories Blog - Kevin Rees (emergency exit) Interviewed by Dr. Mike Reinhart - Make it stand out</image:title>
      <image:caption>The Evening News (small craft warnings). Buddies in Bad Times Mainspace, Nuit Blanche, 2012.</image:caption>
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    <loc>https://gatheringspartnership.com/oral-histories-1/2022/5/26/shira-taylor-interviewed-by-robert-motum</loc>
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    <lastmod>2022-05-31</lastmod>
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      <image:title>Oral Histories Blog - Shira Taylor Interviewed by Robert Motum - Make it stand out</image:title>
      <image:caption>Director Shira Taylor celebrates a successful show in Kapuskasing, Ontario to kick off SExT's 2018 National Tour. Photo by Thuriga Bala</image:caption>
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      <image:title>Oral Histories Blog - Shira Taylor Interviewed by Robert Motum - Make it stand out</image:title>
      <image:caption>Charmaine Chang and Lauren Chang serenade a Zoom audience about the 10 steps to condom use during a virtual pandemic performance. Photo by Shira Taylor</image:caption>
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      <image:caption>Fringe promotional graphic featuring Joseph Zita as The Rona, Emma Wheaton as Captain Condom, and Michelle Nyamekye as The Clap. Graphic by Isfandyar Virani</image:caption>
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    <loc>https://gatheringspartnership.com/oral-histories-1/2021/10/15/bruce-horak-interviewed-by-jessica-watkin</loc>
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      <image:title>Oral Histories Blog - Bruce Horak Interviewed by Jessica Watkin - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Oral Histories Blog - Bruce Horak Interviewed by Jessica Watkin - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Oral Histories Blog - Bruce Horak Interviewed by Jessica Watkin - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://gatheringspartnership.com/oral-histories-1/2021/7/18/marjorie-purvey-by-maria-meindl</loc>
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      <image:title>Oral Histories Blog - Marjorie Purvey and the Toronto School of Drama - Make it stand out</image:title>
      <image:caption>FRANK CHAMBERLAIN The Globe and Mail (1936-Current); May 15, 1945; ProQuest Historical Newspapers: The Globe and Mail pg. 11</image:caption>
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      <image:title>Oral Histories Blog - Marjorie Purvey and the Toronto School of Drama</image:title>
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      <image:title>Oral Histories Blog - Marjorie Purvey and the Toronto School of Drama - Our Town script with Gerald Isaac notes p. 1</image:title>
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      <image:title>Oral Histories Blog - Marjorie Purvey and the Toronto School of Drama - Our Town script with Gerald Isaac notes p. 2</image:title>
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      <image:title>Oral Histories Blog - Marjorie Purvey and the Toronto School of Drama - "Bushel for Bushel" Ditto/Mimeograph script p. 1</image:title>
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      <image:title>Oral Histories Blog - Marjorie Purvey and the Toronto School of Drama - "Bushel for Bushel" Ditto/Mimeograph script p. 2</image:title>
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      <image:title>Oral Histories Blog - Marjorie Purvey and the Toronto School of Drama - "NARRATION"</image:title>
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    <loc>https://gatheringspartnership.com/oral-histories-1/2021/5/27/jessica-watkin-interviewed-by-sarah-robbins</loc>
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    <lastmod>2021-07-18</lastmod>
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      <image:title>Oral Histories Blog - Jessica Watkin Interviewed by Sarah Robbins - Make it stand out</image:title>
      <image:caption>Photograph by Kevin Bryan</image:caption>
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      <image:title>Oral Histories Blog - Jessica Watkin Interviewed by Sarah Robbins - Make it stand out</image:title>
      <image:caption>© Brian Bradley, Toronto Star. Watkin with the production team of Literally Titanium: (from left) director Sanja Vadovnik, dramaturge Jessica Watkin, producers Alia Rasul and Sabrina Friedman, stage manager Connor Low (left), and performer Ophira Calof (centre).</image:caption>
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    <lastmod>2021-04-19</lastmod>
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      <image:title>Oral Histories Blog - Força (Julia Matias) Interviewed by Sarah Robbins</image:title>
      <image:caption>Photography by Marisa Parisella</image:caption>
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      <image:title>Oral Histories Blog - Força (Julia Matias) Interviewed by Sarah Robbins</image:title>
      <image:caption>Photography by Dominic Ali</image:caption>
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      <image:title>Oral Histories Blog - Força (Julia Matias) Interviewed by Sarah Robbins</image:title>
      <image:caption>Photography by Viktor S. DeVice</image:caption>
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    <loc>https://gatheringspartnership.com/oral-histories-1/2021/2/9/annie-wong-interviewed-by-matt-jones</loc>
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    <lastmod>2021-05-04</lastmod>
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      <image:title>Oral Histories Blog - Annie Wong Interviewed by Matt Jones</image:title>
      <image:caption>A Choir in Demands and Desires of Repeat, in collaboration with Faith Arkorful, Fiona Raye Clarke, Hanan Hazime, Angela Sun, and Rebecca Sweets (Toronto). Photo by Yuula Benivolski © Gardiner Museum 2018. Used with permission of the artist.</image:caption>
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      <image:title>Oral Histories Blog - Annie Wong Interviewed by Matt Jones</image:title>
      <image:caption>A Choir of Demands and Desires on Repeat performed on Zoom (2020). Used with permission of the artist.</image:caption>
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    <loc>https://gatheringspartnership.com/oral-histories-1/2021/2/9/alex-mclean-interviewed-by-matt-jones</loc>
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    <lastmod>2021-02-09</lastmod>
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      <image:title>Oral Histories Blog - Alex McLean Interviewed by Matt Jones</image:title>
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    <loc>https://gatheringspartnership.com/oral-histories-1/2020/10/16/ryan-kerr-interviewed-by-jenn-cole</loc>
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    <lastmod>2020-10-16</lastmod>
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      <image:title>Oral Histories Blog - Ryan Kerr interviewed by Jenn Cole</image:title>
      <image:caption>Ryan Kerr (right) at the Theatre on King, Peterborough, July 2018. Photo by Andy Carroll.</image:caption>
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  <url>
    <loc>https://gatheringspartnership.com/oral-histories-1/2020/10/16/interviews-with-inuit-performance-artists</loc>
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    <lastmod>2020-10-16</lastmod>
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    <loc>https://gatheringspartnership.com/oral-histories-1/2020/7/29/hillar-liitoja-interviewed-by-michael-reinhart</loc>
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    <priority>0.5</priority>
    <lastmod>2020-07-29</lastmod>
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      <image:title>Oral Histories Blog - Hillar Liitoja interviewed by Michael Reinhart</image:title>
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      <image:title>Oral Histories Blog - Hillar Liitoja interviewed by Michael Reinhart</image:title>
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    <loc>https://gatheringspartnership.com/oral-histories-1/2019/5/29/fay-slift-interviewed-by-cameron-crookston</loc>
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    <lastmod>2019-05-29</lastmod>
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      <image:title>Oral Histories Blog - Fay Slift interviewed by Cameron Crookston</image:title>
      <image:caption>Photo by David Hawe</image:caption>
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      <image:title>Oral Histories Blog - Fay Slift interviewed by Cameron Crookston</image:title>
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      <image:title>Oral Histories Blog - Fay Slift interviewed by Cameron Crookston</image:title>
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      <image:title>Oral Histories Blog - Fay Slift interviewed by Cameron Crookston</image:title>
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      <image:title>Oral Histories Blog - Fay Slift interviewed by Cameron Crookston</image:title>
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      <image:title>Oral Histories Blog - Fay Slift interviewed by Cameron Crookston</image:title>
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    <image:image>
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      <image:title>Oral Histories Blog - Fay Slift interviewed by Cameron Crookston</image:title>
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    <image:image>
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      <image:title>Oral Histories Blog - Fay Slift interviewed by Cameron Crookston</image:title>
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    <image:image>
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      <image:title>Oral Histories Blog - Fay Slift interviewed by Cameron Crookston</image:title>
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  <url>
    <loc>https://gatheringspartnership.com/oral-histories-1/2018/5/3/kate-story-interview-by-jenn-cole</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-05-31</lastmod>
    <image:image>
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      <image:title>Oral Histories Blog - Kate Story interviewed by Jenn Cole</image:title>
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      <image:title>Oral Histories Blog - Kate Story interviewed by Jenn Cole</image:title>
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    <image:image>
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      <image:title>Oral Histories Blog - Kate Story interviewed by Jenn Cole</image:title>
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      <image:title>Oral Histories Blog - Kate Story interviewed by Jenn Cole</image:title>
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      <image:title>Oral Histories Blog - Kate Story interviewed by Jenn Cole</image:title>
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      <image:title>Oral Histories Blog - Kate Story interviewed by Jenn Cole</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1558807692168-IGQ0V1W3X5EAALDW9UVU/Festivus+Rattius+5.jpg</image:loc>
      <image:title>Oral Histories Blog - Kate Story interviewed by Jenn Cole</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1558807715531-MH9BTII5LG6994U243UK/Festivus+Rattius1.jpg</image:loc>
      <image:title>Oral Histories Blog - Kate Story interviewed by Jenn Cole</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1558807717728-5AOG2NZ8FB38HP01J6RL/festivusrattius6.jpg</image:loc>
      <image:title>Oral Histories Blog - Kate Story interviewed by Jenn Cole</image:title>
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    <image:image>
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      <image:title>Oral Histories Blog - Kate Story interviewed by Jenn Cole</image:title>
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  </url>
  <url>
    <loc>https://gatheringspartnership.com/oral-histories-1/2019/5/23/pierre-simpson-by-matt-jones</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-05-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1558642402829-2L9YRVJF7Y1CYCPDMN7K/Pierre+Simpson+%28Pierre+Gautreau+2016%29</image:loc>
      <image:title>Oral Histories Blog - Pierre Simpson Interviewed by Matt Jones</image:title>
      <image:caption>Pierre Gautreau 2016.</image:caption>
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    <image:image>
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      <image:title>Oral Histories Blog - Pierre Simpson Interviewed by Matt Jones</image:title>
      <image:caption>Pierre Simpson in “Frères d’hiver,”Zones Théâtrales, Centre National des Arts, 2011(Photo: Marianne Duva)</image:caption>
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    <image:image>
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      <image:title>Oral Histories Blog - Pierre Simpson Interviewed by Matt Jones</image:title>
      <image:caption>Pierre Simpson in When It Rains (Photo: 2b Theatre)</image:caption>
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  </url>
  <url>
    <loc>https://gatheringspartnership.com/oral-histories-1/2019/3/11/dino-goncalves-interviewed-by-matt-jones</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-05-30</lastmod>
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      <image:title>Oral Histories Blog - Dino Goncalves interviewed by Matt Jones</image:title>
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      <image:title>Oral Histories Blog - Dino Goncalves interviewed by Matt Jones</image:title>
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      <image:title>Oral Histories Blog - Dino Goncalves interviewed by Matt Jones</image:title>
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      <image:title>Oral Histories Blog - Dino Goncalves interviewed by Matt Jones</image:title>
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    <image:image>
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      <image:title>Oral Histories Blog - Dino Goncalves interviewed by Matt Jones</image:title>
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    <image:image>
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      <image:title>Oral Histories Blog - Dino Goncalves interviewed by Matt Jones</image:title>
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    <image:image>
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      <image:title>Oral Histories Blog - Dino Goncalves interviewed by Matt Jones</image:title>
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  </url>
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    <loc>https://gatheringspartnership.com/oral-histories-1/2019/3/11/greg-macarthur-interviewed-by-gabrielle-houle</loc>
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    <priority>0.5</priority>
    <lastmod>2019-05-29</lastmod>
  </url>
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    <loc>https://gatheringspartnership.com/theatre-buildings</loc>
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    <priority>0.75</priority>
    <lastmod>2020-02-16</lastmod>
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      <image:title>Theatre Buildings</image:title>
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  </url>
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    <loc>https://gatheringspartnership.com/theatre-buildings/2020/2/16/broadway-theatre</loc>
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    <priority>0.5</priority>
    <lastmod>2020-02-16</lastmod>
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      <image:title>Theatre Buildings - Broadway Theatre</image:title>
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      <image:title>Theatre Buildings - Broadway Theatre</image:title>
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  <url>
    <loc>https://gatheringspartnership.com/theatre-buildings/2020/2/16/madison</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-16</lastmod>
  </url>
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    <loc>https://gatheringspartnership.com/theatre-buildings/2020/2/16/the-allen</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-14</lastmod>
    <image:image>
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      <image:title>Theatre Buildings - The Allen</image:title>
      <image:caption>View of the slanting floor from the rear of the Tivoli Theatre, circa 1930. City of Toronto Archives, Fonds 251, Series 1278, File 160.</image:caption>
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  </url>
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    <loc>https://gatheringspartnership.com/theatre-buildings/2020/2/16/pantages-theatre</loc>
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    <priority>0.5</priority>
    <lastmod>2020-02-16</lastmod>
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      <image:title>Theatre Buildings - Pantages Theatre</image:title>
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    <image:image>
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      <image:title>Theatre Buildings - Pantages Theatre</image:title>
      <image:caption>Taylor, Doug. “Pantages.” Toronto Theatres and the Golden Age of the Silver Screen. History Press, 2014.</image:caption>
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  </url>
  <url>
    <loc>https://gatheringspartnership.com/theatre-buildings/2020/2/16/loews-uptown-theatre</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-16</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1581859787901-1ODWFSOFOBOJE78XMQB9/Screen+Shot+2020-02-16+at+8.28.32+AM.png</image:loc>
      <image:title>Theatre Buildings - Loew's Uptown Theatre</image:title>
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    <image:image>
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      <image:title>Theatre Buildings - Loew's Uptown Theatre</image:title>
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    <image:image>
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      <image:title>Theatre Buildings - Loew's Uptown Theatre</image:title>
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    <image:image>
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      <image:title>Theatre Buildings - Loew's Uptown Theatre</image:title>
      <image:caption>Date: 1935-37.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1581860103395-4WD7R3R021ZJG34ZTEI5/Screen+Shot+2020-02-16+at+8.28.56+AM.png</image:loc>
      <image:title>Theatre Buildings - Loew's Uptown Theatre</image:title>
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    <image:image>
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      <image:title>Theatre Buildings - Loew's Uptown Theatre</image:title>
      <image:caption>Children at Dress Rehearsal - Dec. 24, 1924.</image:caption>
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  </url>
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    <loc>https://gatheringspartnership.com/theatre-buildings/2019/8/14/hart-house-theatre</loc>
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    <priority>0.5</priority>
    <lastmod>2019-08-14</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1565801202611-AP0GZ2ZK6EC0OLBK9GX5/HH001168_drama%EF%80%A2theatre.jpg</image:loc>
      <image:title>Theatre Buildings - Hart House Theatre</image:title>
      <image:caption>Hart House Theatre Auditorium circa 1930. “About.” Hart House 100th Anniversary, University of Toronto, 2019. www.harthouse100.ca/about-us/</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1565801058152-PULAGPONG2NCI63JG3V5/dsc0188.jpg</image:loc>
      <image:title>Theatre Buildings - Hart House Theatre</image:title>
      <image:caption>Hart House Theatre Stage, circa 2013. “Theatre Rentals.” Hart House, University of Toronto, 2013 harthouse.ca/theatre-rentals/</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1565801307252-94T8DUEI7EWPSOECU7NE/dsc0178.jpg</image:loc>
      <image:title>Theatre Buildings - Hart House Theatre</image:title>
      <image:caption>Hart House Theatre Entrance, circa 2013. “Theatre Rentals.” Hart House, University of Toronto, 2013, harthouse.ca/theatre-rentals/</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1565801532188-JOZXM9292QF2SU4OME6O/dsc0022.jpg</image:loc>
      <image:title>Theatre Buildings - Hart House Theatre</image:title>
      <image:caption>Hart House Theatre, Stage Right Wing, circa 2013. “Theatre Rentals.” Hart House, University of Toronto, 2013, harthouse.ca/theatre-rentals/</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1565801599870-39C5SP6ZZ249MUU4DHML/dsc0026.jpg</image:loc>
      <image:title>Theatre Buildings - Hart House Theatre</image:title>
      <image:caption>Hart House Theatre, Stage Left Wing. “Theatre Rentals.” Hart House, University of Toronto, 2013, harthouse.ca/theatre-rentals/</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1565801627272-PEEAHI59NEDQENVE24GJ/dsc0103.jpg</image:loc>
      <image:title>Theatre Buildings - Hart House Theatre</image:title>
      <image:caption>Hart House Theatre, Lobby circa 2013. “Theatre Rentals.” Hart House, University of Toronto, 2013, harthouse.ca/theatre-rentals/</image:caption>
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  </url>
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    <loc>https://gatheringspartnership.com/theatre-buildings/2019/8/8/toronto-opera-house</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-08-08</lastmod>
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    <loc>https://gatheringspartnership.com/theatre-buildings/2019/7/26/royal-alexandra-theatre</loc>
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    <priority>0.5</priority>
    <lastmod>2019-07-26</lastmod>
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      <image:title>Theatre Buildings - Royal Alexandra Theatre</image:title>
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    <image:image>
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      <image:title>Theatre Buildings - Royal Alexandra Theatre</image:title>
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    <image:image>
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      <image:title>Theatre Buildings - Royal Alexandra Theatre</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/theatre-buildings/2019/4/22/sheas-yonge-street-theatre</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-08-08</lastmod>
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  <url>
    <loc>https://gatheringspartnership.com/theatre-buildings/2019/4/22/sheas-victoria-street-theatre</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1555937669087-E7T7263VZTN70GGVPO68/Shea%27s+Theatre%2C+Victoria+Street%2C+s.e.cor.+Richmond+St.+E..jpg</image:loc>
      <image:title>Theatre Buildings - Shea's Victoria Street Theatre</image:title>
      <image:caption>Shea's Theatre, Victoria Street, s.e.cor. Richmond St. E..jpg - 1955 Salmon, James Victor. "Shea's Theatre, Victoria Street, s.e. cor. Richmond St. E." Toronto Public Library. Toronto Reference Library, Baldwin Collection, S 1-3287. www.torontopubliclibrary.ca/detail.jsp?Entt=RDMDC-PICTURES-R-5617&amp;R=DC-PICTURES-R-5617</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1555937857971-00UI40TSWN7XHZC34YH6/Auditorium+of+the+Victoria.jpg</image:loc>
      <image:title>Theatre Buildings - Shea's Victoria Street Theatre</image:title>
      <image:caption>Auditorium of the Victoria Taylor, Doug. "Toronto's old Shea's Victoria Theatre." Historic Toronto: Information on Toronto's History. April 2017. tayloronhistory.com/2015/04/17/torontos-old-sheas-victoria-theatre/</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1555939641197-4BLZ5MLL3L2II8K3OIPI/Victoria+Theatre+Lobby.jpg</image:loc>
      <image:title>Theatre Buildings - Shea's Victoria Street Theatre</image:title>
      <image:caption>Shea’s Victoria Theatre - Lobby - 1946 Taylor, Doug. "Toronto's old Shea's Victoria Theatre." Historic Toronto: Information on Toronto's History. April 2017. tayloronhistory.com/2015/04/17/torontos-old-sheas-victoria-theatre/</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1555939748337-SO0R45OUNOVBJ1CSIJNO/Victoria+Theatre+Auditorium+2.jpg</image:loc>
      <image:title>Theatre Buildings - Shea's Victoria Street Theatre</image:title>
      <image:caption>Auditorium of the Victoria, the organ and organist visible on the left-thand side of the stage. Photo Toronto Archives, Series 1278 File 166 Taylor, Doug. "Toronto's old Shea's Victoria Theatre." Historic Toronto: Information on Toronto's History. April 2017. tayloronhistory.com/2015/04/17/torontos-old-sheas-victoria-theatre/</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1555937941749-EB3JMK83UHFINRRONOUR/Shea%27s+Theatre%2C+Victoria+St.%2C+view+from+rear+during+demolition+.jpg</image:loc>
      <image:title>Theatre Buildings - Shea's Victoria Street Theatre</image:title>
      <image:caption>Shea's Theatre, Victoria St., view from rear during demolition - 1956 Salmon, James Victor. "Shea's Theatre, Victoria St., s.e. cor. Richmond St. E.; view from rear, during demolition." Toronto Public Library. Toronto Reference Library, Baldwin Collection, S 1-3524A. www.torontopubliclibrary.ca/detail.jsp?Entt=RDMDC-PICTURES-R-5615&amp;R=DC-PICTURES-R-5615</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/theatre-buildings/2019/4/21/sheas-hippodrome</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1555865051768-A2P2P87WNV6VIVH0ZI0X/Shea%27s+Hippodrome+Exterior.jpg</image:loc>
      <image:title>Theatre Buildings - Shea's Hippodrome</image:title>
      <image:caption>Shea’s Hippodrome Salmon, James Victor. "Shea's Hippodrome, Bay St., w. side, s. of Albert St." 1953. Toronto Reference Library, Baldwin Collection, S 1-2569. www.torontopubliclibrary.ca/detail.jsp?Entt=RDMDC-PICTURES-R-4067&amp;R=DC-PICTURES-R-4067 Salmon's silver gelatin print, Acc. S 2-2569; 129 x 177 mm.; Inscribed by him in dark blue ballpoint pen, vso t.: Shea's Hippodrome Theatre 80 ft south of the s/w cor. of Bay &amp; / Albert St. Apr. 3/55|1953 Apr 03</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1555865102820-CAA6AK88IYPZH8DJ668B/Shea%27s+Hippodrome+Interior.png</image:loc>
      <image:title>Theatre Buildings - Shea's Hippodrome</image:title>
      <image:caption>Shea’s Hippodrome - Interior Auditorium and Stage of Shae's Hippodrome. Ontario Archives, RG 56-11-0-325. books.google.ca/books?id=zHyACQAAQBAJ&amp;pg=PT28&amp;lpg=PT28&amp;dq=Shea's+hippodrome&amp;source=bl&amp;ots=BWpV3V9pn0&amp;sig=V18EmYYV_Gw7mmV2lsH9EYTZ_Jo&amp;hl=en&amp;sa=X&amp;ved=0ahUKEwignOqAxebTAhVq2IMKHZT6DSs4ChDoAQgzMAU#v=onepage&amp;q=Shea's%20hippodrome&amp;f=false</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1555865182050-6KO9ZAP44RO7FWGO1FWU/Shea%27s+Hippodrome+Interior+2.jpg</image:loc>
      <image:title>Theatre Buildings - Shea's Hippodrome</image:title>
      <image:caption>Shea’s Hippodrome - Interior - 1914 Taylor, Doug. "Memories of Toronto's Shea's Hippodrome Theatre." Historic Toronto: Information on Toronto's History. tayloronhistory.com/2012/03/06/old-movie-houses-of-toronto-fond-memories-of-sheas-hippodrome/</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/theatre-buildings/2019/4/21/royal-lyceum-theatre</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1555864651092-VXZGZ8SLWMUYYWIE10PD/Royal+Lyceum+Theatre+-+Exterior.jpg</image:loc>
      <image:title>Theatre Buildings - Royal Lyceum Theatre</image:title>
      <image:caption>Royal Lyceum Theatre - Exterior Cotton, John Wesley. "Royal Lyceum Theatre, King St. W., s. side, between Bay &amp; York Sts." Toronto Public Library. Toronto Reference Library, Baldwin Collection, JRR 857. www.torontopubliclibrary.ca/detail.jsp?R=DC-PICTURES-R-6837</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1555864696419-D7TZIAVYSH75CI2RQQAY/Royal+Lyceum+Theatre+-+Groundplan.jpg</image:loc>
      <image:title>Theatre Buildings - Royal Lyceum Theatre</image:title>
      <image:caption>Granger, Francis Hincks. "Royal Lyceum Theatre, King St. W., s. side, between Bay &amp; York Sts.; interior, ground floor plan." Toronto Public Library. Toronto Reference Library, Baldwin Collection, B 2-68b. www.torontopubliclibrary.ca/detail.jsp?Entt=RDMDC-PICTURES-R-6511&amp;R=DC-PICTURES-R-6511</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1555864731562-J586L02QWYSZES7Q8Y3I/Royal+Lyceum+Theatre+-+Interior.jpg</image:loc>
      <image:title>Theatre Buildings - Royal Lyceum Theatre</image:title>
      <image:caption>Royal Lyceum Theatre - Interior Granger, Francis Hincks. "Royal Lyceum Theatre, King St. W., s.side, between Bay &amp; York Sts.; interior, view from stage." Toronto Reference Library, Baldwin Collection, B 2-68a. www.torontopubliclibrary.ca/detail.jsp?R=DC-PICTURES-R-6509</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/theatre-buildings/2019/4/21/regent-theatre</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1555863899473-DTZ56Q73IHJX8FO2RLLG/Regent+Theatre+Interior.jpg</image:loc>
      <image:title>Theatre Buildings - Regent Theatre</image:title>
      <image:caption>Regent Theatre Interior - 1927 "About/History." The Regent Theatre Toronto. regenttoronto.com/about/ City of Toronto Archives, Series 1278, File 27.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1555863992880-T8ZB2UH6NLABCAIX4ZDX/Regent+Theatre+Orchestra+Rehearsal+-+1927.jpg</image:loc>
      <image:title>Theatre Buildings - Regent Theatre</image:title>
      <image:caption>Regent Theatre - Orchestra Rehearsal - 1927 "Regent Theatre Orchestra" City of Toronto Archives. Fonds 1266, Item 10106.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1555864095963-DVMM61B3HST3JECIECRV/Belsize+Theatre+Exterior.jpg</image:loc>
      <image:title>Theatre Buildings - Regent Theatre</image:title>
      <image:caption>Belsize Theatre - Exterior - Taylor, Doug. "Toronto's old movie theatres - the Regent (the Belsize, the Crest)". Historic Toronto. City of Toronto Archives, Series 1278, File 27. tayloronhistory.com/2013/12/21/torontos-old-movie-theatresthe-regent-mt-pleasant/</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1555864162440-EP84MA05GBXX1P3ERDBR/Belsize+Theatre+Lobby.jpg</image:loc>
      <image:title>Theatre Buildings - Regent Theatre</image:title>
      <image:caption>Belsize Theatre - Lobby Taylor, Doug. "Toronto's old movie theatres - the Regent (the Belsize, the Crest)". Historic Toronto. City of Toronto Archives, Series 1278, Fl. 27. tayloronhistory.com/2013/12/21/torontos-old-movie-theatresthe-regent-mt-pleasant/</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1555864219164-I7ZM984PIJKKJ29ERUUL/Regent+Theatre+Interior+2.jpg</image:loc>
      <image:title>Theatre Buildings - Regent Theatre</image:title>
      <image:caption>Regent Theatre - Interior "About/History." The Regent Theatre Toronto. regenttoronto.com/about/</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/theatre-buildings/2019/4/21/queens-theatre</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1555863558068-OKVDMBRMVLZ9OKYNDVMI/Queen%27s+Theatre+-+Watercolour+1912.jpg</image:loc>
      <image:title>Theatre Buildings - Queen's Theatre</image:title>
      <image:caption>Cf. pen &amp; ink drawing 189? by W. J. Thomson reproduced in Landmarks of Toronto v.1, p.490, and also pen &amp; ink drawing, ca 1888? reproduced in Evening Telegram series 'Landmarks of Toronto' 16 May 1889. Former printed JRR caption referred to the present as 1913, and described the building as "Originally Second Drill Shed in City." Thomson, W.J. "Queen's Theatre, King St. W., n. side, betw. Bay &amp; York Sts." Virtual Reference Library. Baldwin Collection, Toronto Reference Library, JRR 858. Accessed June 21, 2017. www.torontopubliclibrary.ca/detail.jsp?Entt=RDMDC-PICTURES-R-5399&amp;R=DC-PICTURES-R-5399&amp;searchPageType=vrl</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/theatre-buildings/2019/4/21/park-theatre</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1555863169691-HRD52OOJT6C0QPG3L2F2/Park+Theatre+Exterior.jpg</image:loc>
      <image:title>Theatre Buildings - Park Theatre</image:title>
      <image:caption>Park Theatre Exterior - c. 1950. Taylor, Doug. "The theatre c. 1950 when it was named the Park." Historic Toronto: Information on Toronto's History. Ontario Archives, AO 2163. tayloronhistory.com/2014/01/07/torontos-old-movie-theatresthe-bedford-park-theatre-on-north-yonge-st/</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1555863236852-X8VP26HW422F2G0SNMA1/Park+Theatre+Interior.jpg</image:loc>
      <image:title>Theatre Buildings - Park Theatre</image:title>
      <image:caption>Bedford Theatre Interior - Taylor, Doug. "The Bedford (Park Theatre, Toronto, on north Yonge St." Historic Toronto: Information on Toronto's History. City of Toronto Archives, Series 1278, File 23. tayloronhistory.com/2014/01/07/torontos-old-movie-theatresthe-bedford-park-theatre-on-north-yonge-st/</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1555863295003-QFU48IQEUEB16LLED9RW/Bedford+Theatre+Exterior.jpg</image:loc>
      <image:title>Theatre Buildings - Park Theatre</image:title>
      <image:caption>Bedford Theatre Exterior - Taylor, Doug. "The Bedford (Park Theatre, Toronto, on north Yonge St." Historic Toronto: Information on Toronto's History. City of Toronto Archives, Series 1278, File 23, SC612). tayloronhistory.com/2014/01/07/torontos-old-movie-theatresthe-bedford-park-theatre-on-north-yonge-st/</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1555863346583-I63T64GVDVJH5Z44HEJF/Bedford+Theatre+Lobby.jpg</image:loc>
      <image:title>Theatre Buildings - Park Theatre</image:title>
      <image:caption>Bedford Theatre Lobby Taylor, Doug. "The Bedford (Park Theatre, Toronto, on north Yonge St." Historic Toronto: Information on Toronto's History. City of Toronto Archives, Series 1278, File 23, SC 612. tayloronhistory.com/2014/01/07/torontos-old-movie-theatresthe-bedford-park-theatre-on-north-yonge-st/</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/theatre-buildings/2019/4/20/massey-hall</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1555784156375-Z37BN0K7JC4L4OGXI0UD/Massey+Hall+Exterior.jpg</image:loc>
      <image:title>Theatre Buildings - Massey Hall</image:title>
      <image:caption>Massey Hall Exterior</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1555784216143-6EJ4UCD4H4W7YDUC1HP4/Massey+Hall+Stage.jpg</image:loc>
      <image:title>Theatre Buildings - Massey Hall</image:title>
      <image:caption>Massey Hall Stage - 1993 Bateman, Chris. "A brief history of Toronto's iconic Massey Hall." blogTO. 22 June 2013. www.blogto.com/city/2013/06/a_brief_history_of_torontos_iconic_massey_hall/</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/theatre-buildings/2019/4/20/elgin-amp-winter-garden-theatres</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1555782900446-BAW8A6YA5MAWYTALP2LI/Elgin+%26+Winter+Garden+Theatres+-+Exterior.jpg</image:loc>
      <image:title>Theatre Buildings - Elgin &amp;amp; Winter Garden Theatres</image:title>
      <image:caption>"Elgin &amp; Wintergarden Theatres". Eatertainment. Eatertainment catering, 2014. www.eatertainment.com/venue/elgin-wintergarden-theatres/</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1555782943303-MZFBG4UXCW1HBC22MHN8/Elgin+Theatre+Interior.jpg</image:loc>
      <image:title>Theatre Buildings - Elgin &amp;amp; Winter Garden Theatres</image:title>
      <image:caption>Elgin Theatre - Interior "Buildings: Elgin and Winter Garden Theatre Centre" Ontario Heritage Trust. Ontario Heritage Trust. www.heritagetrust.on.ca/en/index.php/properties/elgin-and-winter-garden-theatre-centre</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1555783131041-F84BRCVCG80LULE82JCU/elgin05to2.jpg</image:loc>
      <image:title>Theatre Buildings - Elgin &amp;amp; Winter Garden Theatres</image:title>
      <image:caption>Elgin Theatre - Entrance Haic, Deborah. "In Pictures: The century-old Elgin and Winter Garden Theatre." The Globe and Mail, 3 Oct. 2013. www.theglobeandmail.com/news/toronto/in-pictures-elgin-and-winter-garden-theatre/article14677367/</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1555783215553-PA9ZLXAB91AW6MO9LN6F/Grand-Staircase-Peter-Lusztyk.jpg</image:loc>
      <image:title>Theatre Buildings - Elgin &amp;amp; Winter Garden Theatres</image:title>
      <image:caption>Elgin - Grand Stairwell "Buildings: Elgin and Winter Garden Theatre Centre" Ontario Heritage Trust. Ontario Heritage Trust. www.heritagetrust.on.ca/en/index.php/properties/elgin-and-winter-garden-theatre-centre</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1555783276622-9RI5KWUNE1QMGGVQOPLD/Winter-Garden-interior-Peter-Lusztyk.jpg</image:loc>
      <image:title>Theatre Buildings - Elgin &amp;amp; Winter Garden Theatres</image:title>
      <image:caption>Winter Garden Theatre - Interior "Buildings: Elgin and Winter Garden Theatre Centre" Ontario Heritage Trust. Ontario Heritage Trust. www.heritagetrust.on.ca/en/index.php/properties/elgin-and-winter-garden-theatre-centre</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1555783334481-S9I0PF0O0G2ADJD68HVE/elgin05to6.jpg</image:loc>
      <image:title>Theatre Buildings - Elgin &amp;amp; Winter Garden Theatres</image:title>
      <image:caption>Winter Garden Theatre - Interior "Buildings: Elgin and Winter Garden Theatre Centre" Ontario Heritage Trust. Ontario Heritage Trust. www.heritagetrust.on.ca/en/index.php/properties/elgin-and-winter-garden-theatre-centre</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1555783371641-9QM5O51FTZ5Q6ASUW44V/web-elgin7.jpg</image:loc>
      <image:title>Theatre Buildings - Elgin &amp;amp; Winter Garden Theatres</image:title>
      <image:caption>The Winter Garden Theatre - Ceiling Haic, Deborah. "In Pictures: The century-old Elgin and Winter Garden Theatre." The Globe and Mail, 3 Oct. 2013. www.theglobeandmail.com/news/toronto/in-pictures-elgin-and-winter-garden-theatre/article14677367/</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/theatre-buildings/2019/4/20/grand-opera-house</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1555782314563-Q30SU5LVXOVLWXR4YIPI/Grand+Opera+House+-+Toronto.jpg</image:loc>
      <image:title>Theatre Buildings - Grand Opera House</image:title>
      <image:caption>Grand Opera House 1874</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1555782358390-NUR44SUYA94FYS0ER483/Grand+Opera+House+2+-+Toronto.jpg</image:loc>
      <image:title>Theatre Buildings - Grand Opera House</image:title>
      <image:caption>Grand Opera House - 1921</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1555782431679-FWSR0QOV6AQST4VCLZCO/Adelaide+Street%2C+south+side.jpg</image:loc>
      <image:title>Theatre Buildings - Grand Opera House</image:title>
      <image:caption>Adelaide Street, south side, looking east from Bay Street - 1924</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/theatre-buildings/2019/4/20/empire-theatre</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1555782002019-YZOMC0XXSP8OSU471ZCJ/Empire+Theatre+-+Toronto.jpg</image:loc>
      <image:title>Theatre Buildings - Empire Theatre</image:title>
      <image:caption>Taylor, Doug. "Toronto's Empire (Rialto, Palton) Theatre - Queen St. East." Historic Toronto: Information on Toronto's History. tayloronhistory.com/tag/empire-theatre/</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/theatre-buildings/2019/4/20/beaver-theatre</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1555780538628-2SFVUSTJJR8MZ5WT0VFN/Beaver+Theatre+-+Exterior.jpg</image:loc>
      <image:title>Theatre Buildings - Beaver Theatre</image:title>
      <image:caption>Beaver Theatre Exterior - 1947 Taylor, Doug. "Memories of Toronto's Beaver Theatre on Dundas St. West". Historic Toronto. CIty of Toronto Archives, Series 1278, File 63. tayloronhistory.com/2014/06/19/torontos-beaver-theatre-on-dundas-st-west/</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1555780753099-ITGKTZ91SR04T8TM4XT8/Beaver+Theatre+-+Interior.jpg</image:loc>
      <image:title>Theatre Buildings - Beaver Theatre</image:title>
      <image:caption>Beaver Theatre Interior - 1947 Taylor, Doug. "Memories of Toronto's Beaver Theatre on Dundas St. West". Historic Toronto. CIty of Toronto Archives, Series 1278, File 63. tayloronhistory.com/2014/06/19/torontos-beaver-theatre-on-dundas-st-west/</image:caption>
    </image:image>
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      <image:title>Theatre Buildings - Beaver Theatre</image:title>
      <image:caption>Beaver Theatre Lobby - 1930 Taylor, Doug. "Memories of Toronto's Beaver Theatre on Dundas St. West". Historic Toronto. CIty of Toronto Archives, Series 1278, File 63. tayloronhistory.com/2014/06/19/torontos-beaver-theatre-on-dundas-st-west/</image:caption>
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    <loc>https://gatheringspartnership.com/theatre-buildings/2019/4/20/princess-theatre</loc>
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      <image:caption>Princess Theatre - seen from King Street, 1910. "King St. W., south side, between York &amp; Simcoe Sts., showing Princess Theatre. Toronto, Ont." Toronto Public Library. Toronto Reference Library, Baldwin Collection, B 5-30b. www.torontopubliclibrary.ca/detail.jsp?Entt=RDMDC-B5-30B&amp;R=DC-B5-30B</image:caption>
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      <image:title>Theatre Buildings - Princess Theatre</image:title>
      <image:caption>Princess Theatre. November 14, 1913. City of Toronto Archives, Fonds 200, Series 372, Subseries 1, Item 64.</image:caption>
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      <image:caption>"Princess Theatre ruins after fire." 10 May 1915. City of Toronto Archives, Fonds 200, Series 372, Subseries 1, Item 139.</image:caption>
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      <image:caption>"Princess Theatre ruins after fire." 10 May 1915. City of Toronto Archives, Fonds 200, Series 372, Subseries 1, Item 141.</image:caption>
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      <image:caption>"Princess Theatre ruins after fire." 10 May 1915. City of Toronto Archives, Fonds 200, Series 372, Subseries 1, Item 144.</image:caption>
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      <image:caption>"Princess Theatre ruins after fire." 10 May 1915. City of Toronto Archives, Fonds 200, Series 372, Subseries 1, Item 146.</image:caption>
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      <image:caption>"Princess Theatre ruins after fire." 10 May 1915. City of Toronto Archives, Fonds 1231, Item 367.</image:caption>
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      <image:caption>"Princess Theatre ruins after fire." 10 May 1915. City of Toronto Archives, Fonds 1231, Item 368.</image:caption>
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      <image:caption>"Princess Theatre ruins after fire." 10 May 1915. City of Toronto Archives, Fonds 1231, Item 369.</image:caption>
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      <image:caption>Princess Theatre, King St. 11 Mar. 1929. Fonds 1266, Item 15895.</image:caption>
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    <loc>https://gatheringspartnership.com/theatre-buildings/2019/4/20/auditorium-theatre</loc>
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    <lastmod>2019-04-20</lastmod>
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  <url>
    <loc>https://gatheringspartnership.com/project-co-investigators</loc>
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    <lastmod>2026-02-10</lastmod>
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      <image:title>Co-Investigators - Stephen Johnson</image:title>
      <image:caption>PRINCIPAL INVESTIGATOR Stephen Johnson is a full professor in the Department of English and Drama at the University of Toronto Mississauga, and in the Centre for Drama, Theatre and Performance Studies at the University of Toronto. His university training was at the University of Guelph (BA), the University of Toronto (MA), and in the Performance Studies Department at New York University (PhD). He has published widely on 19th and 20th century popular performance, including in Theatre Research in Canada, which he (co)edited for ten years. He has been active in a number of scholarly organizations, serving on the executive of the Theatre Library Association, the Society of Dance History Scholars, and as president of the Canadian Association for Theatre Research / Association canadienne de la recherche théâtrale (CATR/ACRT). The Spear Carrier</image:caption>
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      <image:title>Co-Investigators - Stephen Johnson</image:title>
      <image:caption>PRINCIPAL INVESTIGATOR Stephen Johnson is a full professor in the Department of English and Drama at the University of Toronto Mississauga, and in the Centre for Drama, Theatre and Performance Studies at the University of Toronto. His university training was at the University of Guelph (BA), the University of Toronto (MA), and in the Performance Studies Department at New York University (PhD). He has published widely on 19th and 20th century popular performance, including in Theatre Research in Canada, which he (co)edited for ten years. He has been active in a number of scholarly organizations, serving on the executive of the Theatre Library Association, the Society of Dance History Scholars, and as president of the Canadian Association for Theatre Research / Association canadienne de la recherche théâtrale (CATR/ACRT). The Spear Carrier</image:caption>
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      <image:title>Co-Investigators - Roberta Barker</image:title>
      <image:caption>CO-INVESTIGATOR Roberta Barker is Professor of Theatre Studies and Women &amp; Gender Studies at Dalhousie University. Roberta’s research interests centre on the relationship between theatrical performance and the social construction of identity. Her work has explored such topics as the representation of gender and class in early modern tragedy, the lives and repertoires of early modern boy actresses, and the theatrical performance of illness and health. She is the author of two books, Symptoms of the Self: Tuberculosis and the Making of the Modern Stage (U of Iowa Press, 2022) and Early Modern Tragedy, Gender and Performance, 1984-2000: The Destined Livery (Palgrave Macmillan, 2007); the co-editor with Kim Solga of New Canadian Realisms: Eight Plays and New Canadian Realisms: Essays (Playwrights Canada Press, 2012); and the editor of numerous early modern plays, including Thomas Middleton’s Women Beware Women for The Routledge Anthology of Early Modern Drama (Routledge, 2020), as well as General Editor of the series New Essays in Canadian Theatre at Playwrights Canada Press. Her credits as a stage director include Così Fan Tutte, Aunt Helen, Luisa Miller, The Rake’s Progress, and Orfeo ed Euridice for Opera Nova Scotia; Henry IV, Part One for Windsor Theatre, Mount Allison University; The Cunning Little Vixen for Dal Opera; and The Dog in the Manger, Drums and Organs, She Herself is a Haunted House, The Mill on the Floss, The Witch of Edmonton, Fuente Ovejuna, and Troilus and Cressida for Dal Theatre. She was the librettist for an opera by composer Tawnie Olson, Sanctuary and Storm, which won the Dominick Argento Prize for Best Chamber Opera from the National Opera Association of America and had its professional premiere in Vancouver in November 2023.</image:caption>
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      <image:title>Co-Investigators - Justin Blum</image:title>
      <image:caption>CO-INVESTIGATOR Justin A. Blum is Assistant Professor of Drama at the University of Lethbridge in Alberta, Canada, where he teaches theatre history and theory, dramatic literature, and dramaturgy. His academic research deals largely with performance and/as visual culture the long nineteenth century in Britain, Canada, and the United States, with a particular focus on popular, itinerant, and other forms of theatre and performance not always considered artistically legitimate. His writing has appeared in journals including Nineteenth Century Theatre and Film, Theatre Research in Canada, and Theatre Topics. He also holds a conservatory degree in Dramatic Writing from New York University, and has worked as a dramaturg, playwright, and translator in professional and academic settings across North America. Current Research Ongoing research and translation projects include archival and translation work on a partially lost early play by Federico García Lorca, translation and modernisation of Molière's one-act plays, and the early phases of an investigation into the beginnings of circuit Chautauqua in the Canadian West.</image:caption>
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      <image:title>Co-Investigators - Seika Boye</image:title>
      <image:caption>CO-INVESTIGATOR Dr. Seika Boye is a scholar, writer, educator and artist whose practices revolve around dance and movement. She is a Lecturer in the Centre for Drama, Theatre and Performance Studies, and Director of the Institute for Dance Studies, University of Toronto. From 1995-2010, Boye performed and presented her choreography across Canada as a modern/postmodern dance artist. More recently she has worked as a movement dramaturg with many artists/collectives including current projects with Natasha Powell, Dances With Trane, 2020 premiere; Syreeta Hector, Black Ballerina, 2019; Mix Mix Dance Collective, Reclaiming My Time, 2019; mentor/process facilitator with Heidi Strauss/adelheid dance projects, re:research Choreographic Intensive. Invested in movement histories and the archive, Boye curated the archival exhibition It’s About Time: Dancing Black in Canada 1900-1970. She was an Artist-in-Residence at the Art Gallery of Ontario (2018-19), where she began the archving project This Living Dancer. Most recently Seika co-curated Into the Light: Eugenics and Education in Southern Ontario, with Mona Stonefish, Peter Park, Dolleen Tisawii’ashii Manning, Evadne Kelly, and Sky Stonefish. Seika works as a consultant across the dance sector.</image:caption>
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      <image:title>Co-Investigators - Jill Carter</image:title>
      <image:caption>CO-INVESTIGATOR Based in Tkaron:to where she was born and largely raised, Jill Carter is an Anishinaabe-Ashkenazi theatre-practitioner, researcher and educator at the University of Toronto. Her research and praxis base themselves in the mechanics of story creation, the processes of delivery, and the mechanics of Affect. She is an active member of the Talking Treaties Collective, founder of the Collective Encounter, and serves as researcher and tour guide for First Story, Toronto with which she also devises land activations, mapping interventions, and personal cosmography workshops.</image:caption>
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      <image:title>Co-Investigators - Jenn Cole</image:title>
      <image:caption>CO-INVESTIGATOR Jenn Cole is a mixed-ancestry Algonquin Anishinaabe-kwe and Assistant Professor in Gender and Women’s Studies at Trent University. She researches Indigenous Performance as it intersects with settler/Indigenous relations and reciprocal relationship to the land, especially at the site of the Kiji Sibi/Ottawa River in Algonquin Territory. In programming, curation, publication, public talks, teaching and performance, she works to create experiences that enable participants across generations to decolonize their relationships to place and one another through multi-arts practices. She is Creative Director of the Aging Activisms Research Collective; Co-Investigator in the SSHRC-funded partnership development project, Gatherings: Archival and Oral Histories of Canadian Performance; Associate Artistic Producer for Nozhem: First People's Performance Space; Editor for the Views and Reviews section of Canadian Theatre Review; and editor of Gatherings, a publication for the collection and distribution of creative scholarly work in performance. She partners with the School House Museum in her home territory to decolonize the stories told about the embodied histories of Algonquin people there.  Current Research My research follows the performance histories of two rivers, the Kiji Sibi (Ottawa River) and the Odenabe in order to amplify Indigenous stories, presence and cosmologies. The most valuable contribution I can make to the field of Indigenous Performance and to my community is to remap Kiji Sibi/Ottawa River territory, layering back the lands’ and waters’ stories and the vibrancy of Indigenous presence, and to document the difficulties of doing so in the aftermath of colonialism. I research artistic acts that engage lands and waters as I try to decolonize my relationship to the place I grew up and the place in which I live. In this work, I am undertaking short auto-ethnographic studies and personal performances that engage the Kiji Sibi and my Algonquin ancestry, including the sacred site Migiziz Gishgaabikaan/Oiseau Rick, Atomic Energy of Canada, and the Ottawa 2017 spectacular illumination of sacred Chaudiére Falls, Miwate. This research treats the Ottawa River as a performance archive for Anishnaabe stories histories of early encounters between settlers and the Algonquin nation, and the continued witnessing of shifting settler/Indigenous relations (as well as gender play in lumber camps). As part of this exploration, I continue artistic research I have begun on intergenerational storytelling and the family archive.</image:caption>
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      <image:title>Co-Investigators - Heather Davis-Fisch</image:title>
      <image:caption>CO-INVESTIGATOR Heather Davis-Fisch is the Dean of the Faculty of Fine Arts at the University of Lethbridge. Her research interests include performance historiography and Indigenous and intercultural performance, particularly in historical paradigms. Davis-Fisch is the author of Loss and Cultural Remains in Performance: The Ghosts of the Franklin Expedition, which was the recipient of the Ann Saddlemyer Award for outstanding monograph from the Canadian Association for Theatre Research. Her scholarly work has appeared in Theatre Research in Canada, Performing Arts Resources, Cultural Studies/Critical Methodologies and Canadian Theatre Review, as well as several edited collections. Her current SSHRC-funded research project investigates the role of performances in the establishment of settler-colonialism in nineteenth-century Canada and how performance documents and objects can be re-integrated into galleries, archives and museums.</image:caption>
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      <image:title>Co-Investigators - Heather Fitzsimmons Frey</image:title>
      <image:caption>CO-INVESTIGATOR Heather Fitzsimmons Frey is an Associate Professor of Arts and Cultural Management at MacEwan University in Edmonton. Her research focuses on the arts and young people, and in particular, performance for, by, and with young people (a frequently neglected demographic in performance research). She has recently worked with the Girl Guides of Canada archives, Dance Collection Danse, Fort Edmonton Park, the WeeFestival, The AMY Project, UNITY Charity, and Early Learning at MacEwan in order to conduct research that engages a variety of communities, and stretches definitions of where and how performances are meaningful. Besides being a co-investigator with Gatherings, she is a co-investigator for YouthSites (principal investigator Stuart Poyntz), and is principal investigator for Young People are the Future: Youth Representing Settler and Indigenous Histories at Fort Edmonton Park. She is on the International Theatre for Young Audiences Research Network (ITYARN) Board of Directors. Recent work is published in Girlhood Studies, Jeunesse, Journal of Childhood Studies, Oxford Review of Education, and Youth Theatre Journal, and in books such as Children’s Literature and Imaginative Geography (Wilfrid Laurier UP 2019), Nationalism and Youth in Theatre and Performance (Routledge 2014) and in her edited collection Ignite: Illuminating Theatre for Young People (Playwrights Canada Press 2016.) Current Research Heather Fitzsimmons Frey’s research focuses the arts and young people, and in particular, performance for, by, and with young people. While her contemporary research focuses on Canadian youth arts organizations (particular organizations working with multi-barriered young people), contemporary Canadian Theatre for Young Audiences, and practice-based research in theatre for the early years demographic, she also has research that has an historical focus, more in-keeping with the objectives of Gatherings. One project involves archival and performance-based research methodologies to examine physical cultural / gymnastics drills and performances in Canada prior to the 1930s. To date, she has been looking at the Girl Guides of Canada archives, Dance Collection Danse archives, and the documents created for Ontario public school teachers. Another project is called “Young People are the Future: Youth Volunteers Representing Indigenous and Settler Histories at Living History Sites.” This project aims to understand how young people perform and present the past, how their presence and their ideas shape the performance of the past, and how (if) the approach to incorporating young people into living history museums has changed since the 1980s.</image:caption>
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      <image:title>Co-Investigators - Gabrielle Houle</image:title>
      <image:caption>CO-INVESTIGATOR Gabrielle Houle is a multilingual artist, educator, and theatre scholar specialized in the recent staging history of the Commedia dell’Arte, masked performance, movement for actors, oral history of performance, and the creation of masks. She holds a Ph.D. in Drama, Theatre and Performance Studies from the University of Toronto. Gabrielle trained internationally as a physical performer and as a mask-maker with people such as sculptor Donato Sartori, Commedia specialist Antonio Fava, members of the Odin Teatret in Denmark, actor and mask-maker Bruce Marrs at the Dell’Arte International School of Physical Theatre in California, and co-artistic director of SITI Company (New York) Ellen Lauren. Gabrielle performed in Canada and in Europe as an actor. She also designed masks for university programs, theatre and dance productions, and film. Since 2009, Gabrielle has taught a wide variety of theatre courses, given acting workshops, and directed plays in universities across Canada. Gabrielle's research projects have been funded by SSHRC, FQRSC, and OGS. Gabrielle's scholarly work has been published in Theatre Research in Canada, Theatre History Studies, Canadian Theatre Review, Cuadernos de teatro (Universidad de Costa Rica), International Year of Astronomy 2009: Bringing Galileo to the World (Legas Press, 2015), and Futurist Dramaturgy and Performance (Legas Press, 2011). Current Research Her current project is called "In search of Michel Saint-Denis' masks: Provenance, design, use, and stories from masks kept at the National Theatre School of Canada." This study is part of Gatherings: Archival and Oral Histories of Performance. A Co-Investigator on Gatherings, Gabrielle has served as Chair of the project's Oral History Subcommittee during Year 1 of the grant. She now co-chairs the task force on collections and archives with Dr. Mark David Turner, Adjunct Professor in the School of Music at Memorial University in Newfoundland. Her upcoming publication titled "Teaching Cycles REPÈRE: A Conversation with Jacques Lessard" will appear in the collection of essays Why Devise? (Intellect Books, publication date TBA).</image:caption>
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      <image:title>Co-Investigators - Kelsey Jacobson</image:title>
      <image:caption>CO-INVESTIGATOR Kelsey Jacobson is an Assistant Professor in the Dan School of Drama and Music at Queen's University and a co-founding director of the Centre for Spectatorship and Audience Research. She received her PhD from the University of Toronto’s Centre for Drama, Theatre, and Performance Studies and her MA from Queen Mary, University of London. Her research focuses on audience and spectatorship studies, and in particular on the ways in which audiences impact, receive, and make meaning through performance. She was awarded funding from SSHRC to study copresence in a project called Being Together (2021-2023) and is also currently involved in a project on pandemic responses to the live performing arts across the G7 countries funded by the British Academy (2023-2024). Kelsey has shared her work at CATR, ASTR, ATHE, IFTR, MATC, TAPRA and in AllStages Magazine, the Journal of Dramatic Theory and Criticism, Performance Matters, Theatre Research in Canada, Research in Drama Education, Contemporary Theatre Review, and Canadian Theatre Review. She has published one co-edited collection, Global Youth Citizenry and Radical Hope: Enacting Community-Engaged Research Through Performative Research (Springer, 2020) and one monograph, Real-ish: Audiences, Feeling, and the Production of Realness in Contemporary Performance (McGill-Queen’s Press 2023). Kelsey is also series co-editor of the Routledge Theatre &amp; Performance Series in Audience Research with Kirsty Sedgman. Additional research interests include: affect theory, applied theatre, qualitative methodologies, and equity and access in audiences. Current Research My current academic work is in audience and spectatorship studies and qualitative methodologies. While my focus is in theatre and performance studies, considered broadly, I am also co-founder and director of the Centre for Spectatorship and Audience Research which works with colleagues across museum studies, visual art, health care, sports, and disability. My current and recent projects include: editing a collection about global drama classrooms and student perceptions of citizenry, conducting research into digital audience research methods and the performance of social media, and completing a manuscript on audience perception and valuation of realness in contemporary performance practice. I have additional research interests in applied theatre and education and decolonizing and indigenizing pedagogy. I am currently working on a new project entitled ‘Audiences as/for/by design’ exploring how we might think about audiences as scenographic and dramaturgical tools in performance: how do other spectators impact my experience of a performance? This involves three different areas thus far, including digital audience,s immersive theatre audiences, and crowd/public audiences.</image:caption>
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      <image:title>Co-Investigators - Matt Jones</image:title>
      <image:caption>CO-INVESTIGATOR Matt Jones is an Assistant Professor in the School of Professional Communication at Toronto Metropolitan University. He researches issues of war, terrorism, security, and racism in performance. His dissertation, is The Shock and Awe of the Real: Political Performance in an Age of War and Terror, is a transnational study of theatre, live art, direct action protests, and new media installations about the recent conflicts in Iraq, Afghanistan, and beyond. His published writing has addressed problems of representing war in performance as well as the performative construction of war in reality. He is the recent co-editor, with Barry Freeman, of a special issue of Canadian Theatre Review exploring the subject of “Post-Truth.” Matt has taught courses in performance theory, theatre history, academic writing, and creative writing at the University of Toronto, Seneca College, and Concordia University. His writing has appeared in academic and journalistic publications, including Canadian Theatre Review, Theatre Research in Canada, SubStance, alt.theatre, the Globe and Mail, the Montreal Gazette, This Magazine, and Canadian Dimension. As a playwright and theatre devisor, his work includes the plays Dracula in a Time of Climate Change, The Mysterious Case of the Flying Anarchist and the collective creations Death Clowns in Guantánamo Bay and ASMRtist. As a dramaturg, he has worked on Mohammad Yaghoubi’s A Moment of Silence, Djanet Sears’s production of Scorched, and Arshad Khan’s award-winning documentary film, Abu. His work is supported by the Social Sciences and Humanities Research Council of Canada.</image:caption>
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      <image:title>Co-Investigators - Martin Julien</image:title>
      <image:caption>CO-INVESTIGATOR Martin Julien is a professional actor and singer of over forty years, as well as an academic researcher in the field of Canadian theatrical performance and legacy in the mid- to late- twentieth century. He is currently a full-time lecturer and instructor in Sheridan College's Honours BFA Music Theatre Program in Oakville. In 2019, he was senior editor for the recently published Theatre Passe Muraille: A Collective History (Playwrights Canada Press), which solicited, documented, and illustrated scores of written testimonies from practitioners who have worked at this ground-breaking theatre since its founding in 1968 in Toronto. He holds a doctorate through the Centre for Drama, Theatre and Performance Studies in the University of Toronto, specializing in the field of acting theory and methodology. Current Research Dr. Julien's primary research outcomes will involve the collecting of audio interviews with a cohort of professional Canadian actors who are in their ‘senior’, or ‘veteran’ years. Specifically, these will focus primarily on practitioners whose earlier careers negotiated the performing and vocational ‘space’ that extended from an ‘amateur’ or ‘semi-professional’ arena of practice to the fully professional cultural and financial milieu that flowered in the regions and territories of Canada, circa 1950 to 1980. A dozen such interviews have already been conducted, and are in the process, through Gatherings, of being transcribed and time-coded. Pursuant to these outcomes is the establishment of an accessible archive of subjective histories that will contribute often-undocumented narratologies to Canadian theatre history research regarding the establishment of a professional performing class during the mid-to-late twentieth-century.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1559158831132-0GXN9647ITVTWUG17BRS/Kovacs_Alexandra.jpg</image:loc>
      <image:title>Co-Investigators - Sasha Kovacs</image:title>
      <image:caption>CO-INVESTIGATOR Dr. Alexandra (Sasha) Kovacs is Assistant Professor of theatre history at the University of Victoria. Her research focuses on the historiography of Canadian theatre made by women, with a specific (though not exclusive) consideration of the construction of the performance history of late Mohawk (Kanien'kehá:ka) Six Nations writer/performer E. Pauline Johnson (Tekahionwake). Her essay related to Johnson, published in Playwrights Canada Presses collection Canadian Performance History and Historiographies (2017; Edited by Heather Davis-Fisch), was awarded the 2018 Canadian Association for Theatre Research Richard Plant Award for the best English-language article on a Canadian theatre or performance topic. Her research on Johnson is also included in the collection Canadian Performance Documents and Debates (2022). Kovacs’ research work has also been published in Performance Research, Shakespeare International Yearbook, Theatre Research in Canada, Canadian Theatre Review (where she also edited the issue “Performance and Human Rights in the Americas” with Jimena Ortuzar and Natalie Alvarez), and the collection Space and Place: Cultural Mapping and the Digital Sphere. Her research work is informed by her decades of experience as a theatre professional, working as performer, director, curator, and arts manager. Kovacs brings to this project extensive experience working with non-traditional performance related archival materials, as well as a research interest on and practical experience in facilitating and structuring partnerships between University and Not for Profit organizations. Current Research My primary research project focuses on the investigation of histories of Canadian women performers and creators. I am presently engaged in the development of a monograph that develops a critical performance biography of Kanien’kehá:ka (Mohawk) poet-performer E. Pauline Johnson. My research work on Pauline Johnson inspires and intersects with a broader interest in the politics and pragmatic challenges of archiving women’s performance; this prompted my organization of the 2020 Symposium “Preserving Performance in the Pacific Northwest” held at the University of Victoria and Royal BC Museum and my co-leadership (with Dr. Heather Davis-Fisch) of the Performance in the Pacific Northwest: Pilot Project (https://performancepnw.uvic.ca). I also investigate the documentation of living women creators, and am collaborating with Dr. Michelle MacArthur on a critical scrapbook that advances scholarship and consideration of the contributions made by Canadian playwright Hannah Moscovitch.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1707150670114-18QHHW4ASXCA7M716UGJ/Allana2012_x175.jpg</image:loc>
      <image:title>Co-Investigators - Allana Lindgren</image:title>
      <image:caption>CO-INVESTIGATOR Allana C. Lindgren is an Associate Professor in the Department of Theatre at the University of Victoria. Her publications, which are based on archival research and/or oral history interviews, have appeared in a variety of journals and collections, including Contesting Bodies and Nation in Canadian History, The Oxford Handbook of Dance and Ethnicity, Dance Research Journal, Journal of Dance and Somatic Practices, American Journal of Dance Therapy, and Quarterly Review of Film and Video. Recent publications include The Modernist World (co-edited with Stephen Ross) and Renegade Bodies: Canadian Dance in the 1970s (co-edited with Kaija Pepper). She is also the Dance Editor for the Routledge Encyclopedia of Modernism. Current Research Allana Lindgren is currently co-editing three book projects: Canadian Performance Documents and Debates (with Anthony Vickery and Glen Nichols); Moving Together: Dance and Pluralism in Canada (with Batia Boe Stolar and Clara Sacchetti); and The Routledge Encyclopedia of Modernist Dance (with Lynn Garafola, Susan Manning, Janet O’Shea, and Danielle Robinson). She is also working on a single-authored cultural history of dance in Canada from the late-nineteenth century to the twenty-first century. In addition, she continues to work on the Oral History Dance Collection, an online oral history repository at the University of Victoria. This project seeks to understand the career trajectories and working conditions for professional dance artists. Finally, she is currently serving as the Co-chair of the Program Committee for the upcoming Dance Studies Association conference, which will be held in Vancouver in 2020.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1605725510561-4YGQ2Y52UQSYDDTUWNQN/Mark%2BDavid%2BTurner_photo.jpg</image:loc>
      <image:title>Co-Investigators - Mark David Turner</image:title>
      <image:caption>Mark David Turner is a cultural historian and facilitator who works at the intersection of media, performing arts, and archival practice in the Northwest Atlantic and Circumpolar North. He regularly works with the Nunatsiavut Government and OKâlaKatiget Society as a Manager of Audio-Visual Archives and Media Literacy and is an Adjunct Professor of Music at Memorial University’s School of Music. Mark co-owns Brack and Brine with Morgen Mils.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/museum-gallery-blog</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-10-16</lastmod>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/museum-gallery-blog/2024/10/16/archiving-the-utopian-performative-the-centre-internationaliste-stanley-ryerson</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-19</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/82c286a7-341b-4722-8170-1fbfc26882b0/Image_1.jpg</image:loc>
      <image:title>Museum Gallery Blog - Archiving the Utopian Performative - Make it stand out</image:title>
      <image:caption>Poster for Poèmes et chansons de la resistance (Poems and Songs of the Resistance), 1968. Bibliothèque et Archives Nationales du Québec</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/ef40e1b4-0797-4f2e-92aa-d949aaca8bbe/Image_3.JPG</image:loc>
      <image:title>Museum Gallery Blog - Archiving the Utopian Performative - Make it stand out</image:title>
      <image:caption>Michèle Lalonde performs during the Nuit de la poésie on March 27, 1970, at the Gesü theatre in  Montreal. Photo by Daniel Kieffer. © 1970 National Film Board of Canada.</image:caption>
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      <image:title>Museum Gallery Blog - Archiving the Utopian Performative - Make it stand out</image:title>
      <image:caption>Newspaper article announcing the show Poèmes et chansons de la resistance (Poems and Songs of the Resistance). Le Devoir, May 21, 1968.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/museum-gallery-blog/2024/7/20/tasting-through-time-exploring-food-experiences-at-living-history-museums-in-alberta</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-07-28</lastmod>
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      <image:title>Museum Gallery Blog - Tasting Through Time: Exploring Food Experiences at Living History Museums in Alberta - Make it stand out</image:title>
      <image:caption>Interpreters take visitors on a garden tour at the Ukrainian Cultural Heritage Village to highlight the variety of historically relevant produce that is grown and used onsite (photo from Larysa Hayduk)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/daa3cde6-93d7-49b7-b66a-bf8565111a5a/2_makingpierogi.jpg</image:loc>
      <image:title>Museum Gallery Blog - Tasting Through Time: Exploring Food Experiences at Living History Museums in Alberta - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/f58bcb0a-55e7-4442-b3e6-e84831a05883/3_makingpierogi.jpg</image:loc>
      <image:title>Museum Gallery Blog - Tasting Through Time: Exploring Food Experiences at Living History Museums in Alberta - Make it stand out</image:title>
      <image:caption>An interpreter demonstrates the correct way to roll, fill, and close pierogi at the Ukrainian Cultural Heritage Village (photos from Larysa Hayduk)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/548d49b7-76c3-477c-9137-d22efac235cc/4_completedpierogi.jpg</image:loc>
      <image:title>Museum Gallery Blog - Tasting Through Time: Exploring Food Experiences at Living History Museums in Alberta - Make it stand out</image:title>
      <image:caption>The completed pierogi! (Photo from Larysa Hayduk)</image:caption>
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  </url>
  <url>
    <loc>https://gatheringspartnership.com/museum-gallery-blog/2024/3/7/the-performance-calendar-and-the-database</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-03-07</lastmod>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/museum-gallery-blog/2023/5/8/audience-experiences-and-archiving</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-08</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1683564753149-0FWXHYJG59T6VZHNXI2I/Robin+Hood.jpg</image:loc>
      <image:title>Museum Gallery Blog - Audience Experiences and Archiving</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1683564752342-RA3WX57D9Y8DG37D1AAR/A+Midsummer+Night%27s+Dream.jpg</image:loc>
      <image:title>Museum Gallery Blog - Audience Experiences and Archiving</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1683564752317-JE7QEJN0XEJAPXBWSS6O/Everybody.jpg</image:loc>
      <image:title>Museum Gallery Blog - Audience Experiences and Archiving</image:title>
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  </url>
  <url>
    <loc>https://gatheringspartnership.com/museum-gallery-blog/2022/1/4/audiences-as-archivists</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-01-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1641321681717-5XRKPTSYRSMEFHFT3TXE/KJPicture1.jpg</image:loc>
      <image:title>Museum Gallery Blog - Audiences as Archivists - Make it stand out</image:title>
      <image:caption>Kelsey Jacobson’s ‘unofficial’ archive of audience experiences: a bulletin board in her room with ticket stubs, programs, and other ephemera pinned to it. Inevitably, the most recent experiences are layered on top.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1641321771531-AYHNETFDKPY0W3F37CRF/KJPicture2.jpg</image:loc>
      <image:title>Museum Gallery Blog - Audiences as Archivists - Make it stand out</image:title>
      <image:caption>Image of Barbara Moore’s notebook documenting her record of plays, organized alphabetically per page.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1641321832887-ANN52X755MDEP9QWR2PB/KJ+Picture3.png</image:loc>
      <image:title>Museum Gallery Blog - Audiences as Archivists - Make it stand out</image:title>
      <image:caption>Don Kendal’s record of his volunteer ushering housed on an Excel spreadsheet, organized by date with record of the date, time, company, and play.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1641321895897-W9AW4I8QCLTV7XV96SJ2/KJPicture4.png</image:loc>
      <image:title>Museum Gallery Blog - Audiences as Archivists - Make it stand out</image:title>
      <image:caption>Janis La Couvée’s popular blog houses hundreds of reviews of performances from fringe and community events to professional productions.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/museum-gallery-blog/2021/11/2/finding-connections-in-isolation-the-process-of-connecting-twenty-first-century-girls-with-early-twentieth-century-girl-guides</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-04</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1635882819880-WXZA5N44YJT6YQ7GW5A3/Picture+1.png</image:loc>
      <image:title>Museum Gallery Blog - Finding Connections in Isolation: The Process of Connecting Twenty-First Century Girls with Early Twentieth Century Girl Guides - Make it stand out</image:title>
      <image:caption>Early twentieth century Girl Guides performing physical culture drills taken from the Girl Guides of Canada Album, 1912–34, Girl Guides of Canada Archive (Scrapbook 1912-1961).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1635882902477-K1SHGPNQXMGXXAKBLMGG/Picture+2.png</image:loc>
      <image:title>Museum Gallery Blog - Finding Connections in Isolation: The Process of Connecting Twenty-First Century Girls with Early Twentieth Century Girl Guides - Make it stand out</image:title>
      <image:caption>Images from the Syllabus and stills of workshop participants (Strathcona Trust 39, 81, 111).</image:caption>
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      <image:title>Museum Gallery Blog - Finding Connections in Isolation: The Process of Connecting Twenty-First Century Girls with Early Twentieth Century Girl Guides - Make it stand out</image:title>
      <image:caption>Workshop participant demonstrating a pose from the Syllabus (Strathcona Trust 132)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1635883068072-BFU6S52R0KGXY78EIN07/Picture+4.png</image:loc>
      <image:title>Museum Gallery Blog - Finding Connections in Isolation: The Process of Connecting Twenty-First Century Girls with Early Twentieth Century Girl Guides - Make it stand out</image:title>
      <image:caption>(Strathcona Trust 132)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1635883192383-B0IMXF68K1VPE1RPXR8C/Picture+5.png</image:loc>
      <image:title>Museum Gallery Blog - Finding Connections in Isolation: The Process of Connecting Twenty-First Century Girls with Early Twentieth Century Girl Guides - Make it stand out</image:title>
      <image:caption>Page thirty-two of the Syllabus describing the foot placing outward movement (Strathcona Trust 32).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1635883534613-ASIDVONQI6BB8CY637Q5/Picture+6.png</image:loc>
      <image:title>Museum Gallery Blog - Finding Connections in Isolation: The Process of Connecting Twenty-First Century Girls with Early Twentieth Century Girl Guides - Make it stand out</image:title>
      <image:caption>Stills from two of the Zoom-led workshops.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1635883593657-R36X6CGQ79H962OKLFNW/Picture+7.png</image:loc>
      <image:title>Museum Gallery Blog - Finding Connections in Isolation: The Process of Connecting Twenty-First Century Girls with Early Twentieth Century Girl Guides - Make it stand out</image:title>
      <image:caption>Stills from two of the Zoom-led workshops.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/museum-gallery-blog/2021/7/30/show-business-in-canada-west</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-30</lastmod>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/museum-gallery-blog/2019/5/25/expo-67-70-and-the-cne-as-immersive-performances</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-12</lastmod>
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      <image:title>Museum Gallery Blog - Immersive SF: Imagining EXPO 67, 70 AND CNE 67</image:title>
      <image:caption>Postage Stamp of Expo 67. © Hagley Museum and Library.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1610480841316-PUU6O0EK09EQVUF74T0C/Expo_2.jpg</image:loc>
      <image:title>Museum Gallery Blog - Immersive SF: Imagining EXPO 67, 70 AND CNE 67</image:title>
      <image:caption>Expo 70, Osaka, Japan. © Special Collections Research Center, Henry Madden Library, California State University, Fresno</image:caption>
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      <image:title>Museum Gallery Blog - Immersive SF: Imagining EXPO 67, 70 AND CNE 67</image:title>
      <image:caption>Host of the Kaleidoscope at Expo 67, Montreal. © Government of Canada. Library and Archives Canada</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1558804303079-KUJOIORF6KLGNI1AGILV/Expo_7.jpg</image:loc>
      <image:title>Museum Gallery Blog - Immersive SF: Imagining EXPO 67, 70 AND CNE 67</image:title>
      <image:caption>View of the Canadian National Exhibition (CNE), 1967. © Government of Canada. Library and Archives Canada</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1558804107079-VXSXFI4EXZ8YK3UK9M4I/Expo_4.jpg</image:loc>
      <image:title>Museum Gallery Blog - Immersive SF: Imagining EXPO 67, 70 AND CNE 67</image:title>
      <image:caption>Expo 67 Visitor’s Passport. © Government of Canada. Library and Archives Canada</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1558804122966-KRSGJX64WUZOEXRL7L5B/Expo_5.jpg</image:loc>
      <image:title>Museum Gallery Blog - Immersive SF: Imagining EXPO 67, 70 AND CNE 67</image:title>
      <image:caption>Expo 67 Visitor’s Passport. © Government of Canada. Library and Archives Canada</image:caption>
    </image:image>
    <image:image>
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      <image:title>Museum Gallery Blog - Immersive SF: Imagining EXPO 67, 70 AND CNE 67</image:title>
      <image:caption>United States Pavilion and view of the mini rail at Expo 67, Montreal. © Government of Canada. Library and Archives Canada</image:caption>
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      <image:title>Museum Gallery Blog - Immersive SF: Imagining EXPO 67, 70 AND CNE 67</image:title>
      <image:caption>Clowns in front of the Canadian Pavilion at Expo 67, Montreal. © Government of Canada. Library and Archives Canada</image:caption>
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      <image:title>Museum Gallery Blog - Immersive SF: Imagining EXPO 67, 70 AND CNE 67</image:title>
      <image:caption>Expo 70, Osaka, Japan. © Special Collections Research Center, Henry Madden Library, California State University, Fresno</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1558804397477-C372KOC49VC9HNOZSW2I/Expo_8.jpg</image:loc>
      <image:title>Museum Gallery Blog - Immersive SF: Imagining EXPO 67, 70 AND CNE 67</image:title>
      <image:caption>The USSR Pavilion at Expo 67, Montreal. © Government of Canada. Library and Archives Canada</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1558804540814-RSLYGTSQX0KUSZOJLESL/Expo_10.jpg</image:loc>
      <image:title>Museum Gallery Blog - Immersive SF: Imagining EXPO 67, 70 AND CNE 67</image:title>
      <image:caption>Habitat 67, a housing experiment in a high-density urban enviroment by architect Moshe Safdie, created as part of Expo 67 © Special Collections Research Center, Henry Madden Library, California State University, Fresno</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/museum-gallery-blog/2020/9/15/the-ceremony-of-killing-suhrb</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1600191473683-U42RHV0OOR76NC15JJ07/Suhrab+3.jpg</image:loc>
      <image:title>Museum Gallery Blog - The Ceremony of Killing Suhrāb</image:title>
      <image:caption>The Ceremony of Killing Suhrāb [Majlis-i Suhrāb Kushī] (1989), Toronto. Created and performed by Sāsān Ghahrimān. Photos by Sa’id Kārdar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1600191681651-ZOVVJT1SX6TYUBYXT51Y/Sohrab+2.jpg</image:loc>
      <image:title>Museum Gallery Blog - The Ceremony of Killing Suhrāb</image:title>
      <image:caption>The Ceremony of Killing Suhrāb [Majlis-i Suhrāb Kushī] (2010), Toronto. Photos by Simcu Sālihī.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/museum-gallery-blog/2020/7/31/mayday-memory</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1596227498336-T28ZSKS9KF6IJL8C7W96/1+ALMA+SITE+NOW.jpg</image:loc>
      <image:title>Museum Gallery Blog - Mayday Memory Work</image:title>
      <image:caption>Image 1: Alma site now.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1596227819599-L1HYAW0PTRCAVEY52OH8/2%2BAMPHITHEATRE%2BBOOKLET.jpg</image:loc>
      <image:title>Museum Gallery Blog - Mayday Memory Work</image:title>
      <image:caption>Image 2: Amphitheatre Booklet. Courtesy of Elgin County Archives. (R6 S4 Sh6 B5 F3)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1596228082490-YAD7W45WTF4G2X6I8TNK/3%2BCONSECRATION.jpg</image:loc>
      <image:title>Museum Gallery Blog - Mayday Memory Work</image:title>
      <image:caption>Image 3: St. Thomas TJ Consecration. Courtesy of Elgin County Archives. (R6 S4 to 2 M6 and 7)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1596228695585-KYS9F4IFHX8Z58LJN35A/6+EDRA+SANDERS+AND+DEBATING+TEAM.png</image:loc>
      <image:title>Museum Gallery Blog - Mayday Memory Work</image:title>
      <image:caption>Image 6: Edra Sanders amid debating team. Courtesy of Elgin County Archives. Winners of Girls' Series of Western Ontario Secondary School Association, 1926. Left to Right: Ruth Sparling, Mary Sibley, Edra Sanders, Betty Andrew, Irma Walker. ( R6 S3 Sh3 B4 141 )</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1596229069708-U1YNKV84F8VZ0TOQ84CP/7%2BINTERNATIONAL%2BSTUDENTS.jpg</image:loc>
      <image:title>Museum Gallery Blog - Mayday Memory Work</image:title>
      <image:caption>Image 7: International students. Courtesy of Elgin County Archives. (R6 S4 to 2 M6 and 7)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1596229439821-493R006RGA67WNN80QZY/8+MAY+QUEEN+AND+HER+COURT+48.png</image:loc>
      <image:title>Museum Gallery Blog - Mayday Memory Work</image:title>
      <image:caption>Image 8: May Queen and her court, 1948. Courtesy of Elgin County Archives. (R6 S3 Sh3 B7 128)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1596229655700-SA4QU08LITPNFGJNJO07/9+MAY+DAY+1949.png</image:loc>
      <image:title>Museum Gallery Blog - Mayday Memory Work</image:title>
      <image:caption>Image 9: May Day 1949. Courtesy of Elgin County Archives. (R6 S3 Sh3 B7 #79)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1596229703774-6M6LKA37IRPV1SQ6RFQS/10+MAY+DAY+1949.png</image:loc>
      <image:title>Museum Gallery Blog - Mayday Memory Work</image:title>
      <image:caption>Image 10: May Day 1949. Courtesy of Elgin County Archives. (R6 S4 Sh5 B4 #20)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1597443009065-3CAUMMW67MZNDA3FI0E2/R6+S3+Sh3+B5+134.png</image:loc>
      <image:title>Museum Gallery Blog - Mayday Memory Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1597443007545-18E0SCWWO5ICXNRJQVYQ/R6+S3+Sh3+B5+167.png</image:loc>
      <image:title>Museum Gallery Blog - Mayday Memory Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1597443021194-LAUOYRJ8STIRB4U0MEJ8/R6+S3+Sh3+B5+174+%281%29.png</image:loc>
      <image:title>Museum Gallery Blog - Mayday Memory Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1597443017303-X1DILQSVP2HY1PUHO626/R6+S3+Sh3+B7+85.png</image:loc>
      <image:title>Museum Gallery Blog - Mayday Memory Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1597443023308-LNMOA3AY0JEE7RTE621K/R6+S3+Sh3+B8+172.png</image:loc>
      <image:title>Museum Gallery Blog - Mayday Memory Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1596230008600-3V0CD8OKTCD61DVEV7GW/11%2BMAY%2BQUEEN%2BQUALIFICATIONS.jpg</image:loc>
      <image:title>Museum Gallery Blog - Mayday Memory Work</image:title>
      <image:caption>Picture 11: May Queen qualifications. Courtesy of Elgin County Archives. (R6 S4 Sh5 B4)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1596230147093-3IL7CPL9AG7WQSOOPAZU/12%2BCHARGE%2BTO%2BTHE%2BMAY%2BQUEEN.jpg</image:loc>
      <image:title>Museum Gallery Blog - Mayday Memory Work</image:title>
      <image:caption>Image 12: Charge to the May Queen. Courtesy of Elgin County Archives. (R6 S4 Sh5 B4)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1596230633557-H2B7VAF9TE39MO2HBET8/13+MAY+FESTIVAL+PROGRAM+1948.jpg</image:loc>
      <image:title>Museum Gallery Blog - Mayday Memory Work</image:title>
      <image:caption>Image 13: Program 1948. Courtesy of Elgin County Archives. (R6 S4 Sh5 B4 F3)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1596230667403-BW32I26Z6GFJWSKJ4WF4/14+MAY+FESTIVAL+PROGRAM+49.jpg</image:loc>
      <image:title>Museum Gallery Blog - Mayday Memory Work</image:title>
      <image:caption>Image 13: Program 1949. Courtesy of Elgin County Archives. (R6 S4 Sh5 B4 F3)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1596230810907-NXLSNZNTF96Z6V0P1JYM/15+MEMORY+BOOK+48.jpg</image:loc>
      <image:title>Museum Gallery Blog - Mayday Memory Work</image:title>
      <image:caption>Image 15: Memory Book 1948. Courtesy of Elgin County Archives. (R6 S4 Sh5 B4)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1596230850819-6NXE3WIKOB19OIPBFAPT/16+MEMORY+BOOK+49.jpg</image:loc>
      <image:title>Museum Gallery Blog - Mayday Memory Work</image:title>
      <image:caption>Image 16: Memory Book 1949. Courtesy of Elgin County Archives. (R6 S4 Sh5 B4)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1596230997493-OK7BR13FMB2BSBQ8ELQH/17+FOUR+LADIES.JPG</image:loc>
      <image:title>Museum Gallery Blog - Mayday Memory Work</image:title>
      <image:caption>Image 17: Left to right: Jean, Evelyn, Louise, Mary Virginia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1596231245572-B5XBTD09K1W2X5Y0XWLV/18+JEAN.png</image:loc>
      <image:title>Museum Gallery Blog - Mayday Memory Work</image:title>
      <image:caption>Image 18: Jean McKellar. Courtesy of Elgin County Archives. (R6 S4 Sh2 B5 F1)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1596231470029-TQUV8ZPZP7YN66II6FG8/20+LOUISE.png</image:loc>
      <image:title>Museum Gallery Blog - Mayday Memory Work</image:title>
      <image:caption>Image 20: Louise Lyle. Courtesy of Elgin County Archives. (R6 S4 Sh2 B5 F1)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1596231344023-BPYYNNY55RCB2X3MOV2T/19+EVELYN.png</image:loc>
      <image:title>Museum Gallery Blog - Mayday Memory Work</image:title>
      <image:caption>Image 19: Evelyn Smith. Courtesy of Elgin County Archives. (R6 S4 Sh2 B4 F10)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1596231574153-3EZOZTGE4YS8TBIBQUCQ/21+MARY+VIRGINIA.png</image:loc>
      <image:title>Museum Gallery Blog - Mayday Memory Work</image:title>
      <image:caption>Image 21: Mary Virginia. Courtesy of Elgin County Archives. (R6 S4 Sh2 B5 F4)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/museum-gallery-blog/2019/5/14/delving-among-ruins-settler-dreams-of-enlightenment-in-the-wilderness</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1557865816180-9PZI9UQE739EWVO705AU/Romu_1.jpg</image:loc>
      <image:title>Museum Gallery Blog - Delving Among Ruins: Settler Dreams of Enlightenment in the Wilderness</image:title>
      <image:caption>Illustration by J. R. Seavey, published in Pen and Pencil Sketches of Wentworth Landmarks. Hamilton, Ont: Spectator Printing Company, 1897.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1557865750793-AFMMJ2CTPXTVLOVEOHRI/Romu_2.jpg</image:loc>
      <image:title>Museum Gallery Blog - Delving Among Ruins: Settler Dreams of Enlightenment in the Wilderness</image:title>
      <image:caption>Ruins of the Romulus Grist Mill. Illustration by J. R. Seavey, published in Pen and Pencil Sketches of Wentworth Landmarks. Hamilton, Ont: Spectator Printing Company, 1897.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1557866003436-NVARAC4PB204OKE3E9SC/Romu_3.jpg</image:loc>
      <image:title>Museum Gallery Blog - Delving Among Ruins: Settler Dreams of Enlightenment in the Wilderness</image:title>
      <image:caption>Wentworth County circa 1875, showing its location at the western tip of Lake Ontario, and its separate townships. Beverly Township is one the left. From Wentworth County: Illustrated historical atlas of the Count of Wentworth, Ont. Toronto: Page and Smith, 1875.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1557866102133-1EZ0JVZLUWGQ3ZMJVGII/Romu_4.jpg</image:loc>
      <image:title>Museum Gallery Blog - Delving Among Ruins: Settler Dreams of Enlightenment in the Wilderness</image:title>
      <image:caption>Building on the site chosen for the Catholic Cathedral. Though never build, local residents still identified specific locations according to his now-lost city plan, as if it had been surveyed and build. Illustration by J. R. Seavey, published in Pen and Pencil Sketches of Wentworth Landmarks. Hamilton, Ont: Spectator Printing Company, 1897.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1557866210280-SY6MO1PWNYJ3UPRRFMO1/Romu_5.jpg</image:loc>
      <image:title>Museum Gallery Blog - Delving Among Ruins: Settler Dreams of Enlightenment in the Wilderness</image:title>
      <image:caption>The Lamb Homestead as it looked circa 1897. Illustration by J. R. Seavey, published in Pen and Pencil Sketches of Wentworth Landmarks. Hamilton, Ont: Spectator Printing Company, 1897</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1557866440123-EYTE1DK0TAY06WLS7BZI/Romu_6.jpg</image:loc>
      <image:title>Museum Gallery Blog - Delving Among Ruins: Settler Dreams of Enlightenment in the Wilderness</image:title>
      <image:caption>From an 1875 map. Henry Lamb’s son George remains in possession of some of the land, south west of the village of Sheffield, but by this time the area had been subdivided, sold and cleared of all but traces and ruins of Romulus. From Wentworth County: Illustrated historical atlas of the Count of Wentworth, Ont. Toronto: Page and Smith, 1875.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1557866547870-O1ZBA6RYKU50QY3GQK6T/Romu_7.jpg</image:loc>
      <image:title>Museum Gallery Blog - Delving Among Ruins: Settler Dreams of Enlightenment in the Wilderness</image:title>
      <image:caption>The graves of Thomas Lamb, his wife and brother, as they looked circa 1897, the ruin of a ten foot high cairn. Illustration by J. R. Seavey, published in Pen and Pencil Sketches of Wentworth Landmarks. Hamilton, Ont: Spectator Printing Company, 1897.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1557866620563-KR3H30NJL6FBV67KO74O/Romu_8.jpg</image:loc>
      <image:title>Museum Gallery Blog - Delving Among Ruins: Settler Dreams of Enlightenment in the Wilderness</image:title>
      <image:caption>Postcard of “The Wigwam,” a log building at Rushdale Farm, Rockton, Ontario, where R. K Khernigan (The Khan) did his writing, according to local legend. From the Toronto Public Library.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/museum-gallery-blog/2019/4/5/clement-cantin</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1554500680033-Z56REZVQM48438C61TS4/clement-cantin</image:loc>
      <image:title>Museum Gallery Blog - Clement Cantin</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/museum-gallery-blog/2019/4/5/chez-grard-a-glimpse-into-qubec-citys-cabaret-scene</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1554657067219-BQRLAVSCUWPYHN1RK2A3/1_Houle_Handbill_Chez%2BGe%25CC%2581rard_recto.jpg</image:loc>
      <image:title>Museum Gallery Blog - CHEZ GÉRARD: A Glimpse into Québec City’s Cabaret Scene.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1554657108745-A5BURV472K7PGHBQD5VF/2_Houle_Handbill_Chez%2BGe%25CC%2581rard_verso.jpg</image:loc>
      <image:title>Museum Gallery Blog - CHEZ GÉRARD: A Glimpse into Québec City’s Cabaret Scene.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/museum-gallery-blog/2019/4/23/royal-alexandra-theatre</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1556034179872-3LXP3CKBPMVV3E3APIQX/Royal%2BAlexandra%2BTheatre%2BExterior.jpg</image:loc>
      <image:title>Museum Gallery Blog - Royal Alexandra Theatre</image:title>
      <image:caption>Royal Alexandra Theatre - Exterior</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1556034217202-DMZ57VFPKMWXOD0UD4CE/Royal%2BAlexandra%2BInterior%2B1.jpg</image:loc>
      <image:title>Museum Gallery Blog - Royal Alexandra Theatre</image:title>
      <image:caption>Royal Alexandra Theatre - Interior “History - Royal Alexandra Theatre.” Mirvish.com, Mirvish Company, 2017, www.mirvish.com/theatres/royal-alexandra-theatre?open=history#view. Accessed 9 May 2017.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1556034231767-5UJ7YZQMSLJEOE1N952I/Royal%2BAlexandra%2BInterior%2B2.jpg</image:loc>
      <image:title>Museum Gallery Blog - Royal Alexandra Theatre</image:title>
      <image:caption>Royal Alexandra Theatre - Interior “History - Royal Alexandra Theatre.” Mirvish.com, Mirvish Company, 2017, www.mirvish.com/theatres/royal-alexandra-theatre?open=history#view. Accessed 9 May 2017.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/museum-gallery-blog/2019/4/5/girl-guides-of-canada</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1581536703597-OZJ58M7352NVE1QFS46K/Fairy+Play.jpg</image:loc>
      <image:title>Museum Gallery Blog - Girl Guides of Canada</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1581536407510-ZVRN1Q9P3WSBT858HRUW/july005.jpg</image:loc>
      <image:title>Museum Gallery Blog - Girl Guides of Canada</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1581536446418-KWESH3ESHR984ONWC0QL/july001.jpg</image:loc>
      <image:title>Museum Gallery Blog - Girl Guides of Canada</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1581536459752-07XWQBKNYYQTZKGIXP0G/image-asset.jpeg</image:loc>
      <image:title>Museum Gallery Blog - Girl Guides of Canada</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1581536510954-A9X2FRGBFQJ4XX1PHXDI/triangle_club.jpg</image:loc>
      <image:title>Museum Gallery Blog - Girl Guides of Canada</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1581536558496-QGO4BMKWJRY1EEDIM4H3/clubs_singing.jpg</image:loc>
      <image:title>Museum Gallery Blog - Girl Guides of Canada</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1581536636805-TMFGH80UBSP095IKDLZH/july004.jpg</image:loc>
      <image:title>Museum Gallery Blog - Girl Guides of Canada</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1582218963430-DIRZD5F0RBH0NA9P6CU1/war_of_the_fairies.jpg</image:loc>
      <image:title>Museum Gallery Blog - Girl Guides of Canada</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1581536911000-PGWAQZNEN9NNGD39Y1XN/do_your_bit.jpg</image:loc>
      <image:title>Museum Gallery Blog - Girl Guides of Canada</image:title>
    </image:image>
    <image:image>
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      <image:title>Museum Gallery Blog - Girl Guides of Canada</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/museum-gallery-blog/2019/4/25/rise-up-against-racism-black-canadians-and-dw-griffiths-the-birth-of-a-nation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1556220085606-IND38PMQDXK67NFCU0S4/Image_3_TorontoStar_17Sep1915.jpg</image:loc>
      <image:title>Museum Gallery Blog - Rise Up Against Racism: Black Canadians and D.W. Griffith’s The Birth of a Nation</image:title>
      <image:caption>Article from the Toronto Star, September 17, 2015.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1556219564802-RYXZJMP8ZHR5W0T7TMFB/Image_1_TorontoStar_18Sep1915.jpg</image:loc>
      <image:title>Museum Gallery Blog - Rise Up Against Racism: Black Canadians and D.W. Griffith’s The Birth of a Nation</image:title>
      <image:caption>Ad for D.W. Griffith’s The Birth of a Nation (“8th Wonder of the World) playing at the Royal Alexandra Theatre in Toronto. From the Toronto Star, September 18, 1915.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1556219987826-J5BPYM19MRPSDYPLYIM0/Image_2_CND_Observer_18Sep1915.jpg</image:loc>
      <image:title>Museum Gallery Blog - Rise Up Against Racism: Black Canadians and D.W. Griffith’s The Birth of a Nation</image:title>
      <image:caption>Article from The Canadian Observer, a newspaper published for the black community by J.R.B Whitney from 1914 to 1919. September 18, 1915.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1556220549036-TYSHRYHRC1EYUF8K55N8/Image_4_CND_Observer4Dec1915.jpg</image:loc>
      <image:title>Museum Gallery Blog - Rise Up Against Racism: Black Canadians and D.W. Griffith’s The Birth of a Nation</image:title>
      <image:caption>Article reporting a mass meeting held in Windsor, Ontario to support the prohibition of the film The Birth of a Nation (sometimes referred to as ‘photoplay’). From The Canadian Observer, December 4, 1915.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1556220678822-MV7UEU3RKAB3WC77JEQT/Image_5_TorontoStar_22Sep1915.jpg</image:loc>
      <image:title>Museum Gallery Blog - Rise Up Against Racism: Black Canadians and D.W. Griffith’s The Birth of a Nation</image:title>
      <image:caption>Article from the Toronto Star, September 22, 1915.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1556220787678-3366FZ1WTXS27ES2XV1I/Image_6_CND_Observer_4Dec1915.jpg</image:loc>
      <image:title>Museum Gallery Blog - Rise Up Against Racism: Black Canadians and D.W. Griffith’s The Birth of a Nation</image:title>
      <image:caption>Announcement sent to J.R.B. Whitney, publisher of the The Canadian Observer, after The Birth of a Nation was cancelled in Windsor. From The Canadian Observer, December 4, 1915.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/museum-gallery-blog/2019/4/5/a-kkk-cross-burning-in-hamilton</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1556547621105-A7215APBR6ZRIN1HT634/KKK2.jpg</image:loc>
      <image:title>Museum Gallery Blog - A Cross-Burning on Hamilton Mountain</image:title>
      <image:caption>A cross burning at the top of Hamilton Mountain, from the Hamilton Herald, 1 October 1931.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1556202126934-86OQBP3YFM6D9WMBLEMG/the_birth_of_a_nation_1915_-_blue+2.jpg</image:loc>
      <image:title>Museum Gallery Blog - A Cross-Burning on Hamilton Mountain</image:title>
      <image:caption>Poster for D.W. Griffith's 'mighty spectacle' The Birth of a Nation (1915).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1554503891146-XRS9XOKB3W6OCYFWXQ4C/KKK1.jpg</image:loc>
      <image:title>Museum Gallery Blog - A Cross-Burning on Hamilton Mountain</image:title>
      <image:caption>A march of members of the KKK south on James Street North circa 1930, no doubt to draw attention to the Klan, to create a photo opportunity for local newspapers, and to promote membership. Courtesy of the Hamilton Public Library.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1554504110318-KJ1WGQJXNJKI44KJS4PS/KKK4.jpg</image:loc>
      <image:title>Museum Gallery Blog - A Cross-Burning on Hamilton Mountain</image:title>
      <image:caption>From the Hamilton Herald, 1 October 1931.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1554504277978-WAD2TK2HPUF900BN2CAU/KKK5.jpg</image:loc>
      <image:title>Museum Gallery Blog - A Cross-Burning on Hamilton Mountain</image:title>
      <image:caption>Members of the Klan marching on King Street West circa 1930. Courtesy of the Hamilton Public Library.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1554504362259-46UK7JHZ8UPZJJUC1X2M/KKK7.jpg</image:loc>
      <image:title>Museum Gallery Blog - A Cross-Burning on Hamilton Mountain</image:title>
      <image:caption>From the Hamilton Herald, 23 March 1935.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/museum-gallery-blog/2019/4/5/canadian-national-institute-for-the-blind</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1554499329340-X4H9GXFN2VP0EPHAOE6D/Screen%2BShot%2B2018-02-01%2Bat%2B9.08.12%2BAM.jpg</image:loc>
      <image:title>Museum Gallery Blog - Canadian National Institute for the Blind</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1554499536814-WKFEFXWXA95ZR7SZ4V0Z/Screen%2BShot%2B2018-02-01%2Bat%2B9.09.28%2BAM.jpg</image:loc>
      <image:title>Museum Gallery Blog - Canadian National Institute for the Blind</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/museum-gallery-blog/2019/4/18/the-great-wizard-of-the-north</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-05-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1556202735033-UL1EWQE91SWDHJB6VGMN/magic.jpg</image:loc>
      <image:title>Museum Gallery Blog - The Great Wizard of the North</image:title>
      <image:caption>Professor Anderson performing his famous bottle trick with his son in his illusion act "The Magic Scrapbook" at the Boston Melodeon in 1852. Image from Gleason's Pictorial Drawing Room Companion, an illustrated periodical digitized by the Boston Public Library.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1555636987991-1V5U20HYE9PWP53RC40G/Globe19sept1862p3c3.jpg</image:loc>
      <image:title>Museum Gallery Blog - The Great Wizard of the North</image:title>
      <image:caption>Advertisement for Professor Anderson's magic performances at the Music Hall, Mechanic's Institute in Toronto during the Agricultural Exhibition of 1862 in Toronto. From the Global and Mail, 19 September, 1862.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/museum-gallery-blog/2019/4/5/hodge-playbill</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1554500903237-L4DAIVWEEP78M3TZP2H3/Hodge+Playbill.jpg</image:loc>
      <image:title>Museum Gallery Blog - Hodge Playbill</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/museum-gallery-blog/2024/1/11/theatre-buildings</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-11</lastmod>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/museum-gallery-blog/2019/4/5/montreal-catholic-school-minstrel-show</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-05-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1554501001381-VE82TLBJUJ956MIGZWEO/Martin+Julien+Photo%28r%29+copy+2.jpg</image:loc>
      <image:title>Museum Gallery Blog - Montreal Catholic School Minstrel Show</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/museum-gallery-blog/2019/4/5/al-w-martins-mammoth-production</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1554500338060-6GHOZW4QBELRRYCXAX9K/Picture1.jpg</image:loc>
      <image:title>Museum Gallery Blog - Al W. Martin's Mammoth Production</image:title>
      <image:caption>New York Dramatic Mirror, 5 January 1907, pg. 11</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1554499996980-9ZM12CRKWTO1ZE8T4UA2/Picture2.jpg</image:loc>
      <image:title>Museum Gallery Blog - Al W. Martin's Mammoth Production</image:title>
      <image:caption>Image courtesy of Library of Congress, Prints and Photographs Division, LC-USZ62-24432</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/museum-gallery-blog/2019/4/5/painting-by-the-quebecois-artist-joseph-lgar</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1556549197918-L9RLO4R2E9Q6QM65P23K/Joseph%2BLegere%2Bpainting</image:loc>
      <image:title>Museum Gallery Blog - Painting by the Quebecois artist Joseph Légaré</image:title>
      <image:caption>A painting by the Quebecois artist Joseph Légaré, called in French "Paysage avec un orateur s'adressant aux Indiens" ("Landscape with an orator addressing the Indians"). Musée de Beaux-Arts, Montreal, Canada. ca. 1843.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/museum-gallery-blog/2024/1/11/canada-west-performance-culture-in-souther-ontario</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-11</lastmod>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/project-contributors</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1702414340948-8NEJR10KWSZ2Y06L7INH/Barker_DanielAbriel.jpeg</image:loc>
      <image:title>Collaborators - Roberta Barker</image:title>
      <image:caption>COLLABORATOR Roberta Barker is Professor of Theatre Studies and Women &amp; Gender Studies at Dalhousie University. Roberta’s research interests centre on the relationship between theatrical performance and the social construction of identity. Her work has explored such topics as the representation of gender and class in early modern tragedy, the lives and repertoires of early modern boy actresses, and the theatrical performance of illness and health. She is the author of two books, Symptoms of the Self: Tuberculosis and the Making of the Modern Stage (U of Iowa Press, 2022) and Early Modern Tragedy, Gender and Performance, 1984-2000: The Destined Livery (Palgrave Macmillan, 2007); the co-editor with Kim Solga of New Canadian Realisms: Eight Plays and New Canadian Realisms: Essays (Playwrights Canada Press, 2012); and the editor of numerous early modern plays, including Thomas Middleton’s Women Beware Women for The Routledge Anthology of Early Modern Drama (Routledge, 2020), as well as General Editor of the series New Essays in Canadian Theatre at Playwrights Canada Press. Her credits as a stage director include Così Fan Tutte, Aunt Helen, Luisa Miller, The Rake’s Progress, and Orfeo ed Euridice for Opera Nova Scotia; Henry IV, Part One for Windsor Theatre, Mount Allison University; The Cunning Little Vixen for Dal Opera; and The Dog in the Manger, Drums and Organs, She Herself is a Haunted House, The Mill on the Floss, The Witch of Edmonton, Fuente Ovejuna, and Troilus and Cressida for Dal Theatre. She was the librettist for an opera by composer Tawnie Olson, Sanctuary and Storm, which won the Dominick Argento Prize for Best Chamber Opera from the National Opera Association of America and had its professional premiere in Vancouver in November 2023.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1737406668994-JHN5XYCUC86GFTBUDFND/Berger+headshot.png</image:loc>
      <image:title>Collaborators - Harris Berger</image:title>
      <image:caption>COLLABORATOR Harris M. Berger is a scholar working in the fields of ethnomusicology, folklore studies, and popular music studies. His research focuses on theoretical issues in the study of music and folklore, phenomenological and performance-oriented approaches to the study of expressive culture, applied ethnomusicology, and heavy metal music. His books include Metal, Rock, and Jazz: Perception and the Phenomenology of Musical Experience (Wesleyan University Press, 1999), Stance: Ideas about Emotion, Style, and Meaning for the Study of Expressive Culture, and Theory for Ethnomusicology: Histories, Conversations, Insights (Harris M. Berger and Ruth M. Stone, eds., Routledge, 2019). He, Friedlind Riedel, and David VanderHamm are the editors of The Oxford Handbook of the Phenomenology of Music Cultures (Oxford University Press, 2024). Berger has served as co-editor of the Journal of American Folklore and co-editor of the Music/Culture book series at Wesleyan University Press. He and Jocelyne Guilbault are the founders and co-editors of Music Research Annual, the first peer-reviewed, open-access journal devoted to critical review essays on key topics from the full range of academic disciplines that study music. He serves as Canada Research Chair in Ethnomusicology, Director of the Research Centre for the Study of Music, Media, and Place (MMaP), and Professor of Music and Folklore at Memorial University. At MMaP, Berger has produced many live events that explore the music and culture of the province of Newfoundland and Labrador and is also the producer of MMaP’s Back on Track Audio Publication Series. Begun by MMaP’s founder, Beverley Diamond, the series publishes CDs and websites that make the richness of the province’s musical traditions accessible to the public.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1700839575888-0VWSKL6MEWEJ50918XL9/image-asset.jpeg</image:loc>
      <image:title>Collaborators - Christine Mazumdar</image:title>
      <image:caption>COLLABORATOR Dr. Christine Mazumdar (she/her) is an artist and SSHRC/Sport Canada Postdoctoral Fellow at the department of Art Education at Concordia University where her research considers the interrelationship between sport and art. A former rhythmic gymnast and nationally certified coach, she is an EDI expert who advocates consent, agency, and bodily autonomy in aesthetic pedagogy. Christine was the recipient of the 2019 Routledge Prize at the Performance Studies international (PSi) conference for her paper “Like Rubber: Hyperflexibility, Contortion, and the ‘Freak-tastic’ Body,” and was longlisted for the 2020 CBC Poetry Prize for “Ballet for the Apocalypse” and the 2019 CBC Nonfiction Prize for her essay, “Reindeer at the Colloquium.” A writer, musician, and choreographer, Christine holds a PhD from the Centre for Drama, Theatre, and Performance Studies at the University of Toronto.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1603410905047-56GF5WA7NOKTTH5PXPUW/image-asset.jpeg</image:loc>
      <image:title>Collaborators - Maria Meindl</image:title>
      <image:caption>COLLABORATOR Maria Meindl completed her PhD at the Centre for Drama, Theatre and Performance studies in 2022, where her research was supported by SSHRC and DAAD. Her dissertation, "Reading Elsa Gindler: Tracing the Legacy of a Somatics Pioneer" received the Alumni Dissertation award in 2022. She is working on turning it into a book. Maria is the author of The Work (A novel from Stonehouse publishing, 2019), and Outside the Box (McGill-Queen’s University Press 2011, winner of the Alison Prentice Award for Women’s History). She has contributed fiction, poetry, essays and comics to numerous journals and has had essays anthologized in The M Word: Conversations about Motherhood, and At the End of Life: True Stories about How We Die. She written two radio series for CBC Ideas: Remembering Polio and Parent Care. In 2005, she founded Draft, a literary reading series now in its 18th season. A proud member of the Gatherings partnership, she co-edited the 2022 edition of the Gatherings chapbook with Stephen Johnson and Jenn Cole, and has contributed articles and interviews to the website. A Guild Certified Feldenkrais practitioner, Maria has been teaching movement classes since 2002. She also works as a manuscript whisperer on a small number of academic and creative projects. www.mariameindl.com. www.draftreadings.com</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1605713813155-HJYWYYMLA2YIW4H4FJD0/P1010952-2.jpg</image:loc>
      <image:title>Collaborators - Jimena Ortuzar</image:title>
      <image:caption>GALLERY CURATOR &amp; COLLABORATOR Jimena Ortúzar is completing a postdoctoral fellowship at York University’s School of the Arts, Media, Performance &amp; Design. Her research explores labour and migration through the lens of performance and gender studies and her writing can be found in international journals as well as edited collections on art and activism, contemporary theatre, and Latino/a/x performance.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1692819394521-UH7L8KWXX8NYDPBX8LVW/image-asset.jpeg</image:loc>
      <image:title>Collaborators - Jenny Salisbury</image:title>
      <image:caption>COLLABORATOR Jenny Salisbury is a postdoctoral research fellow at the Ontario Institute for Studies in Education, University of Toronto, where she is working with Tara Goldstein on verbatim theatre project 60 Years of Queer and Trans Activism. Jenny is a theatre director and arts-based researcher who specializes in new play development. Her SSHRC-funded Ph.D. was awarded from the Centre for Drama, Theatre and Performance Studies at the University of Toronto, titled, “Community-Engaged Theatre Audiences”. Jenny a director of the Centre for Spectatorship and Audience Research (www.centreforspectatorship.com), and co-artistic director of Gailey Road Productions, “where theatre meets research and research meets theatre" (www.gaileyroad.com). Current Research: My current research is into activating and performing moments of Queer liberation, activism, and care as found in archives. Under the supervision of Professor Tara Goldstein, we are working on her project The Love Booth and Other Plays a verbatim, documentary play celebrating 50 years of delisting homosexuality from the list of mental illnesses in the American Psychology Diagnostic and Statistical Manual. Building on this work, we have been working with undergraduate students and The ArQuives (https://arquives.ca) to write verbatim monologues about Queer activists from the last 60 years. This work connects to my larger research program on community-engaged and documentary theatre and audiences.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1733333963193-IYZZMIYDLKFEP6T4MHAO/Sanja%2BVodovnik%2BWeb-2.jpg</image:loc>
      <image:title>Collaborators - Sanja Vodovnik</image:title>
      <image:caption>COLLABORATOR, ORAL HISTORIES VIDEOGRAPHER/EDITOR Sanja Vodovnik is a graduate of the University of Toronto. Her work focuses on science fiction in theatrical and extra-theatrical performance spaces and investigates the roles that science fiction plays in contemporary technologically saturated worlds. She is particularly interested in events that contribute to the production of SF experiences such as immersive theme parks, world fairs and online fan communities.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1555539552120-HIXKO8RK1NZIQOA774G0/180425_TDC_05_JessicaWatkin_00655.jpg</image:loc>
      <image:title>Collaborators - Jessica Watkin</image:title>
      <image:caption>ACCESSABILITY CONSULTANT &amp; COLLABORATOR Dr. Jess Watkin finished her PhD at the University of Toronto's Centre for Drama, Theatre, and Performance studies. Her research focuses on Disability dramaturgy, care-full approaches to performance creation/production, and Disability related activism. She is a Blind artist-scholar living in Toronto, who loves making tactile art and showing up as the Disabled artist in many creative spaces to ensure care is prioritized for all.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/new-blog</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-04-24</lastmod>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/new-blog/2019/4/24/tivoli-theatre</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1556131857454-WOHJ6AB7Y8NTB2AGCGRA/Tivoli+theatre%2C+1944.jpg</image:loc>
      <image:title>Theatre Buildings - Hamilton - Tivoli Theatre</image:title>
      <image:caption>Tivoli Theatre Interior - 1944 "Tivoli Theatre" National Trust for Canada. Mar 2015. archive.nationaltrustcanada.ca/issues-campaigns/top-ten-endangered/explore-past-listings/ontario/tivoli-theatre</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/new-blog/2019/4/24/lyric-theatre</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1556130168176-ESF7NPV34EY0LZTYC4GE/Century+Theatre+Hamilton.jpg</image:loc>
      <image:title>Theatre Buildings - Hamilton - Lyric Theatre</image:title>
      <image:caption>Century Theatre - Post Closing Kowalewicz, Brian. “Century Theatre, southwest corner.” historical Hamilton. historicalhamilton.com/beasley/century-(lyric)-theatre/p-1438-century-theatre,-southwest-corner.html</image:caption>
    </image:image>
  </url>
  <url>
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    <lastmod>2019-04-24</lastmod>
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      <image:caption>Grand Opera House Exterior “Grand Opera House, 1880-1961”. Local History &amp; Archives Hamilton. flickr, 25 Mar. 2013. www.flickr.com/photos/hpllocalhistory/14187619954/in/photostream/</image:caption>
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      <image:title>Theatre Buildings - Hamilton - Grand Opera House</image:title>
      <image:caption>Grand Opera House Interior “Local History &amp; Archives Hamilton” flickr. 15 May 2013. www.flickr.com/photos/hpllocalhistory/14187619924/in/photostream/</image:caption>
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      <image:title>Theatre Buildings - Hamilton - Capitol Theatre</image:title>
      <image:caption>Capitol Theatre - 1947 Arnold, Steve. "Capitol revitalization capitalizes on Hamilton condos." Hamilton Spectator. 4 Jan 2016. Accessed 26 Jun 2017 https://www.thespec.com/news-story/6216663-capitol-revitalization-capitalizes-on-hamilton-condos/</image:caption>
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      <image:title>Printing Gatherings Vol.2</image:title>
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    <lastmod>2020-02-18</lastmod>
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      <image:title>Theatre Buildings - Stratford - Studio Theatre</image:title>
      <image:caption>Studio Theatre - Exterior - April 2016 “Studio Theatre - Virtual Tour” Stratford Festival. Stratford Festival. April 2016. www.google.ca/maps/place/Studio+Theatre+%7C+Stratford+Festival/@43.369435,-80.9801385,3a,75y,90t/data=!3m8!1e2!3m6!1sAF1QipOBcpouhI6G0Gtch-q4HBGM2dJd1QaS2cYaazXg!2e10!3e12!6shttps:%2F%2Flh5.googleusercontent.com%2Fp%2FAF1QipOBcpouhI6G0Gtch-q4HBGM2dJd1QaS2cYaazXg%3Dw203-h135-k-no!7i5325!8i3555!4m5!3m4!1s0x0:0xa2b72c8108011e1a!8m2!3d43.369435!4d-80.9801385</image:caption>
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      <image:title>Theatre Buildings - Stratford - Studio Theatre</image:title>
      <image:caption>Studio Theatre - Interior - September 2018 Booth, Elyse. “Studio Theatre - Virtual Tour”. Stratford Festival. Stratford Festival. April 2018. www.google.ca/maps/place/Studio+Theatre+%7C+Stratford+Festival/@43.3695433,-80.9805224,3a,75y,185.43h,90t/data=!3m7!1e1!3m5!1sRsTcz1BtXUwAAAQZBlXTiQ!2e0!3e2!7i13312!8i6656!4m5!3m4!1s0x0:0xa2b72c8108011e1a!8m2!3d43.369435!4d-80.9801385</image:caption>
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    <loc>https://gatheringspartnership.com/theatre-buildings-stratford/2020/2/17/tom-patterson-theatre</loc>
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    <priority>0.5</priority>
    <lastmod>2020-02-18</lastmod>
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    <loc>https://gatheringspartnership.com/theatre-buildings-stratford/2020/2/17/festival-theatre</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-18</lastmod>
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      <image:title>Theatre Buildings - Stratford - Festival Theatre</image:title>
      <image:caption>Festival Theatre - Exterior - August 2018 Booth, Elyse. “Festival Theatre - Virtual Tour”. Stratford Festival. Stratford Festival. www.google.ca/maps/place/Stratford+Festival/@43.3743499,-80.9685626,3a,75y,90t/data=!3m8!1e2!3m6!1sAF1QipOx2vCga-j6ge8DZf1vE94QhrbILr9jcBYPfc0R!2e10!3e12!6shttps:%2F%2Flh5.googleusercontent.com%2Fp%2FAF1QipOx2vCga-j6ge8DZf1vE94QhrbILr9jcBYPfc0R%3Dw203-h135-k-no!7i5606!8i3742!4m5!3m4!1s0x0:0xac4014ae7a4c48b1!8m2!3d43.3743499!4d-80.9685626</image:caption>
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      <image:title>Theatre Buildings - Stratford - Festival Theatre</image:title>
      <image:caption>Booth, Elyse. “Festival Theatre - Virtual Tour.” Stratford Festival, Stratford Festival. www.google.ca/maps/place/Stratford+Festival/@43.3739439,-80.968506,3a,75y,23.69h,63.97t/data=!3m7!1e1!3m5!1sO4TLBbsH4JIAAAQY_SAEng!2e0!3e2!7i13312!8i6656!4m5!3m4!1s0x0:0xac4014ae7a4c48b1!8m2!3d43.3743499!4d-80.9685626</image:caption>
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    <loc>https://gatheringspartnership.com/theatre-buildings-stratford/2020/2/17/avon-theatre</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-18</lastmod>
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      <image:title>Theatre Buildings - Stratford - Avon Theatre</image:title>
      <image:caption>Avon Theatre - Exterior - June 2018 Booth, Elyse. “Avon Theatre | Stratford Festival - Virtual Tour” Stratford Festival, Stratford Festival, www.google.ca/maps/place/Avon+Theatre+%7C+Stratford+Festival/@43.3692514,-80.9810833,3a,75y,90t/data=!3m8!1e2!3m6!1sAF1QipNAaB_TVQRzYD2_Rt9JEKMkykSKeZOjnncBhwl8!2e10!3e12!6shttps:%2F%2Flh5.googleusercontent.com%2Fp%2FAF1QipNAaB_TVQRzYD2_Rt9JEKMkykSKeZOjnncBhwl8%3Dw203-h135-k-no!7i4993!8i3333!4m5!3m4!1s0x0:0x2e3dbc9e16af411f!8m2!3d43.3692514!4d-80.9810833</image:caption>
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      <image:title>Theatre Buildings - Stratford - Avon Theatre</image:title>
      <image:caption>Avon Theatre Interior - April 2016 Booth, Elyse. “Avon Theatre | Stratford Festival - Virtual Tour” Stratford Festival, Stratford Festival, www.google.ca/maps/place/Avon+Theatre+%7C+Stratford+Festival/@43.3692514,-80.9810833,3a,75y,90t/data=!3m8!1e2!3m6!1sAF1QipNAaB_TVQRzYD2_Rt9JEKMkykSKeZOjnncBhwl8!2e10!3e12!6shttps:%2F%2Flh5.googleusercontent.com%2Fp%2FAF1QipNAaB_TVQRzYD2_Rt9JEKMkykSKeZOjnncBhwl8%3Dw203-h135-k-no!7i4993!8i3333!4m5!3m4!1s0x0:0x2e3dbc9e16af411f!8m2!3d43.3692514!4d-80.9810833</image:caption>
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    <loc>https://gatheringspartnership.com/whats-new</loc>
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      <image:caption>'Canadian Performance Documents and Debates', is co-edited by Gatherings co-investigator Allana C. Lindgren, and features the work of several other ‘Gatherers’.</image:caption>
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      <image:title>What's New - New Publications from Mark Turner</image:title>
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      <image:title>What's New - New Publication by Mark Turner</image:title>
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      <image:title>What's New</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1634073966981-GG9M8X15UIXOA4I10DBW/image-asset.png</image:loc>
      <image:title>What's New</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1631747512266-U432POTP4KRYO0ENQYP2/Gatherings+What%27s+New+Scroll-4.png</image:loc>
      <image:title>What's New</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1618854550199-YBYLEM3AD5OK5TWPH450/Gatherings+What%27s+New+Scroll.png</image:loc>
      <image:title>What's New</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1601490845803-MGLN6WUUB1WOORFBZRJK/keyboard-498396_1920.jpg</image:loc>
      <image:title>What's New</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1631826980598-RENGLE43DDC8Z0LF4FHB/13.png</image:loc>
      <image:title>What's New</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/partner-representatives</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-09-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1605286373203-PJ4KNK8VYUNM9RCASC0G/AmyBrowning%2Bheadshot.jpg</image:loc>
      <image:title>Partner Representatives - Amy Bowring</image:title>
      <image:caption>Amy Bowring holds an Honours B.A. in Fine Arts Studies from York University and an M.A. in Journalism from the University of Western Ontario. She is the Executive and Curatorial Director at Dance Collection Danse where she was mentored by founders Lawrence and Miriam Adams, and has been involved with the organization since 1993. She is one of Canada’s foremost advocates for the study and preservation of Canadian dance heritage. Amy has published numerous articles on dance history and has curated several live and virtual exhibitions; she has lectured across Canada and teaches dance history at Toronto Metropolitan University. She has contributed to various boards and committees in the arts and museum sectors. Amy is the editor of Down to Bowring’s: A Memoir written by her grandfather, Derrick Bowring (Creative Book Publishers, 2015). Her book Navigating Home: Artists of the NL Dance Project was published in 2019.Current ResearchI am currently researching the history of postmodern dance in St. John’s, as well as WWI patriotic performances in St. John’s and progression from there into the 1920s when women previously connected to the Women’s Patriotic Association were becoming involved in the suffrage movement. Research in terms of gathering oral histories from artists across Canada who began working during the 1970s dance boom also continues.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1605286373203-PJ4KNK8VYUNM9RCASC0G/AmyBrowning%2Bheadshot.jpg</image:loc>
      <image:title>Partner Representatives - Amy Bowring</image:title>
      <image:caption>Amy Bowring holds an Honours B.A. in Fine Arts Studies from York University and an M.A. in Journalism from the University of Western Ontario. She is the Executive and Curatorial Director at Dance Collection Danse where she was mentored by founders Lawrence and Miriam Adams, and has been involved with the organization since 1993. She is one of Canada’s foremost advocates for the study and preservation of Canadian dance heritage. Amy has published numerous articles on dance history and has curated several live and virtual exhibitions; she has lectured across Canada and teaches dance history at Toronto Metropolitan University. She has contributed to various boards and committees in the arts and museum sectors. Amy is the editor of Down to Bowring’s: A Memoir written by her grandfather, Derrick Bowring (Creative Book Publishers, 2015). Her book Navigating Home: Artists of the NL Dance Project was published in 2019.Current ResearchI am currently researching the history of postmodern dance in St. John’s, as well as WWI patriotic performances in St. John’s and progression from there into the 1920s when women previously connected to the Women’s Patriotic Association were becoming involved in the suffrage movement. Research in terms of gathering oral histories from artists across Canada who began working during the 1970s dance boom also continues.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/56aa7e89d210b87f5bc5b8af/5faeb8efe741ef42c9e6f731/5faeb9bc1cc5cc66226b6447/1757430965684/</image:loc>
      <image:title>Partner Representatives</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1605286373021-FR0DKR1UTGJAEWZBVIBD/AnnieGibsonPhoto.jpg</image:loc>
      <image:title>Partner Representatives - Annie Gibson</image:title>
      <image:caption>Annie Gibson is the publisher at Playwrights Canada Press. A graduate of the University of Toronto, Annie followed her love of theatre and books to its logical conclusion: publishing plays. She’s worked at Playwrights Canada Press since 2005, and as publisher since 2008. She also loves baseball and baking. Annie is passionate about the book industry and the supply chain that gets books into the hands of readers. A former member of the board of directors of both the Association of Canadian Publishers and eBOUND Canada, Annie currently sits on the board of the Book and Periodical Council and the management board of Theatre Research in Canada / Recherches théâtrales au Canada. She is an active member of the BPC’s Freight and Distribution Committee, the ACP’s Diversity and Inclusion Committee, the Ontario Creates Book Industry Advisory Committee, and the professional advisory committee for Sheridan College’s Creative Writing and Publishing program.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1757431077342-BSGUWPC62LV0WUL78YLK/Mike%2BHeadshot24_bw.png</image:loc>
      <image:title>Partner Representatives - Michael Wallace</image:title>
      <image:caption>Michael Wallace is the Executive Director of Canada's Theatre Museum, with its mission to invite the world to explore and be inspired by the past, present and future of Canadian theatre. He is a graduate of the University of King's College (Theatre Studies &amp; Production) and worked in professional theatre as a stage manager before returning to school and earning an MBA at York University's Schulich School of Business with its specializations in nonprofit and arts management. Mike is a director of the CNE Association. He is an active volunteer with the Canadian Museums Association, including serving a term as its president.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/first-gatherings-blog</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-05-05</lastmod>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/first-gatherings-blog/2023/5/5/a-conversation-with-marlis-schweitzer</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1683488150823-5S83OG7A0W89GR2PZICT/Marlis-Schweitzer.jpg</image:loc>
      <image:title>First Gatherings Blog - A Conversation with Marlis Schweitzer</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1683305132494-JJW1DXWJLFSM56HZ7BS1/Annie.JPG</image:loc>
      <image:title>First Gatherings Blog - A Conversation with Marlis Schweitzer</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1683305132152-Q4PAVH7SG8YO42U54GYF/M.+-ballet+in+Kelown.JPG</image:loc>
      <image:title>First Gatherings Blog - A Conversation with Marlis Schweitzer</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/first-gatherings-blog/2021/9/15/a-conversation-with-amy-bowring</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1633279052560-E3A8TFOJ7APO01PXXFT3/thumbnail_Bowring+album+front.jpg</image:loc>
      <image:title>First Gatherings Blog - A Conversation with Amy Bowring - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1633279081927-HKXFD74EESVJVIUVU7NQ/thumbnail_Bowring+album+back.jpg</image:loc>
      <image:title>First Gatherings Blog - A Conversation with Amy Bowring - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/first-gatherings-blog/2021/9/15/a-conversation-with-gabrielle-houle</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-18</lastmod>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/first-gatherings-blog/2021/6/24/a-conversation-with-kelsey-jacobson</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-15</lastmod>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/first-gatherings-blog/2021/6/16/a-conversation-with-annie-gibson</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-08-23</lastmod>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/first-gatherings-blog/2021/6/16/a-conversation-with-mark-turner</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-15</lastmod>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/first-gatherings-blog/2021/5/27/a-conversation-with-maria-meindl</loc>
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    <priority>0.5</priority>
    <lastmod>2021-09-15</lastmod>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/first-gatherings-blog/2021/5/27/a-conversation-with-sasha-kovacs</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-11</lastmod>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/first-gatherings-blog/2021/5/17/a-conversation-with-jenn-cole</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-11</lastmod>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/calendar-of-events-blog</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-11-24</lastmod>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/calendar-of-events-blog/2022/10/13/dancing-resilience-dance-studies-and-activism-oct-13-y26be-4p6ba-4j6x2</loc>
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    <priority>0.5</priority>
    <lastmod>2021-10-12</lastmod>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/calendar-of-events-blog/2022/10/13/dancing-resilience-dance-studies-and-activism-oct-13-y26be-4p6ba</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-12</lastmod>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/calendar-of-events-blog/2022/10/13/dancing-resilience-dance-studies-and-activism-oct-13-y26be</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-12</lastmod>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/calendar-of-events-blog/2022/10/13/dancing-resilience-dance-studies-and-activism-oct-13</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-12</lastmod>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/calendar-of-events-blog/2022/5/27/catr-2022-performing-emergence-replay-recollect-reexist-may-27-d9868-2xp9b-435g4-ddnrd-a6s9g-26lld</loc>
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    <lastmod>2021-10-12</lastmod>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/calendar-of-events-blog/2022/5/27/catr-2022-performing-emergence-replay-recollect-reexist-may-27-d9868-2xp9b-435g4-ddnrd-a6s9g</loc>
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    <lastmod>2021-10-12</lastmod>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/calendar-of-events-blog/2022/5/27/catr-2022-performing-emergence-replay-recollect-reexist-may-27-d9868-2xp9b-435g4-ddnrd</loc>
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    <lastmod>2021-10-12</lastmod>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/calendar-of-events-blog/2022/6/10/lethbridge-symposium-widening-the-river-june-10-5bfkt</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-08</lastmod>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/calendar-of-events-blog/2022/6/10/lethbridge-symposium-widening-the-river-june-10</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-08</lastmod>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/calendar-of-events-blog/2022/5/27/catr-2022-performing-emergence-replay-recollect-reexist-may-27-d9868-2xp9b-435g4</loc>
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    <lastmod>2021-10-12</lastmod>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/calendar-of-events-blog/2022/5/27/catr-2022-performing-emergence-replay-recollect-reexist-may-27-d9868-2xp9b</loc>
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  </url>
  <url>
    <loc>https://gatheringspartnership.com/calendar-of-events-blog/2022/5/27/catr-2022-performing-emergence-replay-recollect-reexist-may-27-d9868</loc>
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  <url>
    <loc>https://gatheringspartnership.com/calendar-of-events-blog/2022/5/27/catr-2022-performing-emergence-replay-recollect-reexist-may-27</loc>
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  <url>
    <loc>https://gatheringspartnership.com/calendar-of-events-blog/2022/3/25/what-a-body-can-do-international-speaker-series-on-practice-as-research</loc>
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    <lastmod>2021-10-12</lastmod>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/calendar-of-events-blog/2022/1/14/what-a-body-can-do-international-speaker-series-on-practice-as-research</loc>
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    <lastmod>2021-10-12</lastmod>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/calendar-of-events-blog/2021/11/26/centre-for-spectatorship-and-audience-research-signy-lynch</loc>
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    <lastmod>2021-10-14</lastmod>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/calendar-of-events-blog/2021/10/26/what-a-body-can-do-international-speaker-series-on-practice-as-research</loc>
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    <priority>0.5</priority>
    <lastmod>2021-10-12</lastmod>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/calendar-of-events-blog/2021/10/22/catr-crisis-and-recovery-act-4nbsp-f82je</loc>
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    <priority>0.5</priority>
    <lastmod>2021-10-12</lastmod>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/calendar-of-events-blog/2021/10/22/centre-for-spectatorship-and-audience-research-nina-penner</loc>
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    <priority>0.5</priority>
    <lastmod>2021-10-14</lastmod>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/calendar-of-events-blog/2021/10/22/catr-crisis-and-recovery-act-4nbsp</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-12</lastmod>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/calendar-of-events-blog/2021/10/12/story-ing-the-94</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1634074540186-131UM4AUFPV7B0H7CZMW/STORYING+THE+94.png</image:loc>
      <image:title>Calendar of Events blog - Story-ing the 94 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/events-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-01-15</lastmod>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/events-1/2022/2/24/preserving-performance-in-the-pacific-northwest-a-symposium-hosted-at-the-university-of-victoria-department-of-theatre-erdt8</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/d039077e-5713-4f0f-87b7-5ca358654dd5/Day+1_Mootookakio%E2%80%99ssin1.jpeg</image:loc>
      <image:title>Events - Lethbridge Symposium: "Widening the River" - Mootookakio’ssin: Niitsitapi Digital Project</image:title>
      <image:caption>Dr. Josephine Mills, Danielle Heavy-Head, Christine Clark, and Melissa Shouting</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/f0f1cf78-0bb3-4dd8-b006-b722efe486d8/thumbnail_IMG_8604.jpg</image:loc>
      <image:title>Events - Lethbridge Symposium: "Widening the River" - Co-Creative Oral History Practices: Experiences from The Nikkei Memory Capture Project</image:title>
      <image:caption>Dr. Carly Adams (University of Lethbridge) and Dr. Darren Aoki (University of Plymouth)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/8a660bc9-15c4-4001-874f-c1f1ae151a93/Day+1_Accidental+Filmaker_Bailey.jpeg</image:loc>
      <image:title>Events - Lethbridge Symposium: "Widening the River" - Turning an Oral History Project into and Award-Winning Documentary</image:title>
      <image:caption>Dr. Jenna Bailey (University of Lethbridge)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/821e7a08-56df-4f56-a4ea-c1365097572f/Screenshot+2025-11-28+191350.png</image:loc>
      <image:title>Events - Lethbridge Symposium: "Widening the River" - Write About Now: Press Releases, Podcasts, and Public Engagement in the Performing Arts</image:title>
      <image:caption>Dr. Eury Colin Chang (University of British Columbia)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/924b915f-6d2b-4363-89bf-f426b080dc1b/Day+0_Arrival_Bowring+Jacobson+Houle.jpeg</image:loc>
      <image:title>Events - Lethbridge Symposium: "Widening the River" - Gatherings Round-Table</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/322b6f0a-161d-4f25-ac92-2def88a37743/Day+0_University+of+Lethbridge.jpg</image:loc>
      <image:title>Events - Lethbridge Symposium: "Widening the River" - Iniskim - Return of the Buffalo</image:title>
      <image:caption>Amethyst First Rider, Peter Balkwill (University of Calgary), and David Lane (New England Puppet Arts)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/40b44852-0a8e-41fa-8232-9bcd1f4f6b0d/Day+1_Nikkei+Memory+Capture_Johnson1.jpeg</image:loc>
      <image:title>Events - Lethbridge Symposium: "Widening the River" - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/events-1/2024/1/15/toronto-symposium-performing-ephemera</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-15</lastmod>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/events-1/2022/2/24/antiques-roadshow-2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1645733143848-QCGC61ZG8WJSAO11T2LX/thumbnail_Gatherings.png</image:loc>
      <image:title>Events - Antiques Roadshow #2 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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  <url>
    <loc>https://gatheringspartnership.com/events-1/2022/2/24/antiques-roadshow-1</loc>
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    <lastmod>2022-05-26</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1645733347525-GKT849OAI2LPN33LC20H/thumbnail_image.png</image:loc>
      <image:title>Events - Antiques Roadshow #1 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/events-1/2022/2/24/quarantine-performance</loc>
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    <lastmod>2022-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1645727572139-ALEUGO415U7PC66B3BOH/thumbnail_571EC528AD3D4ED389FBBBD2DFA4470C.jpg</image:loc>
      <image:title>Events - Quarantine Performance - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/events-1/2022/2/24/an-online-gathering-to-think-about-gathering</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1645729762387-Z44846A3J3AYLGXDO2LO/Outlook-4hdxvcno.png</image:loc>
      <image:title>Events - An Online Gathering to Think About Gathering - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1645729927384-UGSYSUI6ABM46EGH0FPS/CATR_Gatherings_Long_Table_Conversation_Aug1_2020.png</image:loc>
      <image:title>Events - An Online Gathering to Think About Gathering - Make it stand out</image:title>
      <image:caption>Artwork by Andriana Contreras Correal</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/events-1/2022/2/24/preserving-performance-in-the-pacific-northwest-a-symposium-hosted-at-the-university-of-victoria-department-of-theatre</loc>
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    <lastmod>2025-11-29</lastmod>
    <image:image>
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      <image:title>Events - Preserving Performance in the Pacific Northwest: A Symposium hosted at the University of Victoria Department of Theatre - Keynote: Living Culture and Sleeping Collections</image:title>
      <image:caption>Gerry Lawson</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1645730846926-HFVBV6I2ULKZRXNO9BJO/IMG_7126.jpg</image:loc>
      <image:title>Events - Preserving Performance in the Pacific Northwest: A Symposium hosted at the University of Victoria Department of Theatre - Currents in Pacific Northwest Performance Research</image:title>
      <image:caption>Patrick Blenkarn, Eury Chang &amp; Selena Couture</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1645731096915-FEI0JLI2C5P7JC2NWLM8/IMG_6984.jpg</image:loc>
      <image:title>Events - Preserving Performance in the Pacific Northwest: A Symposium hosted at the University of Victoria Department of Theatre - Performance in the University of Victoria Archives</image:title>
      <image:caption>James Hoffman &amp; Lara Wilson</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1645731163636-SSFRRHBF0KEK7NEL42PD/IMG_7148.jpg</image:loc>
      <image:title>Events - Preserving Performance in the Pacific Northwest: A Symposium hosted at the University of Victoria Department of Theatre - The Place of Performance in Pacific Northwest Museums, Archives and Galleries</image:title>
      <image:caption>Katherine Bunn-Marcuse, Michelle Jacques, Lou-ann Neel &amp; Lara Wilson</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1645731286452-I6GNVTU9ENJEWTJC920H/IMG_7306.jpg</image:loc>
      <image:title>Events - Preserving Performance in the Pacific Northwest: A Symposium hosted at the University of Victoria Department of Theatre - Approaches to Archival Practice in the Performing Arts</image:title>
      <image:caption>Amy Bowring, Carolyne Clare, Matthew Payne, &amp; Janis La Couvée</image:caption>
    </image:image>
    <image:image>
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      <image:title>Events - Preserving Performance in the Pacific Northwest: A Symposium hosted at the University of Victoria Department of Theatre - Performance In/As Archive</image:title>
      <image:caption>Danette Boucher, Kathy Carbone &amp; Lindsay Delaronde</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/events-1/2022/2/24/a-gathering-to-talk-about-gathering</loc>
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    <lastmod>2022-02-24</lastmod>
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    <lastmod>2022-02-24</lastmod>
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    <lastmod>2025-08-12</lastmod>
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    <loc>https://gatheringspartnership.com/coinvestigator-publications-books</loc>
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      <image:title>Co-Investigator Publications (Books) - Between the Layers</image:title>
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      <image:title>Co-Investigator Publications (Books) - Between the Layers</image:title>
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      <image:title>Co-Investigator Publications (Books) - Power Moves: Dance, Culture, Politics</image:title>
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      <image:title>Co-Investigator Publications (Books) - Real-ish: Audiences, Feeling, and the Production of Realness in Contemporary Performance</image:title>
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  <url>
    <loc>https://gatheringspartnership.com/contributors</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2025-03-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1741396235846-RBKYHUTDT8PPI459IBM0/image-asset.jpg</image:loc>
      <image:title>Contributors - Sarah Robbins</image:title>
      <image:caption>PROJECT MANAGER &amp; CONTRIBUTOR Sarah Robbins is an artist/educator from Toronto, Ontario. She completed her doctoral degree at the University of Toronto’s Centre for Drama, Theatre and Performance Studies in 2022. She studies the relationship between gender and performance in theatrical institutional culture, and the pedagogy of actor training. Before taking over the role of Gatherings Project Manager in June 2022, Sarah was the project’s Web Designer during her graduate studies from 2016-2022. The study, “The State of Acting Training in Canada” that Sarah co-authored in 2019 was foundational for the Got Your Back Acting Educator’s Conference in May of 2019. More recently, she co-organized the inaugural Association of Acting Coaches and Educators (AACE) Conference in May 2023. The first of its kind in Canada, this new association offers community and training opportunities to those who teach acting privately and within institutions. Sarah has taught theatre history, performance theory, and acting training courses for the University of Toronto, Mount Allison University, the University of Windsor, and the University of Waterloo. Her work has been published in alt.theatre Magazine, HowlRound Theatre Commons, Intermission Magazine and Canadian Theatre Review. saraherobbins.com</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1733334104703-6F5VX44X891YDB5GH21D/Sarah_photo.jpeg</image:loc>
      <image:title>Contributors - Sarah Robbins</image:title>
      <image:caption>PROJECT MANAGER &amp; CONTRIBUTOR Sarah Robbins is an artist/educator from Toronto, Ontario. She completed her doctoral degree at the University of Toronto’s Centre for Drama, Theatre and Performance Studies in 2022. She studies the relationship between gender and performance in theatrical institutional culture, and the pedagogy of actor training. Before taking over the role of Gatherings Project Manager in June 2022, Sarah was the project’s Web Designer during her graduate studies from 2016-2022. The study, “The State of Acting Training in Canada” that Sarah co-authored in 2019 was foundational for the Got Your Back Acting Educator’s Conference in May of 2019. More recently, she co-organized the inaugural Association of Acting Coaches and Educators (AACE) Conference in May 2023. The first of its kind in Canada, this new association offers community and training opportunities to those who teach acting privately and within institutions. Sarah has taught theatre history, performance theory, and acting training courses for the University of Toronto, Mount Allison University, the University of Windsor, and the University of Waterloo. Her work has been published in alt.theatre Magazine, HowlRound Theatre Commons, Intermission Magazine and Canadian Theatre Review. saraherobbins.com</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1741396235846-RBKYHUTDT8PPI459IBM0/image-asset.jpg</image:loc>
      <image:title>Contributors - Sarah Robbins</image:title>
      <image:caption>PROJECT MANAGER &amp; CONTRIBUTOR Sarah Robbins is an artist/educator from Toronto, Ontario. She completed her doctoral degree at the University of Toronto’s Centre for Drama, Theatre and Performance Studies in 2022. She studies the relationship between gender and performance in theatrical institutional culture, and the pedagogy of actor training. Before taking over the role of Gatherings Project Manager in June 2022, Sarah was the project’s Web Designer during her graduate studies from 2016-2022. The study, “The State of Acting Training in Canada” that Sarah co-authored in 2019 was foundational for the Got Your Back Acting Educator’s Conference in May of 2019. More recently, she co-organized the inaugural Association of Acting Coaches and Educators (AACE) Conference in May 2023. The first of its kind in Canada, this new association offers community and training opportunities to those who teach acting privately and within institutions. Sarah has taught theatre history, performance theory, and acting training courses for the University of Toronto, Mount Allison University, the University of Windsor, and the University of Waterloo. Her work has been published in alt.theatre Magazine, HowlRound Theatre Commons, Intermission Magazine and Canadian Theatre Review. saraherobbins.com</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1736888919021-AL2KLM7383I5NCOVUHD8/rm-hs+%281%29.png</image:loc>
      <image:title>Contributors - Robert Motum</image:title>
      <image:caption>Robert is an artist-researcher. With a background in site-specific performance, Robert has staged work on an active city bus, in a gallery, castle, vacant Target store, in augmented reality, and occasionally even in a theatre space. This work has been supported by the Stratford Festival Playwright's Retreat, Why Not Theatre, Outside the March, and Quarantine Theatre (UK). His writing and research have appeared in Theatre Research in Canada, Canadian Theatre Review, and in collections from Routledge and Palgrave Macmillan. He holds an MA in Performance from Aberystwyth University (Wales) and recently completed his SSHRC-funded PhD at the University of Toronto’s Centre for Drama, Theatre and Performance Studies. He teaches at Toronto Metropolitan University and the Rotman School of Management.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1702412238435-4JCRP3PMA5KUK82BJY21/Lisa_Aikman_BW-2.jpg</image:loc>
      <image:title>Contributors - Lisa Aikman</image:title>
      <image:caption>CONTRIBUTOR Lisa Aikman is a Ph.D graduate from the University of Toronto’s Centre for Drama, Theatre, and Performance Studies where her dissertation, Dramaturging Encounters: Working Methods and Dramaturgical Structures in Contemporary Canadian Documentary Theatre, examined documentary theatre as a genre that models ways of interacting with would-be strangers. Her current research interests include rehearsal studies, documentary theatre and theatre of the real, theatre of intercultural encounter, audience participation and reception, and theatre for social change/social justice. Within the context of Gatherings, Lisa is interested in how we might archive and study the working methods of independent and/or marginalized theatre-makers to create a fuller picture of how theatre and performance are created outside of mainstream, well-funded venues. She is currently Project Director of Gatherings, Managing Editor of Theatre Research in Canada, and serves as a coordinator and trainer for the Teaching Assistants’ Training Program, housed at the University of Toronto’s Centre for Teaching Support and Innovation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1702412314230-646SE55009NFUI0PQGDJ/Cam%2BProfile.jpg</image:loc>
      <image:title>Contributors - Cameron Crookston</image:title>
      <image:caption>CONTRIBUTOR Cameron Crookston received his PhD from the Centre of Drama, Theatre, and Performance Studies, in collaboration with the Mark S. Bonham Centre for Sexual Diversity Studies at the University of Toronto in 2019. He has taught classes on the history of sexuality, queer community engagement and the history of drag at the University of Toronto. His research focuses on drag, LGBTQ2+ history, and queer cultural memory. His work appears in Queer Studies in Media and Popular Culture and New Essays on Canadian Theatre and coming soon in GLQ: A Journal of Gay and Lesbian Studies and The Journal of Homosexuality.</image:caption>
    </image:image>
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      <image:title>Contributors - Dave DeGrow</image:title>
      <image:caption>CONTRIBUTOR David is a designer, manager, and theatre researcher working in Toronto. He has been part of some three hundred productions in Toronto and across Canada, and his designs have been nominated for three Dora awards. He completed his doctoral degree at the University of Toronto’s Centre for Drama, Theatre &amp; Performance Studies where he developed a new method of reading theatre facilities based on the interactions between theatre company, building, and the city around them.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1702412419359-5TX61LWI61IEEE1KYPSR/MeHeadshot.jpg</image:loc>
      <image:title>Contributors - Tania Gigliotti</image:title>
      <image:caption>CONTRIBUTOR Tania Gigliotti is project manager for the Young People are the Future (YPTF) initiative (youth engagement in living history museums), spearheaded by Heather Fitzsimmons Frey. She presents at conferences (including AAAE, Horizons, and CATR), and has co-authored one article and one book chapter on based on YPTF research. Tania is Communications Manager at YouthWrite Society Canada. She has been working in children’s books since 2005 when she began work at Greenwoods’ Small World, an independent bookstore in Edmonton, AB. She started her journey into children’s comics at Happy Harbor Comics in 2014 and, while there, founded both Drawn to Write comic book camps for young creators ages 9+, which continue now at YouthWrite. She received her diploma in Arts &amp; Cultural Management at MacEwan University in 2020 and is now entering the degree program. Fitzsimmons Frey, H. and T. Gigliotti. (2021). "Let's Do the Time Warp Again:" Youth Interpreters at Fort Edmonton Park Performing Possibilities Across Time. Theatre Research in Canada/Recherches Théâtrales au Canada, 42(2). 243-263. Fitzsimmons Frey, H. and T. Gigliotti (2022). Time Travelling Girls: How girl volunteers at Fort Edmonton Park create activism, A Girl Can Do: Recognizing and Representing Girlhood. ed. Tiffany R. Isselhardt. Vernon Press. 213-232.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1702412481495-L7THKWQLRY243UU7736W/Laurel%2BHeadshot.jpg</image:loc>
      <image:title>Contributors - Laurel Green</image:title>
      <image:caption>CONTRIBUTOR Laurel Green (she/her) is an adventurous dramaturg, interdisciplinary collaborator, and creative producer of new work; from the world premiere of over a dozen new plays to performance events, video games, participatory gardening installations, and secret backyard shows. She is a research associate for the SSHRC-funded project Performance in the Pacific Northwest: Pilot Project, developing new methodologies for performance historiography with Dr. Sasha Kovacs at the University of Victoria. Her primary research recovered early Canadian feminist playwright Louise Carter-Broun for Dr. Kym Bird’s anthology Blowing Up the Skirt of History: Recovered and Reanimated Plays by Early Canadian Women Dramatists, 1876-1920 (MCUP, 2020). She was an artistic advisor for the inaugural Dramaturgies of Participation Summit at Queens University, with an article forthcoming in Canadian Theatre Review. Laurel holds a Masters degree in Drama from the University of Toronto. She currently lives on the unceded traditional territories of the lək̓ʷəŋən-speaking peoples, colonially known as Victoria, BC.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1702412536696-H4OMS14AA2AUU601R0OV/Jenna+Kerekes.jpeg</image:loc>
      <image:title>Contributors - Jenna Kerekes</image:title>
      <image:caption>CONTRIBUTOR Jenna Kerekes is an emerging arts manager in Edmonton. She graduated with a diploma in Arts and Cultural Management at MacEwan University in 2021 and plans to go back for her degree in fall 2022. Jenna has also done several community theatre shows at Stageworks Academy of the Performing Arts Leduc participating as an actor, stagehand, and lighting technician. Select credits include Mary Poppins, Mama Mia, and Legally Blonde. She has spent the majority of 2021 and 2022 working as a Production Assistant and Health Captain at the Citadel Theatre. Jenna worked with Heather Fitzsimmons Frey on performance-based historiography research and she has written an exhibit piece for Gatherings.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1702412586148-2DZOI1UJ11RP5AME48E5/Laura+Lucci.jpg</image:loc>
      <image:title>Contributors - Laura Lucci</image:title>
      <image:caption>CONTRIBUTOR Laura A. Lucci is a Senior Lecturer in the Department of Communication Studies, Dance, and Theatre at Saint Mary’s College in South Bend, Indiana. Part of the College's first cohort of Academic Excellence and Inclusions Fellows, Laura is working with the faculty on integrating justice and equity oriented practices into all levels of teaching. A contributor to Gatherings since 2020, Laura completed her PhD at the University of Toronto’s Centre for Drama, Theatre and Performance Studies in 2017. Her thesis, Pirandello’s Dramaturgy of Time, examined the intersections of Luigi Pirandello’s drama with contemporary theories of time and temporality. For more information, visit https://lauraalucci.wordpress.com/.</image:caption>
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      <image:title>Contributors - Marjan Moosavi</image:title>
      <image:caption>CONTRIBUTOR Marjan Moosavi is the Lecturer at Roshan Institute for Persian Studies, University of Maryland. She holds a Ph.D. in Theatre and Performance Studies from the University of Toronto’s Centre for Drama, Theatre and Performance Studies. Outside of academia, she wears multiple hats: she is a dramaturg, dramatic translator, and a diversity practitioner. She has served as a faculty member and designed curricula for the Universities in Iran, Canada, and the US and is the author of several scholarly publications. She is the curator of the Middle Eastern Theatre Photo Exhibition and the Principal Investigator of the First Digital Guide to Theater of the Middle East. Recent collaborations include those with Gatherings (University of Toronto), IPCCR (International Program for Creative Collaboration &amp; Research, University of Maryland), and Nowadays Theatre (Toronto).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1702412811097-T24HC2VG2QNL1VL1OQ88/Lena+Onalik.jpeg</image:loc>
      <image:title>Contributors - Lena Onalik</image:title>
      <image:caption>CONTRIBUTOR Lena Onalik (Inuk) is the Heritage Program Coordinator with the Nunatsiavut Government’s Department of Language, Culture &amp; Tourism (Archaeology Division) in Nain, Nunatsiavut, NL. She is responsible for developing and implementing relevant heritage programming, as well as a community-based and field relating to different heritage issues. Originally from Makkovik, Nunatsiavut, she earned her BA in Archaeology at Memorial University in 2006. Since then, she has worked to promote her culture in a variety of roles, serving as the Nunatsiavut Government's first Archaeologist, worked as a Culturalist with Adventure Canada and participating in the annual Trails Tales and Tunes Festival in Gros Morne National Park. Lena has a keen interest in the preservation and protection of traditional Inuit practices such as Inuit throat singing, drum dancing, and traditional clothing making.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1702412863872-6RWDQ29VG3QNEZVTP4D2/Michael%2BReinhart%2B1%2Bcropped.jpg</image:loc>
      <image:title>Contributors - Michael Reinhart</image:title>
      <image:caption>CONTRIBUTOR Michael Reinhart is a theatre/performance creator, performance scholar and theatre instructor. His work (both creative and academic) is based in exploring interdisciplinary art-making and collective-driven devised theatre creation. Much of this exploration, research and creative output has occurred through his work with [elephants] collective and Boundary Conditions/Performance Assembly, both of which he is a founding member. Michael teaches at TMU, the Randolph College for the Performing Arts, Brock University and the University of Toronto. He holds a PhD in Drama, Theatre and Performance Studies.</image:caption>
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      <image:title>Contributors - Chanel Sheridan</image:title>
      <image:caption>CONTRIBUTOR Chanel Sheridan is currently completing her Bachelor of Arts at Queen’s University in Kingston, Ontario. Majoring in Drama while minoring in Gender Studies, she hopes to one day create theatre that moves people while exploring her interests in directing, stage managing, and set design. Working under Dr. Kelsey Jacobson as a research assistant, Chanel has explored how audiences archive performances and now wonders about her own archiving process as an audience member and theatre creator. Perhaps hoarding show tickets and programs is a useful skill after all.</image:caption>
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      <image:title>Our Artistic Practice - The Adventure of Faustus Bidgood - Make it stand out</image:title>
      <image:caption>The poster for the 2006 production of “The Adventure of Faustus Bidgood” - adapted by Barry Freeman, Gillian Levene, and (Gatherings Co-Investigator) Mark Turner.</image:caption>
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      <image:caption>The cast. Image supplied by Mark Turner.</image:caption>
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    <loc>https://gatheringspartnership.com/our-artistic-practice-1/2024/1/12/the-frog-prince</loc>
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      <image:caption>“The Frog Prince” programme, Toronto 2014.</image:caption>
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    <loc>https://gatheringspartnership.com/coinvestigators</loc>
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    <lastmod>2023-12-12</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1556748934171-PSP9XG5QTR5FJ6Q8FKXJ/imageedit_2_5467497635.png</image:loc>
      <image:title>Partnership Co-Investigators</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1555533643711-UZCMCZYY9HGAJL7G1XML/Stephen+Johnson+2018+-+new+web.jpg</image:loc>
      <image:title>Partnership Co-Investigators - Stephen Johnson</image:title>
      <image:caption>PRINCIPAL INVESTIGATOR Stephen Johnson is a full professor in the Department of English and Drama at the University of Toronto Mississauga, and in the Centre for Drama, Theatre and Performance Studies at the University of Toronto. His university training was at the University of Guelph (BA), the University of Toronto (MA), and in the Performance Studies Department at New York University (PhD). He has published widely on 19th and 20th century popular performance, including in Theatre Research in Canada, which he (co)edited for ten years. He has been active in a number of scholarly organizations, serving on the executive of the Theatre Library Association, the Society of Dance History Scholars, and as president of the Canadian Association for Theatre Research / Association canadienne de la recherche théâtrale (CATR/ACRT). The Spear Carrier</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1702414340948-8NEJR10KWSZ2Y06L7INH/Barker_DanielAbriel.jpeg</image:loc>
      <image:title>Partnership Co-Investigators - Roberta Barker</image:title>
      <image:caption>CO-INVESTIGATOR Roberta Barker is Professor of Theatre Studies and Women &amp; Gender Studies at Dalhousie University. Roberta’s research interests centre on the relationship between theatrical performance and the social construction of identity. Her work has explored such topics as the representation of gender and class in early modern tragedy, the lives and repertoires of early modern boy actresses, and the theatrical performance of illness and health. She is the author of two books, Symptoms of the Self: Tuberculosis and the Making of the Modern Stage (U of Iowa Press, 2022) and Early Modern Tragedy, Gender and Performance, 1984-2000: The Destined Livery (Palgrave Macmillan, 2007); the co-editor with Kim Solga of New Canadian Realisms: Eight Plays and New Canadian Realisms: Essays (Playwrights Canada Press, 2012); and the editor of numerous early modern plays, including Thomas Middleton’s Women Beware Women for The Routledge Anthology of Early Modern Drama (Routledge, 2020), as well as General Editor of the series New Essays in Canadian Theatre at Playwrights Canada Press. Her credits as a stage director include Così Fan Tutte, Aunt Helen, Luisa Miller, The Rake’s Progress, and Orfeo ed Euridice for Opera Nova Scotia; Henry IV, Part One for Windsor Theatre, Mount Allison University; The Cunning Little Vixen for Dal Opera; and The Dog in the Manger, Drums and Organs, She Herself is a Haunted House, The Mill on the Floss, The Witch of Edmonton, Fuente Ovejuna, and Troilus and Cressida for Dal Theatre. She was the librettist for an opera by composer Tawnie Olson, Sanctuary and Storm, which won the Dominick Argento Prize for Best Chamber Opera from the National Opera Association of America and had its professional premiere in Vancouver in November 2023.</image:caption>
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      <image:title>Partnership Co-Investigators - Justin Blum</image:title>
      <image:caption>CO-INVESTIGATOR Justin A. Blum is Assistant Professor of Drama at the University of Lethbridge in Alberta, Canada, where he teaches theatre history and theory, dramatic literature, and dramaturgy. His academic research deals largely with performance and/as visual culture the long nineteenth century in Britain, Canada, and the United States, with a particular focus on popular, itinerant, and other forms of theatre and performance not always considered artistically legitimate. His writing has appeared in journals including Nineteenth Century Theatre and Film, Theatre Research in Canada, and Theatre Topics. He also holds a conservatory degree in Dramatic Writing from New York University, and has worked as a dramaturg, playwright, and translator in professional and academic settings across North America. Current Research Ongoing research and translation projects include archival and translation work on a partially lost early play by Federico García Lorca, translation and modernisation of Molière's one-act plays, and the early phases of an investigation into the beginnings of circuit Chautauqua in the Canadian West.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1707150844027-JK76X98QW7TBWKE9TRM8/SeikaBoyeHeadshot.jpg</image:loc>
      <image:title>Partnership Co-Investigators - Seika Boye</image:title>
      <image:caption>CO-INVESTIGATOR Dr. Seika Boye is a scholar, writer, educator and artist whose practices revolve around dance and movement. She is a Lecturer in the Centre for Drama, Theatre and Performance Studies, and Director of the Institute for Dance Studies, University of Toronto. From 1995-2010, Boye performed and presented her choreography across Canada as a modern/postmodern dance artist. More recently she has worked as a movement dramaturg with many artists/collectives including current projects with Natasha Powell, Dances With Trane, 2020 premiere; Syreeta Hector, Black Ballerina, 2019; Mix Mix Dance Collective, Reclaiming My Time, 2019; mentor/process facilitator with Heidi Strauss/adelheid dance projects, re:research Choreographic Intensive. Invested in movement histories and the archive, Boye curated the archival exhibition It’s About Time: Dancing Black in Canada 1900-1970. She was an Artist-in-Residence at the Art Gallery of Ontario (2018-19), where she began the archving project This Living Dancer. Most recently Seika co-curated Into the Light: Eugenics and Education in Southern Ontario, with Mona Stonefish, Peter Park, Dolleen Tisawii’ashii Manning, Evadne Kelly, and Sky Stonefish. Seika works as a consultant across the dance sector.</image:caption>
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      <image:title>Partnership Co-Investigators - Jill Carter</image:title>
      <image:caption>CO-INVESTIGATOR Based in Tkaron:to where she was born and largely raised, Jill Carter is an Anishinaabe-Ashkenazi theatre-practitioner, researcher and educator at the University of Toronto. Her research and praxis base themselves in the mechanics of story creation, the processes of delivery, and the mechanics of Affect. She is an active member of the Talking Treaties Collective, founder of the Collective Encounter, and serves as researcher and tour guide for First Story, Toronto with which she also devises land activations, mapping interventions, and personal cosmography workshops.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1552486471813-P97A7VDC6KR83RGRNNIP/Jenn+interview_mono.jpg</image:loc>
      <image:title>Partnership Co-Investigators - Jenn Cole</image:title>
      <image:caption>CO-INVESTIGATOR Jenn Cole is a mixed-ancestry Algonquin Anishinaabe-kwe and Assistant Professor in Gender and Women’s Studies at Trent University. She researches Indigenous Performance as it intersects with settler/Indigenous relations and reciprocal relationship to the land, especially at the site of the Kiji Sibi/Ottawa River in Algonquin Territory. In programming, curation, publication, public talks, teaching and performance, she works to create experiences that enable participants across generations to decolonize their relationships to place and one another through multi-arts practices. She is Creative Director of the Aging Activisms Research Collective; Co-Investigator in the SSHRC-funded partnership development project, Gatherings: Archival and Oral Histories of Canadian Performance; Associate Artistic Producer for Nozhem: First People's Performance Space; Editor for the Views and Reviews section of Canadian Theatre Review; and editor of Gatherings, a publication for the collection and distribution of creative scholarly work in performance. She partners with the School House Museum in her home territory to decolonize the stories told about the embodied histories of Algonquin people there.  Current Research My research follows the performance histories of two rivers, the Kiji Sibi (Ottawa River) and the Odenabe in order to amplify Indigenous stories, presence and cosmologies. The most valuable contribution I can make to the field of Indigenous Performance and to my community is to remap Kiji Sibi/Ottawa River territory, layering back the lands’ and waters’ stories and the vibrancy of Indigenous presence, and to document the difficulties of doing so in the aftermath of colonialism. I research artistic acts that engage lands and waters as I try to decolonize my relationship to the place I grew up and the place in which I live. In this work, I am undertaking short auto-ethnographic studies and personal performances that engage the Kiji Sibi and my Algonquin ancestry, including the sacred site Migiziz Gishgaabikaan/Oiseau Rick, Atomic Energy of Canada, and the Ottawa 2017 spectacular illumination of sacred Chaudiére Falls, Miwate. This research treats the Ottawa River as a performance archive for Anishnaabe stories histories of early encounters between settlers and the Algonquin nation, and the continued witnessing of shifting settler/Indigenous relations (as well as gender play in lumber camps). As part of this exploration, I continue artistic research I have begun on intergenerational storytelling and the family archive.</image:caption>
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      <image:title>Partnership Co-Investigators - Heather Davis-Fisch</image:title>
      <image:caption>CO-INVESTIGATOR Heather Davis-Fisch is the Dean of the Faculty of Fine Arts at the University of Lethbridge. Her research interests include performance historiography and Indigenous and intercultural performance, particularly in historical paradigms. Davis-Fisch is the author of Loss and Cultural Remains in Performance: The Ghosts of the Franklin Expedition, which was the recipient of the Ann Saddlemyer Award for outstanding monograph from the Canadian Association for Theatre Research. Her scholarly work has appeared in Theatre Research in Canada, Performing Arts Resources, Cultural Studies/Critical Methodologies and Canadian Theatre Review, as well as several edited collections. Her current SSHRC-funded research project investigates the role of performances in the establishment of settler-colonialism in nineteenth-century Canada and how performance documents and objects can be re-integrated into galleries, archives and museums.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1707150745210-VTQEYFVL45CFYT4TOHKG/_W0A5765.jpg</image:loc>
      <image:title>Partnership Co-Investigators - Heather Fitzsimmons Frey</image:title>
      <image:caption>CO-INVESTIGATOR Heather Fitzsimmons Frey is an Associate Professor of Arts and Cultural Management at MacEwan University in Edmonton. Her research focuses on the arts and young people, and in particular, performance for, by, and with young people (a frequently neglected demographic in performance research). She has recently worked with the Girl Guides of Canada archives, Dance Collection Danse, Fort Edmonton Park, the WeeFestival, The AMY Project, UNITY Charity, and Early Learning at MacEwan in order to conduct research that engages a variety of communities, and stretches definitions of where and how performances are meaningful. Besides being a co-investigator with Gatherings, she is a co-investigator for YouthSites (principal investigator Stuart Poyntz), and is principal investigator for Young People are the Future: Youth Representing Settler and Indigenous Histories at Fort Edmonton Park. She is on the International Theatre for Young Audiences Research Network (ITYARN) Board of Directors. Recent work is published in Girlhood Studies, Jeunesse, Journal of Childhood Studies, Oxford Review of Education, and Youth Theatre Journal, and in books such as Children’s Literature and Imaginative Geography (Wilfrid Laurier UP 2019), Nationalism and Youth in Theatre and Performance (Routledge 2014) and in her edited collection Ignite: Illuminating Theatre for Young People (Playwrights Canada Press 2016.) Current Research Heather Fitzsimmons Frey’s research focuses the arts and young people, and in particular, performance for, by, and with young people. While her contemporary research focuses on Canadian youth arts organizations (particular organizations working with multi-barriered young people), contemporary Canadian Theatre for Young Audiences, and practice-based research in theatre for the early years demographic, she also has research that has an historical focus, more in-keeping with the objectives of Gatherings. One project involves archival and performance-based research methodologies to examine physical cultural / gymnastics drills and performances in Canada prior to the 1930s. To date, she has been looking at the Girl Guides of Canada archives, Dance Collection Danse archives, and the documents created for Ontario public school teachers. Another project is called “Young People are the Future: Youth Volunteers Representing Indigenous and Settler Histories at Living History Sites.” This project aims to understand how young people perform and present the past, how their presence and their ideas shape the performance of the past, and how (if) the approach to incorporating young people into living history museums has changed since the 1980s.</image:caption>
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      <image:title>Partnership Co-Investigators - Gabrielle Houle</image:title>
      <image:caption>CO-INVESTIGATOR Gabrielle Houle is a multilingual artist, educator, and theatre scholar specialized in the recent staging history of the Commedia dell’Arte, masked performance, movement for actors, oral history of performance, and the creation of masks. She holds a Ph.D. in Drama, Theatre and Performance Studies from the University of Toronto. Gabrielle trained internationally as a physical performer and as a mask-maker with people such as sculptor Donato Sartori, Commedia specialist Antonio Fava, members of the Odin Teatret in Denmark, actor and mask-maker Bruce Marrs at the Dell’Arte International School of Physical Theatre in California, and co-artistic director of SITI Company (New York) Ellen Lauren. Gabrielle performed in Canada and in Europe as an actor. She also designed masks for university programs, theatre and dance productions, and film. Since 2009, Gabrielle has taught a wide variety of theatre courses, given acting workshops, and directed plays in universities across Canada. Gabrielle's research projects have been funded by SSHRC, FQRSC, and OGS. Gabrielle's scholarly work has been published in Theatre Research in Canada, Theatre History Studies, Canadian Theatre Review, Cuadernos de teatro (Universidad de Costa Rica), International Year of Astronomy 2009: Bringing Galileo to the World (Legas Press, 2015), and Futurist Dramaturgy and Performance (Legas Press, 2011). Current Research Her current project is called "In search of Michel Saint-Denis' masks: Provenance, design, use, and stories from masks kept at the National Theatre School of Canada." This study is part of Gatherings: Archival and Oral Histories of Performance. A Co-Investigator on Gatherings, Gabrielle has served as Chair of the project's Oral History Subcommittee during Year 1 of the grant. She now co-chairs the task force on collections and archives with Dr. Mark David Turner, Adjunct Professor in the School of Music at Memorial University in Newfoundland. Her upcoming publication titled "Teaching Cycles REPÈRE: A Conversation with Jacques Lessard" will appear in the collection of essays Why Devise? (Intellect Books, publication date TBA).</image:caption>
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      <image:title>Partnership Co-Investigators - Kelsey Jacobson</image:title>
      <image:caption>CO-INVESTIGATOR Kelsey Jacobson is an Assistant Professor in the Dan School of Drama and Music at Queen's University and a co-founding director of the Centre for Spectatorship and Audience Research. She received her PhD from the University of Toronto’s Centre for Drama, Theatre, and Performance Studies and her MA from Queen Mary, University of London. Her research focuses on audience and spectatorship studies, and in particular on the ways in which audiences impact, receive, and make meaning through performance. She was awarded funding from SSHRC to study copresence in a project called Being Together (2021-2023) and is also currently involved in a project on pandemic responses to the live performing arts across the G7 countries funded by the British Academy (2023-2024). Kelsey has shared her work at CATR, ASTR, ATHE, IFTR, MATC, TAPRA and in AllStages Magazine, the Journal of Dramatic Theory and Criticism, Performance Matters, Theatre Research in Canada, Research in Drama Education, Contemporary Theatre Review, and Canadian Theatre Review. She has published one co-edited collection, Global Youth Citizenry and Radical Hope: Enacting Community-Engaged Research Through Performative Research (Springer, 2020) and one monograph, Real-ish: Audiences, Feeling, and the Production of Realness in Contemporary Performance (McGill-Queen’s Press 2023). Kelsey is also series co-editor of the Routledge Theatre &amp; Performance Series in Audience Research with Kirsty Sedgman. Additional research interests include: affect theory, applied theatre, qualitative methodologies, and equity and access in audiences. Current Research My current academic work is in audience and spectatorship studies and qualitative methodologies. While my focus is in theatre and performance studies, considered broadly, I am also co-founder and director of the Centre for Spectatorship and Audience Research which works with colleagues across museum studies, visual art, health care, sports, and disability. My current and recent projects include: editing a collection about global drama classrooms and student perceptions of citizenry, conducting research into digital audience research methods and the performance of social media, and completing a manuscript on audience perception and valuation of realness in contemporary performance practice. I have additional research interests in applied theatre and education and decolonizing and indigenizing pedagogy. I am currently working on a new project entitled ‘Audiences as/for/by design’ exploring how we might think about audiences as scenographic and dramaturgical tools in performance: how do other spectators impact my experience of a performance? This involves three different areas thus far, including digital audience,s immersive theatre audiences, and crowd/public audiences.</image:caption>
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      <image:title>Partnership Co-Investigators - Matt Jones</image:title>
      <image:caption>CO-INVESTIGATOR Matt Jones is an Assistant Professor in the School of Professional Communication at Toronto Metropolitan University. He researches issues of war, terrorism, security, and racism in performance. His dissertation, is The Shock and Awe of the Real: Political Performance in an Age of War and Terror, is a transnational study of theatre, live art, direct action protests, and new media installations about the recent conflicts in Iraq, Afghanistan, and beyond. His published writing has addressed problems of representing war in performance as well as the performative construction of war in reality. He is the recent co-editor, with Barry Freeman, of a special issue of Canadian Theatre Review exploring the subject of “Post-Truth.” Matt has taught courses in performance theory, theatre history, academic writing, and creative writing at the University of Toronto, Seneca College, and Concordia University. His writing has appeared in academic and journalistic publications, including Canadian Theatre Review, Theatre Research in Canada, SubStance, alt.theatre, the Globe and Mail, the Montreal Gazette, This Magazine, and Canadian Dimension. As a playwright and theatre devisor, his work includes the plays Dracula in a Time of Climate Change, The Mysterious Case of the Flying Anarchist and the collective creations Death Clowns in Guantánamo Bay and ASMRtist. As a dramaturg, he has worked on Mohammad Yaghoubi’s A Moment of Silence, Djanet Sears’s production of Scorched, and Arshad Khan’s award-winning documentary film, Abu. His work is supported by the Social Sciences and Humanities Research Council of Canada.</image:caption>
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      <image:title>Partnership Co-Investigators - Martin Julien</image:title>
      <image:caption>CO-INVESTIGATOR Martin Julien is a professional actor and singer of over forty years, as well as an academic researcher in the field of Canadian theatrical performance and legacy in the mid- to late- twentieth century. He is currently a full-time lecturer and instructor in Sheridan College's Honours BFA Music Theatre Program in Oakville. In 2019, he was senior editor for the recently published Theatre Passe Muraille: A Collective History (Playwrights Canada Press), which solicited, documented, and illustrated scores of written testimonies from practitioners who have worked at this ground-breaking theatre since its founding in 1968 in Toronto. He holds a doctorate through the Centre for Drama, Theatre and Performance Studies in the University of Toronto, specializing in the field of acting theory and methodology. Current Research Dr. Julien's primary research outcomes will involve the collecting of audio interviews with a cohort of professional Canadian actors who are in their ‘senior’, or ‘veteran’ years. Specifically, these will focus primarily on practitioners whose earlier careers negotiated the performing and vocational ‘space’ that extended from an ‘amateur’ or ‘semi-professional’ arena of practice to the fully professional cultural and financial milieu that flowered in the regions and territories of Canada, circa 1950 to 1980. A dozen such interviews have already been conducted, and are in the process, through Gatherings, of being transcribed and time-coded. Pursuant to these outcomes is the establishment of an accessible archive of subjective histories that will contribute often-undocumented narratologies to Canadian theatre history research regarding the establishment of a professional performing class during the mid-to-late twentieth-century.</image:caption>
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      <image:title>Partnership Co-Investigators - Sasha Kovacs</image:title>
      <image:caption>CO-INVESTIGATOR Dr. Alexandra (Sasha) Kovacs is Assistant Professor of theatre history at the University of Victoria. Her research focuses on the historiography of Canadian theatre made by women, with a specific (though not exclusive) consideration of the construction of the performance history of late Mohawk (Kanien'kehá:ka) Six Nations writer/performer E. Pauline Johnson (Tekahionwake). Her essay related to Johnson, published in Playwrights Canada Presses collection Canadian Performance History and Historiographies (2017; Edited by Heather Davis-Fisch), was awarded the 2018 Canadian Association for Theatre Research Richard Plant Award for the best English-language article on a Canadian theatre or performance topic. Her research on Johnson is also included in the collection Canadian Performance Documents and Debates (2022). Kovacs’ research work has also been published in Performance Research, Shakespeare International Yearbook, Theatre Research in Canada, Canadian Theatre Review (where she also edited the issue “Performance and Human Rights in the Americas” with Jimena Ortuzar and Natalie Alvarez), and the collection Space and Place: Cultural Mapping and the Digital Sphere. Her research work is informed by her decades of experience as a theatre professional, working as performer, director, curator, and arts manager. Kovacs brings to this project extensive experience working with non-traditional performance related archival materials, as well as a research interest on and practical experience in facilitating and structuring partnerships between University and Not for Profit organizations. Current Research My primary research project focuses on the investigation of histories of Canadian women performers and creators. I am presently engaged in the development of a monograph that develops a critical performance biography of Kanien’kehá:ka (Mohawk) poet-performer E. Pauline Johnson. My research work on Pauline Johnson inspires and intersects with a broader interest in the politics and pragmatic challenges of archiving women’s performance; this prompted my organization of the 2020 Symposium “Preserving Performance in the Pacific Northwest” held at the University of Victoria and Royal BC Museum and my co-leadership (with Dr. Heather Davis-Fisch) of the Performance in the Pacific Northwest: Pilot Project (https://performancepnw.uvic.ca). I also investigate the documentation of living women creators, and am collaborating with Dr. Michelle MacArthur on a critical scrapbook that advances scholarship and consideration of the contributions made by Canadian playwright Hannah Moscovitch.</image:caption>
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      <image:title>Partnership Co-Investigators - Allana Lindgren</image:title>
      <image:caption>CO-INVESTIGATOR Allana C. Lindgren is an Associate Professor in the Department of Theatre at the University of Victoria. Her publications, which are based on archival research and/or oral history interviews, have appeared in a variety of journals and collections, including Contesting Bodies and Nation in Canadian History, The Oxford Handbook of Dance and Ethnicity, Dance Research Journal, Journal of Dance and Somatic Practices, American Journal of Dance Therapy, and Quarterly Review of Film and Video. Recent publications include The Modernist World (co-edited with Stephen Ross) and Renegade Bodies: Canadian Dance in the 1970s (co-edited with Kaija Pepper). She is also the Dance Editor for the Routledge Encyclopedia of Modernism. Current Research Allana Lindgren is currently co-editing three book projects: Canadian Performance Documents and Debates (with Anthony Vickery and Glen Nichols); Moving Together: Dance and Pluralism in Canada (with Batia Boe Stolar and Clara Sacchetti); and The Routledge Encyclopedia of Modernist Dance (with Lynn Garafola, Susan Manning, Janet O’Shea, and Danielle Robinson). She is also working on a single-authored cultural history of dance in Canada from the late-nineteenth century to the twenty-first century. In addition, she continues to work on the Oral History Dance Collection, an online oral history repository at the University of Victoria. This project seeks to understand the career trajectories and working conditions for professional dance artists. Finally, she is currently serving as the Co-chair of the Program Committee for the upcoming Dance Studies Association conference, which will be held in Vancouver in 2020.</image:caption>
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      <image:title>Partnership Co-Investigators - Mark David Turner</image:title>
      <image:caption>Mark David Turner is a cultural historian and facilitator who works at the intersection of media, performing arts, and archival practice in the Northwest Atlantic and Circumpolar North. He regularly works with the Nunatsiavut Government and OKâlaKatiget Society as a Manager of Audio-Visual Archives and Media Literacy and is an Adjunct Professor of Music at Memorial University’s School of Music. Mark co-owns Brack and Brine with Morgen Mils.</image:caption>
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      <image:title>Partnership Co-Investigators - Amy Bowring</image:title>
      <image:caption>Amy Bowring holds an Honours B.A. in Fine Arts Studies from York University and an M.A. in Journalism from the University of Western Ontario. She is the Executive and Curatorial Director at Dance Collection Danse where she was mentored by founders Lawrence and Miriam Adams, and has been involved with the organization since 1993. She is one of Canada’s foremost advocates for the study and preservation of Canadian dance heritage. Amy has published numerous articles on dance history and has curated several live and virtual exhibitions; she has lectured across Canada and teaches dance history at Toronto Metropolitan University. She has contributed to various boards and committees in the arts and museum sectors. Amy is the editor of Down to Bowring’s: A Memoir written by her grandfather, Derrick Bowring (Creative Book Publishers, 2015). Her book Navigating Home: Artists of the NL Dance Project was published in 2019.Current ResearchI am currently researching the history of postmodern dance in St. John’s, as well as WWI patriotic performances in St. John’s and progression from there into the 1920s when women previously connected to the Women’s Patriotic Association were becoming involved in the suffrage movement. Research in terms of gathering oral histories from artists across Canada who began working during the 1970s dance boom also continues.</image:caption>
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      <image:title>Partnership Co-Investigators - Annie Gibson</image:title>
      <image:caption>Annie Gibson is the publisher at Playwrights Canada Press. A graduate of the University of Toronto, Annie followed her love of theatre and books to its logical conclusion: publishing plays. She’s worked at Playwrights Canada Press since 2005, and as publisher since 2008. She also loves baseball and baking. Annie is passionate about the book industry and the supply chain that gets books into the hands of readers. A former member of the board of directors of both the Association of Canadian Publishers and eBOUND Canada, Annie currently sits on the board of the Book and Periodical Council and the management board of Theatre Research in Canada / Recherches théâtrales au Canada. She is an active member of the BPC’s Freight and Distribution Committee, the ACP’s Diversity and Inclusion Committee, the Ontario Creates Book Industry Advisory Committee, and the professional advisory committee for Sheridan College’s Creative Writing and Publishing program.</image:caption>
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      <image:title>Partnership Co-Investigators - Michael Wallace</image:title>
      <image:caption>Michael Wallace is the Executive Director of Canada's Theatre Museum, with its mission to invite the world to explore and be inspired by the past, present and future of Canadian theatre. He is a graduate of the University of King's College (Theatre Studies &amp; Production) and worked in professional theatre as a stage manager before returning to school and earning an MBA at York University's Schulich School of Business with its specializations in nonprofit and arts management. Mike is a director of the CNE Association. He is an active volunteer with the Canadian Museums Association, including serving a term as its president.</image:caption>
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      <image:title>Organizations - Nozhem First Peoples Performance Space</image:title>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Organizations - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://gatheringspartnership.com/collaborators-contributors</loc>
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    <lastmod>2024-12-04</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1556749060583-9E481POUJNC3Z8A1NUPW/imageedit_2_5467497635.png</image:loc>
      <image:title>Collaborators &amp; Contributors</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1737406668994-JHN5XYCUC86GFTBUDFND/Berger+headshot.png</image:loc>
      <image:title>Collaborators &amp; Contributors - Harris Berger</image:title>
      <image:caption>COLLABORATOR Harris M. Berger is a scholar working in the fields of ethnomusicology, folklore studies, and popular music studies. His research focuses on theoretical issues in the study of music and folklore, phenomenological and performance-oriented approaches to the study of expressive culture, applied ethnomusicology, and heavy metal music. His books include Metal, Rock, and Jazz: Perception and the Phenomenology of Musical Experience (Wesleyan University Press, 1999), Stance: Ideas about Emotion, Style, and Meaning for the Study of Expressive Culture, and Theory for Ethnomusicology: Histories, Conversations, Insights (Harris M. Berger and Ruth M. Stone, eds., Routledge, 2019). He, Friedlind Riedel, and David VanderHamm are the editors of The Oxford Handbook of the Phenomenology of Music Cultures (Oxford University Press, 2024). Berger has served as co-editor of the Journal of American Folklore and co-editor of the Music/Culture book series at Wesleyan University Press. He and Jocelyne Guilbault are the founders and co-editors of Music Research Annual, the first peer-reviewed, open-access journal devoted to critical review essays on key topics from the full range of academic disciplines that study music. He serves as Canada Research Chair in Ethnomusicology, Director of the Research Centre for the Study of Music, Media, and Place (MMaP), and Professor of Music and Folklore at Memorial University. At MMaP, Berger has produced many live events that explore the music and culture of the province of Newfoundland and Labrador and is also the producer of MMaP’s Back on Track Audio Publication Series. Begun by MMaP’s founder, Beverley Diamond, the series publishes CDs and websites that make the richness of the province’s musical traditions accessible to the public.</image:caption>
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      <image:title>Collaborators &amp; Contributors - Christine Mazumdar</image:title>
      <image:caption>COLLABORATOR Dr. Christine Mazumdar (she/her) is an artist and SSHRC/Sport Canada Postdoctoral Fellow at the department of Art Education at Concordia University where her research considers the interrelationship between sport and art. A former rhythmic gymnast and nationally certified coach, she is an EDI expert who advocates consent, agency, and bodily autonomy in aesthetic pedagogy. Christine was the recipient of the 2019 Routledge Prize at the Performance Studies international (PSi) conference for her paper “Like Rubber: Hyperflexibility, Contortion, and the ‘Freak-tastic’ Body,” and was longlisted for the 2020 CBC Poetry Prize for “Ballet for the Apocalypse” and the 2019 CBC Nonfiction Prize for her essay, “Reindeer at the Colloquium.” A writer, musician, and choreographer, Christine holds a PhD from the Centre for Drama, Theatre, and Performance Studies at the University of Toronto.</image:caption>
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      <image:title>Collaborators &amp; Contributors - Maria Meindl</image:title>
      <image:caption>COLLABORATOR Maria Meindl completed her PhD at the Centre for Drama, Theatre and Performance studies in 2022, where her research was supported by SSHRC and DAAD. Her dissertation, "Reading Elsa Gindler: Tracing the Legacy of a Somatics Pioneer" received the Alumni Dissertation award in 2022. She is working on turning it into a book. Maria is the author of The Work (A novel from Stonehouse publishing, 2019), and Outside the Box (McGill-Queen’s University Press 2011, winner of the Alison Prentice Award for Women’s History). She has contributed fiction, poetry, essays and comics to numerous journals and has had essays anthologized in The M Word: Conversations about Motherhood, and At the End of Life: True Stories about How We Die. She written two radio series for CBC Ideas: Remembering Polio and Parent Care. In 2005, she founded Draft, a literary reading series now in its 18th season. A proud member of the Gatherings partnership, she co-edited the 2022 edition of the Gatherings chapbook with Stephen Johnson and Jenn Cole, and has contributed articles and interviews to the website. A Guild Certified Feldenkrais practitioner, Maria has been teaching movement classes since 2002. She also works as a manuscript whisperer on a small number of academic and creative projects. www.mariameindl.com. www.draftreadings.com</image:caption>
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      <image:title>Collaborators &amp; Contributors - Jimena Ortuzar</image:title>
      <image:caption>GALLERY CURATOR &amp; COLLABORATOR Jimena Ortúzar is completing a postdoctoral fellowship at York University’s School of the Arts, Media, Performance &amp; Design. Her research explores labour and migration through the lens of performance and gender studies and her writing can be found in international journals as well as edited collections on art and activism, contemporary theatre, and Latino/a/x performance.</image:caption>
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      <image:title>Collaborators &amp; Contributors - Jenny Salisbury</image:title>
      <image:caption>COLLABORATOR Jenny Salisbury is a postdoctoral research fellow at the Ontario Institute for Studies in Education, University of Toronto, where she is working with Tara Goldstein on verbatim theatre project 60 Years of Queer and Trans Activism. Jenny is a theatre director and arts-based researcher who specializes in new play development. Her SSHRC-funded Ph.D. was awarded from the Centre for Drama, Theatre and Performance Studies at the University of Toronto, titled, “Community-Engaged Theatre Audiences”. Jenny a director of the Centre for Spectatorship and Audience Research (www.centreforspectatorship.com), and co-artistic director of Gailey Road Productions, “where theatre meets research and research meets theatre" (www.gaileyroad.com). Current Research: My current research is into activating and performing moments of Queer liberation, activism, and care as found in archives. Under the supervision of Professor Tara Goldstein, we are working on her project The Love Booth and Other Plays a verbatim, documentary play celebrating 50 years of delisting homosexuality from the list of mental illnesses in the American Psychology Diagnostic and Statistical Manual. Building on this work, we have been working with undergraduate students and The ArQuives (https://arquives.ca) to write verbatim monologues about Queer activists from the last 60 years. This work connects to my larger research program on community-engaged and documentary theatre and audiences.</image:caption>
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      <image:title>Collaborators &amp; Contributors - Sanja Vodovnik</image:title>
      <image:caption>COLLABORATOR, ORAL HISTORIES VIDEOGRAPHER/EDITOR Sanja Vodovnik is a graduate of the University of Toronto. Her work focuses on science fiction in theatrical and extra-theatrical performance spaces and investigates the roles that science fiction plays in contemporary technologically saturated worlds. She is particularly interested in events that contribute to the production of SF experiences such as immersive theme parks, world fairs and online fan communities.</image:caption>
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      <image:title>Collaborators &amp; Contributors - Jessica Watkin</image:title>
      <image:caption>ACCESSABILITY CONSULTANT &amp; COLLABORATOR Dr. Jess Watkin finished her PhD at the University of Toronto's Centre for Drama, Theatre, and Performance studies. Her research focuses on Disability dramaturgy, care-full approaches to performance creation/production, and Disability related activism. She is a Blind artist-scholar living in Toronto, who loves making tactile art and showing up as the Disabled artist in many creative spaces to ensure care is prioritized for all.</image:caption>
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      <image:title>Collaborators &amp; Contributors - Sarah Robbins</image:title>
      <image:caption>PROJECT MANAGER &amp; CONTRIBUTOR Sarah Robbins is an artist/educator from Toronto, Ontario. She completed her doctoral degree at the University of Toronto’s Centre for Drama, Theatre and Performance Studies in 2022. She studies the relationship between gender and performance in theatrical institutional culture, and the pedagogy of actor training. Before taking over the role of Gatherings Project Manager in June 2022, Sarah was the project’s Web Designer during her graduate studies from 2016-2022. The study, “The State of Acting Training in Canada” that Sarah co-authored in 2019 was foundational for the Got Your Back Acting Educator’s Conference in May of 2019. More recently, she co-organized the inaugural Association of Acting Coaches and Educators (AACE) Conference in May 2023. The first of its kind in Canada, this new association offers community and training opportunities to those who teach acting privately and within institutions. Sarah has taught theatre history, performance theory, and acting training courses for the University of Toronto, Mount Allison University, the University of Windsor, and the University of Waterloo. Her work has been published in alt.theatre Magazine, HowlRound Theatre Commons, Intermission Magazine and Canadian Theatre Review. saraherobbins.com</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1736888919021-AL2KLM7383I5NCOVUHD8/rm-hs+%281%29.png</image:loc>
      <image:title>Collaborators &amp; Contributors - Robert Motum</image:title>
      <image:caption>Robert is an artist-researcher. With a background in site-specific performance, Robert has staged work on an active city bus, in a gallery, castle, vacant Target store, in augmented reality, and occasionally even in a theatre space. This work has been supported by the Stratford Festival Playwright's Retreat, Why Not Theatre, Outside the March, and Quarantine Theatre (UK). His writing and research have appeared in Theatre Research in Canada, Canadian Theatre Review, and in collections from Routledge and Palgrave Macmillan. He holds an MA in Performance from Aberystwyth University (Wales) and recently completed his SSHRC-funded PhD at the University of Toronto’s Centre for Drama, Theatre and Performance Studies. He teaches at Toronto Metropolitan University and the Rotman School of Management.</image:caption>
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      <image:title>Collaborators &amp; Contributors - Lisa Aikman</image:title>
      <image:caption>CONTRIBUTOR Lisa Aikman is a Ph.D graduate from the University of Toronto’s Centre for Drama, Theatre, and Performance Studies where her dissertation, Dramaturging Encounters: Working Methods and Dramaturgical Structures in Contemporary Canadian Documentary Theatre, examined documentary theatre as a genre that models ways of interacting with would-be strangers. Her current research interests include rehearsal studies, documentary theatre and theatre of the real, theatre of intercultural encounter, audience participation and reception, and theatre for social change/social justice. Within the context of Gatherings, Lisa is interested in how we might archive and study the working methods of independent and/or marginalized theatre-makers to create a fuller picture of how theatre and performance are created outside of mainstream, well-funded venues. She is currently Project Director of Gatherings, Managing Editor of Theatre Research in Canada, and serves as a coordinator and trainer for the Teaching Assistants’ Training Program, housed at the University of Toronto’s Centre for Teaching Support and Innovation.</image:caption>
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      <image:title>Collaborators &amp; Contributors - Cameron Crookston</image:title>
      <image:caption>CONTRIBUTOR Cameron Crookston received his PhD from the Centre of Drama, Theatre, and Performance Studies, in collaboration with the Mark S. Bonham Centre for Sexual Diversity Studies at the University of Toronto in 2019. He has taught classes on the history of sexuality, queer community engagement and the history of drag at the University of Toronto. His research focuses on drag, LGBTQ2+ history, and queer cultural memory. His work appears in Queer Studies in Media and Popular Culture and New Essays on Canadian Theatre and coming soon in GLQ: A Journal of Gay and Lesbian Studies and The Journal of Homosexuality.</image:caption>
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      <image:title>Collaborators &amp; Contributors - Dave DeGrow</image:title>
      <image:caption>CONTRIBUTOR David is a designer, manager, and theatre researcher working in Toronto. He has been part of some three hundred productions in Toronto and across Canada, and his designs have been nominated for three Dora awards. He completed his doctoral degree at the University of Toronto’s Centre for Drama, Theatre &amp; Performance Studies where he developed a new method of reading theatre facilities based on the interactions between theatre company, building, and the city around them.</image:caption>
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      <image:title>Collaborators &amp; Contributors - Tania Gigliotti</image:title>
      <image:caption>CONTRIBUTOR Tania Gigliotti is project manager for the Young People are the Future (YPTF) initiative (youth engagement in living history museums), spearheaded by Heather Fitzsimmons Frey. She presents at conferences (including AAAE, Horizons, and CATR), and has co-authored one article and one book chapter on based on YPTF research. Tania is Communications Manager at YouthWrite Society Canada. She has been working in children’s books since 2005 when she began work at Greenwoods’ Small World, an independent bookstore in Edmonton, AB. She started her journey into children’s comics at Happy Harbor Comics in 2014 and, while there, founded both Drawn to Write comic book camps for young creators ages 9+, which continue now at YouthWrite. She received her diploma in Arts &amp; Cultural Management at MacEwan University in 2020 and is now entering the degree program. Fitzsimmons Frey, H. and T. Gigliotti. (2021). "Let's Do the Time Warp Again:" Youth Interpreters at Fort Edmonton Park Performing Possibilities Across Time. Theatre Research in Canada/Recherches Théâtrales au Canada, 42(2). 243-263. Fitzsimmons Frey, H. and T. Gigliotti (2022). Time Travelling Girls: How girl volunteers at Fort Edmonton Park create activism, A Girl Can Do: Recognizing and Representing Girlhood. ed. Tiffany R. Isselhardt. Vernon Press. 213-232.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1702412481495-L7THKWQLRY243UU7736W/Laurel%2BHeadshot.jpg</image:loc>
      <image:title>Collaborators &amp; Contributors - Laurel Green</image:title>
      <image:caption>CONTRIBUTOR Laurel Green (she/her) is an adventurous dramaturg, interdisciplinary collaborator, and creative producer of new work; from the world premiere of over a dozen new plays to performance events, video games, participatory gardening installations, and secret backyard shows. She is a research associate for the SSHRC-funded project Performance in the Pacific Northwest: Pilot Project, developing new methodologies for performance historiography with Dr. Sasha Kovacs at the University of Victoria. Her primary research recovered early Canadian feminist playwright Louise Carter-Broun for Dr. Kym Bird’s anthology Blowing Up the Skirt of History: Recovered and Reanimated Plays by Early Canadian Women Dramatists, 1876-1920 (MCUP, 2020). She was an artistic advisor for the inaugural Dramaturgies of Participation Summit at Queens University, with an article forthcoming in Canadian Theatre Review. Laurel holds a Masters degree in Drama from the University of Toronto. She currently lives on the unceded traditional territories of the lək̓ʷəŋən-speaking peoples, colonially known as Victoria, BC.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1702412536696-H4OMS14AA2AUU601R0OV/Jenna+Kerekes.jpeg</image:loc>
      <image:title>Collaborators &amp; Contributors - Jenna Kerekes</image:title>
      <image:caption>CONTRIBUTOR Jenna Kerekes is an emerging arts manager in Edmonton. She graduated with a diploma in Arts and Cultural Management at MacEwan University in 2021 and plans to go back for her degree in fall 2022. Jenna has also done several community theatre shows at Stageworks Academy of the Performing Arts Leduc participating as an actor, stagehand, and lighting technician. Select credits include Mary Poppins, Mama Mia, and Legally Blonde. She has spent the majority of 2021 and 2022 working as a Production Assistant and Health Captain at the Citadel Theatre. Jenna worked with Heather Fitzsimmons Frey on performance-based historiography research and she has written an exhibit piece for Gatherings.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1702412586148-2DZOI1UJ11RP5AME48E5/Laura+Lucci.jpg</image:loc>
      <image:title>Collaborators &amp; Contributors - Laura Lucci</image:title>
      <image:caption>CONTRIBUTOR Laura A. Lucci is a Senior Lecturer in the Department of Communication Studies, Dance, and Theatre at Saint Mary’s College in South Bend, Indiana. Part of the College's first cohort of Academic Excellence and Inclusions Fellows, Laura is working with the faculty on integrating justice and equity oriented practices into all levels of teaching. A contributor to Gatherings since 2020, Laura completed her PhD at the University of Toronto’s Centre for Drama, Theatre and Performance Studies in 2017. Her thesis, Pirandello’s Dramaturgy of Time, examined the intersections of Luigi Pirandello’s drama with contemporary theories of time and temporality. For more information, visit https://lauraalucci.wordpress.com/.</image:caption>
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      <image:title>Collaborators &amp; Contributors - Marjan Moosavi</image:title>
      <image:caption>CONTRIBUTOR Marjan Moosavi is the Lecturer at Roshan Institute for Persian Studies, University of Maryland. She holds a Ph.D. in Theatre and Performance Studies from the University of Toronto’s Centre for Drama, Theatre and Performance Studies. Outside of academia, she wears multiple hats: she is a dramaturg, dramatic translator, and a diversity practitioner. She has served as a faculty member and designed curricula for the Universities in Iran, Canada, and the US and is the author of several scholarly publications. She is the curator of the Middle Eastern Theatre Photo Exhibition and the Principal Investigator of the First Digital Guide to Theater of the Middle East. Recent collaborations include those with Gatherings (University of Toronto), IPCCR (International Program for Creative Collaboration &amp; Research, University of Maryland), and Nowadays Theatre (Toronto).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1702412811097-T24HC2VG2QNL1VL1OQ88/Lena+Onalik.jpeg</image:loc>
      <image:title>Collaborators &amp; Contributors - Lena Onalik</image:title>
      <image:caption>CONTRIBUTOR Lena Onalik (Inuk) is the Heritage Program Coordinator with the Nunatsiavut Government’s Department of Language, Culture &amp; Tourism (Archaeology Division) in Nain, Nunatsiavut, NL. She is responsible for developing and implementing relevant heritage programming, as well as a community-based and field relating to different heritage issues. Originally from Makkovik, Nunatsiavut, she earned her BA in Archaeology at Memorial University in 2006. Since then, she has worked to promote her culture in a variety of roles, serving as the Nunatsiavut Government's first Archaeologist, worked as a Culturalist with Adventure Canada and participating in the annual Trails Tales and Tunes Festival in Gros Morne National Park. Lena has a keen interest in the preservation and protection of traditional Inuit practices such as Inuit throat singing, drum dancing, and traditional clothing making.</image:caption>
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      <image:title>Collaborators &amp; Contributors - Michael Reinhart</image:title>
      <image:caption>CONTRIBUTOR Michael Reinhart is a theatre/performance creator, performance scholar and theatre instructor. His work (both creative and academic) is based in exploring interdisciplinary art-making and collective-driven devised theatre creation. Much of this exploration, research and creative output has occurred through his work with [elephants] collective and Boundary Conditions/Performance Assembly, both of which he is a founding member. Michael teaches at TMU, the Randolph College for the Performing Arts, Brock University and the University of Toronto. He holds a PhD in Drama, Theatre and Performance Studies.</image:caption>
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      <image:title>Collaborators &amp; Contributors - Chanel Sheridan</image:title>
      <image:caption>CONTRIBUTOR Chanel Sheridan is currently completing her Bachelor of Arts at Queen’s University in Kingston, Ontario. Majoring in Drama while minoring in Gender Studies, she hopes to one day create theatre that moves people while exploring her interests in directing, stage managing, and set design. Working under Dr. Kelsey Jacobson as a research assistant, Chanel has explored how audiences archive performances and now wonders about her own archiving process as an audience member and theatre creator. Perhaps hoarding show tickets and programs is a useful skill after all.</image:caption>
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    <lastmod>2025-11-29</lastmod>
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      <image:caption>What are the current waves of research into the performance history of the Pacific Northwest? Patrick Blenkarn, Eury Chang and Selena Couture discuss how they make and interpret the archives of the Pacific Northwest region’s performance practices. Moderated by Gatherings Co-Investigator Heather Fitzsimmons-Frey</image:caption>
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      <image:caption>What approaches do the Pacific Northwest region’s museums, archives, and galleries take to the preservation of performance histories? Katherine Bunn-Marcuse (Burke Museum of Natural History), Michelle Jacques (Art Gallery of Greater Victoria), Lou-ann Neel (Royal BC Museum) and Lara Wilson (University of Victoria Archives) come together to speak about the approaches to performance at work within their own institutional contexts. Moderated by Gatherings Co-Investigator Sasha Kovacs</image:caption>
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      <image:caption>What is the approach taken by artists and arts organizations to the documentation of their own legacies? Amy Bowring (Dance Collection Danse), Carolyne Clare (Simon Fraser University), Matthew Payne (Theatre SKAM) and Janis LaCouvée (arts advocate) come together to discuss best practices for the preservation of artistic histories. Moderated by Symposium Co-organizer Priyanka Chatterjee (PhD Student, University of Victoria)</image:caption>
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      <image:caption>What is the role of the archives for performance-makers and creators? Kathy Carbone (University of California Los Angeles), Lindsay Delaronde (University of Victoria) and Danette Boucher (Histrionics theatre) come together to address how performance animates archival knowledge.</image:caption>
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    <loc>https://gatheringspartnership.com/performance-in-the-uvic-archives</loc>
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    <lastmod>2025-01-28</lastmod>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/spitballs</loc>
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    <lastmod>2025-01-28</lastmod>
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  <url>
    <loc>https://gatheringspartnership.com/macbeth-scream</loc>
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    <lastmod>2025-01-28</lastmod>
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  <url>
    <loc>https://gatheringspartnership.com/work-opportunities</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-01-21</lastmod>
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  <url>
    <loc>https://gatheringspartnership.com/chapbook-updates</loc>
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    <priority>0.75</priority>
    <lastmod>2025-01-21</lastmod>
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      <image:title>Chapbook Updates - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://gatheringspartnership.com/philistine</loc>
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    <priority>0.75</priority>
    <lastmod>2025-02-02</lastmod>
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  <url>
    <loc>https://gatheringspartnership.com/vaudeville</loc>
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    <priority>0.75</priority>
    <lastmod>2025-02-02</lastmod>
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  <url>
    <loc>https://gatheringspartnership.com/13-my-first-pratfall</loc>
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    <priority>0.75</priority>
    <lastmod>2025-02-04</lastmod>
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  <url>
    <loc>https://gatheringspartnership.com/one-man-show</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-02-09</lastmod>
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  <url>
    <loc>https://gatheringspartnership.com/roll-over-beethoven</loc>
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    <priority>0.75</priority>
    <lastmod>2025-02-09</lastmod>
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  <url>
    <loc>https://gatheringspartnership.com/city-and-country</loc>
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    <priority>0.75</priority>
    <lastmod>2025-02-09</lastmod>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/mock-graduation</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-02-17</lastmod>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/proscenium-puppets</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-02-17</lastmod>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/beckett-highschool</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-02-17</lastmod>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/new-grant-about</loc>
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    <priority>0.75</priority>
    <lastmod>2025-12-03</lastmod>
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      <image:title>About our New Partnership Grant - Make it stand out</image:title>
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  <url>
    <loc>https://gatheringspartnership.com/going-forward</loc>
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    <priority>0.75</priority>
    <lastmod>2025-12-03</lastmod>
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      <image:title>The Project 'Going Forward' - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://gatheringspartnership.com/partnerships-updated</loc>
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    <priority>0.75</priority>
    <lastmod>2025-12-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/5989f789-15dd-4700-a92d-3cb212651a05/imageedit_2_5467497635.png</image:loc>
      <image:title>Our Partnership Organizations Updated - Make it stand out</image:title>
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      <image:title>Our Partnership Organizations Updated - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://gatheringspartnership.com/new-governance</loc>
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    <priority>0.75</priority>
    <lastmod>2025-12-03</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/171a819d-d423-4c98-ad6d-bc159642169f/imageedit_2_5467497635.png</image:loc>
      <image:title>Our New Governance Structure - Make it stand out</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/cd889629-759b-4d83-a663-6519c56cba25/Gatherings+Governance.png</image:loc>
      <image:title>Our New Governance Structure - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://gatheringspartnership.com/faq</loc>
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    <priority>0.75</priority>
    <lastmod>2025-12-03</lastmod>
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  </url>
  <url>
    <loc>https://gatheringspartnership.com/newsletter</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-02-05</lastmod>
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  <url>
    <loc>https://gatheringspartnership.com/lethbridge-symposium-draft</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1598378073998-LSN8XDI985QX1M3ZG9NM/imageedit_2_5467497635.png</image:loc>
      <image:title>Lethbridge Symposium - Draft</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/f2bdf4bc-7940-495e-b0a8-5522d74a5877/Day+1_Accidental+Filmaker_Bailey.jpeg</image:loc>
      <image:title>Lethbridge Symposium - Draft - Mootookakio’ssin: Niitsitapi Digital Project</image:title>
      <image:caption>Dr. Josephine Mills, Danielle Heavy-Head, Christine Clark, and Melissa Shouting (University of Lethbridge)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1598379521997-P8GL5QHWQ4H8WCZN9FE6/IMG_6956.jpg</image:loc>
      <image:title>Lethbridge Symposium - Draft - Currents in Pacific Northwest Performance Research:</image:title>
      <image:caption>What are the current waves of research into the performance history of the Pacific Northwest? Patrick Blenkarn, Eury Chang and Selena Couture discuss how they make and interpret the archives of the Pacific Northwest region’s performance practices. Moderated by Gatherings Co-Investigator Heather Fitzsimmons-Frey</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1597969390443-A5A927ZI437GIGWMU8D0/IMG_6984.jpg</image:loc>
      <image:title>Lethbridge Symposium - Draft - Performance in the University of Victoria Archives:</image:title>
      <image:caption>How do archives collect and preserve performance histories? University of Victoria Archivist Lara Wilson and theatre historian James Hoffman speak about the challenges and opportunities of collecting, preserving, donating, and interpreting performance related archival materials.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1597969641647-N71M1TMB4X2FBHPNSFRV/IMG_7135.jpg</image:loc>
      <image:title>Lethbridge Symposium - Draft - The Place of Performance in Pacific Northwest Museums, Archives and Galleries:</image:title>
      <image:caption>What approaches do the Pacific Northwest region’s museums, archives, and galleries take to the preservation of performance histories? Katherine Bunn-Marcuse (Burke Museum of Natural History), Michelle Jacques (Art Gallery of Greater Victoria), Lou-ann Neel (Royal BC Museum) and Lara Wilson (University of Victoria Archives) come together to speak about the approaches to performance at work within their own institutional contexts. Moderated by Gatherings Co-Investigator Sasha Kovacs</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1597969785046-WL72J3BOPWG9R01F2LQD/IMG_9820.jpg</image:loc>
      <image:title>Lethbridge Symposium - Draft - Approaches to Archival Practice in the Performing Arts:</image:title>
      <image:caption>What is the approach taken by artists and arts organizations to the documentation of their own legacies? Amy Bowring (Dance Collection Danse), Carolyne Clare (Simon Fraser University), Matthew Payne (Theatre SKAM) and Janis LaCouvée (arts advocate) come together to discuss best practices for the preservation of artistic histories. Moderated by Symposium Co-organizer Priyanka Chatterjee (PhD Student, University of Victoria)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56aa7e89d210b87f5bc5b8af/1597969880063-DYNPT3VH48H7YP3HRW1T/IMG_7459.jpg</image:loc>
      <image:title>Lethbridge Symposium - Draft - Performance In/As Archive:</image:title>
      <image:caption>What is the role of the archives for performance-makers and creators? Kathy Carbone (University of California Los Angeles), Lindsay Delaronde (University of Victoria) and Danette Boucher (Histrionics theatre) come together to address how performance animates archival knowledge.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://gatheringspartnership.com/site-map</loc>
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    <priority>0.75</priority>
    <lastmod>2025-12-03</lastmod>
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  </url>
  <url>
    <loc>https://gatheringspartnership.com/catr-50</loc>
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    <priority>0.75</priority>
    <lastmod>2026-03-09</lastmod>
  </url>
</urlset>

